Come curious. Leave inspired.

The UW offers an exciting lineup of in-person and online events. From thought-provoking art and music to conversations on culture, history, and science, the UW community invites you to explore, learn, and connect across disciplines throughout the University. And you don’t have to wait until May: Take a look at everything still happening in April.

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ArtSci On Your Own Time:

Video | (Simpson Center for the Humanities)
Emily M. Bender’s talk on “AI” hype and resisting dehumanization, from a linguistic and humanities perspective, drew the largest crowd we have seen for a Katz Distinguished Lecture in years. For those who weren’t able to join us, and those who would like to revisit, you can now watch the full recording on our YouTube page. Free.

Podcast | (Biology)
This is a podcast centered around the humans who study the myriad biological processes that shape our world, specifically, the humans who are students and faculty in the Department of Biology at the 天美影视传媒. They are scientists who study everything from the ways cells move through complex tissues to ancient communities of long-extinct mammals, from the ways plants interact with their surroundings to the ways bats fly and hummingbirds feed. Plunge into the vast world of biology, students sharing paths to becoming scientists and the lessons they have learned along the way. Free.

Online Events | See all events offered online.

EXHIBITIONS:

April 28 – June 5 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrance Gallery. Opening nights: Group 1 – April 28, Group 2 – May 12, Honors – May 26. Free.

Through May 24 | (Henry Art Gallery)
Rodney McMillian (b. 1969, Columbia, South Carolina; based in Los Angeles, California) works with the social and political histories of the United States and how they shape our daily lives. Using existing texts and domestic materials—such as house paint on thrifted fabrics and bedsheets, or “post-consumer objects” as he calls them—he traces both the visible and invisible forces that shape civic life, particularly for the lives of African Americans. Inspired by the lush surroundings of the Henry, McMillian brings together sculpture, video, and painting that present an outdoor landscape overgrown with the lingering effects of physical, political, and social violence. Free.

May 16 – June 14 | (School of Art + Art History + Design)
The Henry is pleased to present the 天美影视传媒’s School of Art + Art History + Design Master of Fine Arts and Master of Design Thesis Exhibition. Throughout their programs, fine arts and design students work with advisers and other artists to develop advanced techniques, expand concepts, discuss critical issues, and emerge with a vision and direction for their own work. Henry staff conduct studio visits and work closely with the students to facilitate their projects and prepare them for exhibition at the museum. A digital publication will be produced in conjunction with the exhibition to highlight the students’ artistic endeavors and the Henry’s commitment to this exciting and important step in the students’ development as practicing artists and designers. Free.

Exhibition | (Henry Art Gallery)
ojo|-|o?l?? (pronounced oh-ho hol-ohn) is an exhibition of recent and newly commissioned work by Diné artist Eric-Paul Riege (b. 1994, Na’nízhoozhí [Gallup, New Mexico]) that includes sculpture, textile, collage, and video, activated by moments of performance. Across this work, Riege combines customary Diné practices of weaving, silversmithing, and beading with contemporary cultural forms, exploring Diné cosmology, the history of Euro-American trading posts in and adjacent to the Navajo Nation, and the notion of “authenticity” as a value marker of Indigenous art and craft. Free.

Week of April 27

Online – April 27 | (Jackson School of International Studies)
Presented by Niki Akhavan, Associate Professor and Chair of the Department of Media and Communication Studies at The Catholic University of America. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

April 28 | ?(School of Music)
Students of Dr. Stephen Price present a UW Organ studio spring recital. Dr. Price teaches Organ performance, Church music, and Keyboard Harmony courses. In addition, he leads ongoing initiatives to develop and revitalize the UW program, continuing the legacy of his predecessor, Dr. Carole Terry. Free.

April 28 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrance Gallery. Ways of Becoming is split into three shows between April 28 – June 5, 2026. Free.

April 28 | (Simpson Center for the Humanities)
Stephanie LeMenager, Professor of English and Environmental Studies, considers the role of fiction as a form of resistant truth-telling in an era of lies, bullish*t, propaganda, GenAI fakes, and conspiracy theory, and in the shadow of the climate crisis. In our media atmosphere filled with falsehoods, fiction becomes a means of capturing messy realities unassimilable to propaganda. Moreover, the flexibility of fictional imagination allows for social responses to radical uncertainties, via new genres of storytelling that call climate-change publics into being. In this talk, we’ll consider stories of megafire. Free.

Online option – April 28 | (Jackson School of International Studies)
This panel features talks on conducting research in the Peruvian Amazon by Justin Perez (UCSC) and Amanda Smith (UCSC). Perez will present “Queer Emergent: Scandalous Stories from the Twilight of AIDS in Peru” and Smith will present, “Situating Mothering in a Geography of Digital Colonialism: The Digital Biblioteca Amazónica,” a project to create an open-access digital archive of materials housed at the Biblioteca Amazónica in Iquitos, Peru. Free.

April 29 | (Philosophy)
The idea of space as the stage on which physical events play out dates at least as far back as the 5th century BC. The twentieth century saw a shift from theorising about space and time separately to thinking about spacetime, but the metaphor of spacetime as a stage or arena has continued. Twenty-first century physics looks likely to render this untenable – theories of quantum gravity do not appear to postulate spacetime as a fundamental container for physical contents. This talk examines an alternative way of thinking about spacetime based on the role that it plays in our physical theories – spacetime philosophy should focus on what spacetime does, rather than what it is. Free.

April 29 | (Psychology)
Presented by Maureen Craig, Associate Professor of Psychology & Neuroscience, Duke University. Free.

April 30 | (School of Music)
The Wind Ensemble and Symphonic Band (Erin Bodnar, director) presents “Scenes and Portraits,” featuring music by Gustav Holst, Martin Ellerby, and others.

April 30 |(Burke Museum of Natural History and Culture)
What does it mean to live well as wildfire and smoke season becomes more a part of life in the Pacific Northwest and many other places around the world? As much as we focus on preparedness and reducing materials that fuel wildfires, we must also reckon with the human dimensions of fire, which shape how we interact with it. “Fire Humanities” is a book project and an emerging field of study that draws on the humanities and arts to center stories, representations, collaborations, and values that promote adaptation, resilience, and justice as we adapt to a world with more fire.

This program will feature a panel discussion with five contributors to the book, who will share their approaches to this emerging field of research. After the panel, you’ll be invited to share your stories of fire and smoke with each other, speak with the panelists, and participate in hands-on activities connected to the Fire Humanities project. Free.

April 30 | ?(Jackson School of International Studies)
Panel discussion featuring Wang Feng, University of California, Irvine, and Yong Cai, University of North Carolina at Chapel Hill, along with UW faculty James Lin and Sara Curran. Free.

May 1 | (Jackson School of International Studies)
Writing history entails good editing—and accepting when material can’t make the final cut. Lengthy research projects require a command of sources but also analytical flexibility. Such flexibility can ensure rigor, sometimes at the expense of findings that, alas, must be shelved for some other future use. “The B-Sides of Unmaking Botany” will examine a set of sources that did not make it into the recently published monograph Unmaking Botany: Science and Vernacular in the Colonial Philippines (Duke University Press, 2025). The objectives of the talk are thus twofold: to provide a behind-the-scenes take on the production of a scholarly monograph and to offer a conceptual argument gleaned from the sources that nonetheless resonates with some of Unmaking Botany’s principal interventions. Free.

May 1 | (Political Science)
Presented by Rachel Krause, Professor, School of Public Affairs and Administration, University of Kansas. Free.

May 1-2 | (American Indian Studies)
Indigenous scholars, artists, community leaders, and practitioners come together to reflect on food sovereignty, wellness, cultural resurgence, and collective healing through land-based knowledge and practice. Keynote by Vina Brown (Haí?zaqv and Nuu-chah-nulth), a scholar, artist, and wellness advocate, whose work centers on Indigenous law, cultural healing, and community well-being. Raised in her Haí?zaqv homelands, Vina’s work is deeply grounded in cultural resurgence, ceremony, and Tribal Canoe Journeys. She is the founder of Copper Canoe Woman and co-founder of Rooted Resiliency, an Indigenous women-led nonprofit dedicated to community wellness, cultural healing, and reclamation. Across her work, Vina advocates for land, culture, and collective well-being, with particular attention to healing intergenerational and historical trauma through community, movement, and Indigenous knowledge systems.

Week of May 4

Online – May 4 | (Jackson School of International Studies)
Presented by Teresa Mosqueda, Councilmember of the Metropolitan King County Council and Anita Ramasastry, Barer Chair and Professor of Law and the 天美影视传媒. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

May 4 | (Jackson School of International Studies)
The foundation of the Abe consensus — the LDP, together with Komeito, governing with large, stable majorities to promote growth as part of the global economy and develop Japan’s military power and international partnerships under the aegis of US leadership — has crumbled after little more than a decade. The LDP has lost public trust, its relationship with Komeito, and its large majorities. The US is in retreat and no longer defending the international order from which Japan had benefited. This talk will look at how this order crumbled and where Japan’s politics goes from here. Free.

May 4 | (Jackson School of International Studies)
Tina Turner’s (1939–2023) successful recording career and electrifying stage performances earned her the moniker of “Queen of Rock and Roll.” At the same time, Turner was perhaps one of the most famous Black Buddhist celebrities. In this talk, I will highlight the ways that Turner’s Buddhist practice combined her Afro-Protestant upbringing, the trans-Atlantic flow of metaphysical religious ideas, and SGI Nichiren Buddhism. The talk will show how Turner’s combinatory religious sensibilities are indicative of trends in Black Buddhism. Free.

May 4 | (Chemistry)
Presented by Professor Maksym Kovalenko, Department of Chemistry and Applied Biosciences, ETH Zurich. Hosted by UW Professor David Ginger. Free.

May 5 | (Meany Center for the Performing Arts)
It seems like two separate realms. One is occupied by acclaimed dancers from Brooklyn’s world-renowned Mark Morris Dance Group, the other by people with Parkinson’s disease. CAPTURING GRACE is about what happens when those two worlds intersect. Filmed over the course of a year, Dave Iverson’s remarkable documentary reveals the hopes, fears, and triumphs of this newly forged community as they work together to create a unique, life-changing performance. There will be a post-screening discussion with Shawn Roberts, a Dance for PD? teaching artist? and Dr. Pravin Khemani, MD, Medical Director of the Movement Disorders Clinic, Swedish Neuroscience Institute, Providence Health & Services. Free.

Online option – May 5 | (Physics)
Dr. John Martinis, recipient of the 2025 Nobel Prize in Physics, presents “Prehistoric quantum bits: experiments testing the fundamental physics of superconducting quantum devices.” Quantum mechanics was developed to describe the physics of the small, for fundamental particles, atoms and molecules. But does it still work for macroscopic systems? Martinis’ PhD thesis experiment in 1985 tested this idea, showing the macroscopic current and voltages in a 1 cm chip obey the quantum phenomena of tunneling and energy-level quantization, proving that a superconducting circuit can behave as a single `artificial atom.’ Over the last four decades, many physicists around the world have continued research on quantum devices. The field has evolved from fundamental tests into a high-stakes effort to build quantum bits and a quantum computer. At Google, the ‘quantum supremacy’ experiment was the culmination of this system-level optimization, proving that a processor could outpace classical supercomputers by maintaining high-fidelity control over a huge computational (Hilbert) space. Now, at his startup Qolab, they are leveraging 300mm semiconductor fabrication to achieve the extreme uniformity and yield necessary to build a useful general-purpose quantum computer. Free.

May 6 | (History)
Presented by Angela Zimmerman, George Washington University. Zimmerman’s recent research has focused on the global history of the U.S. Civil War, Reconstruction, and the New South. She is the author of Alabama in Africa: Booker T. Washington, the German Empire, and the Globalization of the New South (Princeton, 2010) and the editor of Karl Marx and Friedrich Engels, The Civil War in the United States (International Publishers, 2016). Her first book, Anthropology and Antihumanism in Imperial Germany (Chicago, 2001), studied imperialism, science, and popular culture. Her next book, To Seek a Newer World, will be published by Alfred A. Knopf in 2027. Free.

May 7 | (Simpson Center for the Humanities)
Move beyond the headlines and hot takes for a deeper conversation on labor and identity within women’s hoops with Dr. Courtney M. Cox, author of Double Crossover: Gender, Media, and Politics in Global Basketball (University of Illinois Press, 2025). In her book, she considers how athletes maneuver their lives and labor across leagues and borders, whether in the NCAA, WNBA, Athletes Unlimited, or overseas leagues. Cox is Associate Professor in the Department of Indigenous, Race, and Ethnic Studies (IRES) at the University of Oregon. She previously worked for ESPN, Longhorn Network, NPR-affiliate KPCC, and the WNBA’s Los Angeles Sparks. Free.

May 7 | (Jackson School of International Studies)
Presented by Dredge Byung’chu Kang, Assistant Professor of Anthropology at the University of California, San Diego. The aesthetics of K-Pop flower boy masculinity, the narratives of K-Drama cross-gender characters, and imagined Korean lesbianism have refashioned contemporary tom (Thai butch lesbian) gender presentation, partnership patterns, and sexual roles. Many Thai youth are “ba kaoli” (crazed for all things Korean), including young lesbians. In this talk, Kang examines how Korean media, consumer goods, and cultural assets are mobilized to imagine, enact, and embody Asian cosmopolitan identities. Kang describes a case in which Thai tom become “tom-gay,” by coupling with another tom. This masculine homogender pairing was previously considered inconceivable when tom-dee relationships between a lesbian and a “normal” woman were the heterogender norm. Kang argues that tom participation in K-pop fandoms, adoption of soft masculine style, and identification with female leads playing male roles in K-drama have allowed for the emergence of new lesbian sexualities. Kang thus shows how Korean Wave media has shaped Thai gender and sexuality. Free.

May 7 | ?(Teaching@UW)
UW’s Five for Flourishing Initiative is a project designed to foster social connection and belonging among students in large enrollment courses. The project team will share the initiative’s 5 core strategies and preliminary data. UW faculty members who implemented the strategies will also report on their experiences. The UW Five for Flourishing Initiative is a collaboration between the UW Center for Teaching & Learning, the UW Resilience Lab, and UW Academic Strategy & Affairs. Free.

May 7 | (Jackson School of International Studies)
Presentations and discussions with:

• Raymond Jonas (UW History Dept), “France’s Five Republics and what they tell us about how republics are born and how they die”
• Terje Leiren (Emeritus, UW Scandinavian Studies), “From Royal Absolutism to Parliamentary Government: Political Transition in Scandinavia (Denmark, Norway, and Sweden).”
• James Felak (UW History Dept), “The Perils of a Problematic Constitution: the Cases of Interwar Poland, Czechoslovakia, and Yugoslavia.”

Free.

May 8 | (Jackson School of International Studies)
Hidden for decades in a locked cabinet at the Center for Asia Minor Studies in Athens, Eva Palmer Sikelianos’s love letters (1900-1910)—personal, creative, and revealing networks of desire and kinship—challenge expectations about what belongs in Greece’s archival record.?These scattered, stuttering papers sat uneasily within an institute dedicated to Orthodox Christian refugee history, raising new questions about whose lives and stories find a place in official memory. What happens when a collection resists straightforward histories—when archiving itself becomes an act of negotiation, improvisation, and listening for what’s unsaid? What can these fragments teach us about the possibilities of cultural memory, and how listening to stutters and silences might open new ways of understanding the past? In this talk, Artemis Leontis (University of Michigan) explores the process of archiving Palmer’s collection: the hurdles, improvisations, and acts of care involved in bringing these materials from secrecy to public view. Inspired by Patricia Keller’s idea of the “stutter in the archive,” she shows how gaps, interruptions, and incomplete stories invite us to rethink what archives can do, and how they respond to lives lived beyond conventional narratives. Free.

May 7 – 9 | (Meany Center for the Performing Arts)
Celebrate America’s 250th anniversary with Dances to American Music: Soul of America, a captivating performance by one of the country’s leading dance companies. Choreographed by the legendary Mark Morris, this program blends jazz, classical and folk music by iconic American composers, including George Gershwin, Louis Moreau Gottschalk, James P. Johnson and John Luther Adams. Morris brings his unique creativity and musical precision to life, fusing dance and live music to honor the vibrant spirit and diversity of America’s artistic heritage.

May 10 | ?(School of Music)
Performance by John-Carlos Perea, chair of UW Ethnomusicology and Grammy-winning multi-instrumentalist. He is joined by guests Marc Seales, piano, Gary Hobbs, drums, and Michael Brockman, saxophone. Free.

Week of May 11

Online – May 11 | (Jackson School of International Studies)
Presented by Stéphane Mourlane, Senior Lecturer, Aix-Marseille University; Yvan Gastaut, Lecturer, University of C?te d’Azur; and Paul Dietschy, Professor, Marie and Louis Pasteur University. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

May 11 | (Asian Languages & Literature)
What was the impact of colonialism on listening in nineteenth-century north India? How did conceptual vocabularies and explanations for emotional responses to music evolve? Did the way listeners processed their feelings about music dramatically change? In this lecture, Richard Williams, Reader (Associate Professor) in the Department of Music and South Asian Studies at SOAS University of London, explores the place of music in the history of the emotions. Williams begins in the early modern period, and consider theories of embodied response and systems for visualizing music through painting and poetry. He then explores how colonial-era authors writing in vernacular languages drew these older theories into conversation with modern ontologies of music and emotion, often inspired by developments in European understandings of the physics of sound and psychological models of emotion. Despite these developments, he argues that nineteenth and twentieth-century sources show that older concepts continued to shape the discourse in Indian music studies, and were not simply overwritten by new, European theories. Free.

May 12 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrance Gallery. Ways of Becoming is split into three shows between April 28 – June 5, 2026. Free.

May 12 – 14 | ?(Mathematics)
Richard W. Kenyon, Erastus L. DeForest Professor of Mathematics at Yale University, will give a series of three lectures on “Dimers and webs,”

• May 12 | Webs, multiwebs, traces. The main theorem statement
• May 13 | SL3 case: reduced webs, scaling limits. Connection to the 4-color theorem
• May 14 | Positive connections and generalizations

Kenyon received his PhD from Princeton University in 1990 under the direction of William Thurston. After a postdoc at IHES, he held positions at CNRS in Grenoble, Lyon, and Orsay and then became professor at UBC, Brown University and then Yale where he is currently Erastus L. Deforest Professor of Mathematics. He was awarded the CNRS bronze medal, the Rollo Davidson prize, the Loève prize, is a member of the American Academy of Arts and Sciences, and is a Simons Investigator. His central mathematical contributions are in statistical mechanics and geometric probability. He established the first rigorous results on the dimer model, opening the door to recent spectacular advances in the Schramm–Loewner evolution theory. In his most recent work, he introduced new homotopic invariants of random structures on graphs, establishing an unforeseen connection between probability and representation theory. Free.

May 12 – 14 | (Stroum Center for Jewish Studies)

• May 12 | Did ‘Men’ and ‘Women’ Always Exist? What the Talmud Can Tell Us
• May 14 | Monsters, Hybrids, and Holy Images – Rethinking Bodies in Ancient Jewish Art

Rafael Neis is a scholar and artist. Neis is the Jean and Samuel Frankel Professor of Rabbinic Literature and is appointed in the Department of History and Frankel Center for Judaic Studies at the University of Michigan. As Faculty Director of Arts Learning at Michigan’s Arts initiative, Neis supports campus-wide art-integrated pedagogy. Their second book, When a Human Gives Birth to a Raven: Rabbis & the Reproduction of Species, was published in 2023 by University of California Press. Their artwork has been featured in shows and in many publications. Free.

Online option – May 13 | My Greatest Save with Briana Scurry (Public Lectures)
From winning two Olympic gold medals and a World Cup championship to enduring a career-ending concussion that left her “temporarily totally disabled” and forced her to pawn her Olympic medals, Briana Scurry delivers a raw and inspiring account of resilience. With unflinching candor, she guides audiences through the soaring highs and devastating lows of her journey—sharing a story of triumph, adversity, and ultimate redemption. Along the way, Scurry reflects on the global influence of soccer and the enduring significance of the World Cup, offering a deeply personal perspective on the sport that shaped her life and legacy. Free.

May 14 | ?(Political Science)
Adam Smith’s Wealth of Nations was published 250 years ago and illustrated how prosperity is created by an invisible hand (specialization, competition, and a well-governed society). Was it a coincidence that sustained economic progress began shortly thereafter? Smith’s framework and his spirit remain a wise guide to modern betterment and a powerful antidote against today’s reflex for control, protectionism, and political allocation. Join us for a discussion of Adam Smith’s Wealth of Nations and its continued relevance. Free.

May 14 | (Jackson School of International Studies)
Fu Pei-mei (1931-2004), Taiwan’s beloved and pioneering postwar cook book author and television celebrity, was often called the “Julia Child of Chinese cooking.” Fu appeared continuously on television for forty years, wrote dozens of best-selling Chinese cookbooks, owned a successful cooking school and traveled the world, teaching foreigners about Chinese food. Women in her generation, which included both housewives and career women, turned to Fu because she taught them how to cook an astounding range of unfamiliar Chinese regional dishes, in ways their own mothers and grandmothers never could. Her cookbook also represents the transpacific journeys of thousands of migrants, as they carried her recipes in their suitcases, traveling far from home. Fu’s story offers us a window onto not just food, but also family, gender roles, technology, media, foreign relations, and cultural identity. This is not a story of timeless culinary tradition, but one of modern transformation– of self and family, of cuisine and society. Free.

May 15 | (School of Music)
William Dougherty is an American composer, sound artist, educator, and writer who joined the 天美影视传媒 faculty in January 2025. Dougherty’s works have been performed internationally by ensembles including BBC Scottish Symphony Orchestra (Glasgow), The Sun Ra Arkestra (Philadelphia), Yarn/Wire (New York), Ensemble Phoenix (Basel), TILT Brass (New York), Ensemble for New Music Tallinn(Estonia), JACK Quartet (New York), and Talea Ensemble (New York). His music has been featured in festivals such as Tectonics Glasgow (2023), IRCAM’s ManiFeste (2019), musikprotokoll (2018), Donaueschingen Musiktage (2017), New Music Miami (2017), Tectonics Festival New York (2015), the New York City Electroacoustic Music Festival (2015), the 47th Internationale Ferienkurse für Neue Musik in Darmstadt (2014), the New York Philharmonic Biennale (2014), and broadcast on BBC Radio 3. THEME: A colloquium of UW faculty and students of Theory, History, Ethnomusicology, and Music Education held on select Friday afternoons during the academic year. Free.

May 15 | (School of Music)
Faculty pianist Craig Sheppard is joined by current and former UW students in this concert celebrating the 250th anniversary of the signing of the Declaration of Independence.

May 15 | (Political Science)
Presented by Daniel Krcmaric, Associate Professor of Political Science and Law, Northwestern University. Free.

May 16 | ?(Biology)
Welcoming all families and science enthusiasts of all ages. The UW Department of Biology’s experts in the field whose research and teaching span cellular and molecular biology, global climate change, paleontology, and plant biology. Through experimentation and conversation, explore questions such as: How have penguins adapted to survive climate change? How is neuron fate decided during development? Why are mosquitoes attracted to us? Do plants really “defend” themselves against insect predators? How does the brain really work? And does the Greenhouse really have a stinky corpse plant and when will it bloom next? You’ll also be able to touch invertebrates, brains, fossils…and more! Free.

May 16 | (Henry Art Gallery)
As part of the U District Street Fair, Meet Me at the Henry is a twice-a-year celebration of contemporary art and ideas. Explore new exhibitions, catch captivating performances, get hands-on with an all-ages art-making workshop and museum bingo, and discover rarely seen works from the Henry’s collection. Free.

May 14 – 17 | (Dance)
The MFA Dance Concert features original dances created by the current MFA Cohort, with over fifty undergraduate dancers. The artists explore humanity and community drawing from a variety of movement languages including contemporary modern, wh/aacking and punking, groove, body percussion, and more.

Week of May 18

Online – May 18 | (Jackson School of International Studies)
Speakers TBD. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

May 18 | (School of Music)
UW music students perform music from the Baroque era under the direction of Tekla Cunningham. Free.

Online option – May 19 | Five Ways to Watch the World Cup with Ron Krabill (Public Lectures)
As Seattle gears up to host the 2026 FIFA Men’s World Cup, the city finds itself at the center of a heated debate: Is the tournament an economic catalyst or a misuse of public funds? A celebration of Seattle’s cultural vibrancy or a distraction from pressing regional challenges? A thrilling chance to witness the world’s greatest athletes—or a calculated profit grab by global elites? This talk invites audiences to explore five distinct perspectives on the political and cultural impact of the tournament—offering a more nuanced, thought-provoking look at what the World Cup means for Seattle and the world.?Free.

May 19 | (Stroum Center for Jewish Studies)
Visiting author and scholar Jacob Daniels will discuss his new book, The Jews of Edirne: The End of the Ottoman Europe and the Arrival of Borders. At the turn of the twentieth century, the city of Edirne was a bustling center linking Istanbul to Ottoman Europe. It was also the capital of Edirne Province—among the most religiously diverse regions of the Ottoman Empire. But by 1923, the city had become a Turkish border town, and the province had lost much of its non-Muslim population. With this book, Jacob Daniels explores how one of the world’s largest Sephardi communities dealt with the encroachment of modern borders. Free.

May 19 | (School of Music)
UW voice students of Thomas Harper and Carrie Shaw perform art songs and arias from the vocal repertoire. Free.

May 19 | (Jackson School of International Studies)
Thea Riofrancos is an Associate Professor of Political Science at Providence College, a Strategic Co-Director of the Climate and Community Institute, and a fellow at the Transnational Institute. She is the author of Extraction: The Frontiers of Green Capitalism (W.W. Norton, 2025) and Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador (Duke University Press, 2020), and the coauthor of A Planet to Win: Why We Need a Green New Deal (Verso Books, 2019). Free.

May 19 | (Astronomy)
Enjoy evening talks, interactive exhibits, and on clear nights, sky viewing through our historic 1895 telescope. Viewings are held on the first and third Tuesday evenings from April through September, rain or shine. A public talk followed by telescope viewing once the sky darkens. Explore the universe with the UW! Free.

May 21 | (School of Music)
The master Javanese gamelan musician Heri Purwanto from Indonesia performs with his students in this evening of music from central Java, Indonesia.

May 21 – 31 | (School of Drama)
At “God’s” command, “Death” summons “Everybody” to go on the long and difficult journey to give a presentation to “God” on Everybody’s life and why they have lived it the way that they have. Everybody wants to bring along a friend, and Death says it’s fine if Everybody can find someone to volunteer. Pulitzer Prize-winning playwright Branden Jacobs-Jenkins adapted the play from the 15th-century morality play Everyman. Professor Chi-wang Yang directs this production, in which each night the performers’ roles are determined by a lottery. Everybody reveals to us the value of our relationships and how to live with intention amid uncertainty.

May 21 | (American Indian Studies)
Sacred Breath features Indigenous writers and storytellers sharing their craft at the beautiful w???b?altx? Intellectual House on the UW Seattle campus. Storytelling offers a spiritual connection, a sharing of sacred breath. Literature, similarly, preserves human experience and ideals. Both forms are durable and transmit power that teaches us how to live. Both storytelling and reading aloud can impact audiences through the power of presence, allowing for the experience of the transfer of sacred breath as audiences are immersed in the experience of being inside stories and works of literature. Free.

May 22 | (School of Music)
Guitar students of Michael Partington present their quarterly studio recital. Michael Partington is one of the most engaging of the new generation of concert players. Praised by Classical Guitar Magazine for his “lyricism, intensity and clear technical command,” this award-winning British guitarist has performed internationally as a soloist and with ensemble to unanimous critical praise. Audiences are put at ease by his charming stage manner and captivated by his musical interpretations. His innate rhythmic understanding and sense for tonal colour combine to form some of the most memorable phrasing to be heard on the guitar. Free.

May 22 | (School of Music)
The UW’s graduate-student-led choral ensembles—the University Singers, UW Glee, and Treble Choir—present an eclectic year-end concert.

May 22 | ?(Political Science)
Presented by Valentina González-Rostani, Assistant Professor, University of Southern California. Free.

Through May 24 | (Henry Art Gallery)
Rodney McMillian (b. 1969, Columbia, South Carolina; based in Los Angeles, California) works with the social and political histories of the United States and how they shape our daily lives. Using existing texts and domestic materials—such as house paint on thrifted fabrics and bedsheets, or “post-consumer objects” as he calls them—he traces both the visible and invisible forces that shape civic life, particularly for the lives of African Americans. Inspired by the lush surroundings of the Henry, McMillian brings together sculpture, video, and painting that present an outdoor landscape overgrown with the lingering effects of physical, political, and social violence. Free.

Week of May 25

Through May 31 | (School of Drama)
At “God’s” command, “Death” summons “Everybody” to go on the long and difficult journey to give a presentation to “God” on Everybody’s life and why they have lived it the way that they have. Everybody wants to bring along a friend, and Death says it’s fine if Everybody can find someone to volunteer. Pulitzer Prize-winning playwright Branden Jacobs-Jenkins adapted the play from the 15th-century morality play Everyman. Professor Chi-wang Yang directs this production, in which each night the performers’ roles are determined by a lottery. Everybody reveals to us the value of our relationships and how to live with intention amid uncertainty.

May 26 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrance Gallery. Ways of Becoming is split into three shows between April 28 – June 5, 2026. Free.

May 26 | (School of Music)
The UW Percussion Ensemble (Bonnie Whiting, director) performs contemporary music of many genres composed for percussion ensembles ranging in size from trios to nonets and dectets. Free.

May 27 | (Chemistry)
Presented by Professor Benedetta Mennucci, Department of Chemistry, University of Pisa. Free.

Online Option – May 27 | Is A River Alive? Exploring the lives, deaths and rights of rivers with Robert Macfarlane (Public Lectures)
Across the globe, rivers are dying—choked by pollution, parched by drought, and shackled by dams. The prevailing narrative treats freshwater as a mere resource, water as a liquid asset, existing solely for human use. This lecture offers a different current: an ancient and urgent story in which rivers live, die, and even possess rights. It reimagines rivers as vital, sentient life-forces, intertwined with our own survival. Spanning Ecuador, India, Aotearoa New Zealand, northeastern Canada, and the speaker’s native southern England, the talk weaves together the voices of activists, artists, and lawmakers. Passionate and immersive, it promises to spark debate, shift perspectives, and invite listeners to recognize a profound truth: our fate has always flowed with the rivers. Free.

May 28 | (History)
Professor Matthew Sommer’s new book The Fox Spirit, the Stone Maiden, and Other Transgender Histories from Late Imperial China (Columbia UP, 2024) considers a range of transgender practices and paradigms in Late Imperial China, illuminating how certain forms of gender transgression were sanctioned in particular contexts and penalized in others. This talk will focus on the crime of “a male masquerading in female attire” (男扮女裝), which was prosecuted by applying the statute against “using deviant ways and heterodox principles to incite and deceive the common people” (左道異端煽惑人民). Anatomical males who presented as women sometimes took a conventionally female occupations such as midwife, faith healer, or even medium to a fox spirit — yet, suspected of sexual predation, they risked death for the crime of “masquerading in women’s attire,” even when they had lived peacefully in their communities for years. Free.

May 28 | (Center for American Indian and Indigenous Studies)
Graduate and undergraduate students and Indigenous Knowledge Families present their original research in the field of Indigenous Studies. Free.

May 29 | (School of Music)
Students of John Popham present a chamber music showcase. Free.

May 29 | (School of Music)
The Modern Music Ensemble (Cristina Valdés, director) performs music from the mid-20th century and beyond, including world premieres of works by living composers. Free.

May 30 | (School of Music)
The Campus Philharmonia Orchestras (Robert Stahly, Zach Banks, conductors) present an end-of-quarter concert. Free.

Online Events:

Online option – April 28 | (Jackson School of International Studies)
This panel features talks on conducting research in the Peruvian Amazon by Justin Perez (UCSC) and Amanda Smith (UCSC). Perez will present “Queer Emergent: Scandalous Stories from the Twilight of AIDS in Peru” and Smith will present, “Situating Mothering in a Geography of Digital Colonialism: The Digital Biblioteca Amazónica,” a project to create an open-access digital archive of materials housed at the Biblioteca Amazónica in Iquitos, Peru. Free.

May 5 | (Physics)
Dr. John Martinis, recipient of the 2025 Nobel Prize in Physics, presents “Prehistoric quantum bits: experiments testing the fundamental physics of superconducting quantum devices.” Quantum mechanics was developed to describe the physics of the small, for fundamental particles, atoms and molecules. But does it still work for macroscopic systems? Martinis’ PhD thesis experiment in 1985 tested this idea, showing the macroscopic current and voltages in a 1 cm chip obey the quantum phenomena of tunneling and energy-level quantization, proving that a superconducting circuit can behave as a single `artificial atom.’ Over the last four decades, many physicists around the world have continued research on quantum devices. The field has evolved from fundamental tests into a high-stakes effort to build quantum bits and a quantum computer. At Google, the ‘quantum supremacy’ experiment was the culmination of this system-level optimization, proving that a processor could outpace classical supercomputers by maintaining high-fidelity control over a huge computational (Hilbert) space. Now, at his startup Qolab, they are leveraging 300mm semiconductor fabrication to achieve the extreme uniformity and yield necessary to build a useful general-purpose quantum computer. Free.

Live (not recorded) | (Jackson School of International Studies)
This lecture series is hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Topics include:

• April 27 | Iran and Seattle’s World Cup
• May 4 | Workers’ Rights in Seattle during the World Cup
• May 11 | Seattle’s World Cup: The View from Europe
• May 18 | The Pride Match and LGBTQ+ Rights
• June 1 | Egypt Comes to Seattle

Free.

May 13 | My Greatest Save with Briana Scurry (Public Lectures)
From winning two Olympic gold medals and a World Cup championship to enduring a career-ending concussion that left her “temporarily totally disabled” and forced her to pawn her Olympic medals, Briana Scurry delivers a raw and inspiring account of resilience. With unflinching candor, she guides audiences through the soaring highs and devastating lows of her journey—sharing a story of triumph, adversity, and ultimate redemption. Along the way, Scurry reflects on the global influence of soccer and the enduring significance of the World Cup, offering a deeply personal perspective on the sport that shaped her life and legacy. Free.\

May 19 | Five Ways to Watch the World Cup with Ron Krabill (Public Lectures)
As Seattle gears up to host the 2026 FIFA Men’s World Cup, the city finds itself at the center of a heated debate: Is the tournament an economic catalyst or a misuse of public funds? A celebration of Seattle’s cultural vibrancy or a distraction from pressing regional challenges? A thrilling chance to witness the world’s greatest athletes—or a calculated profit grab by global elites? This talk invites audiences to explore five distinct perspectives on the political and cultural impact of the tournament—offering a more nuanced, thought-provoking look at what the World Cup means for Seattle and the world.?Free.

May 27 | Is A River Alive? Exploring the lives, deaths and rights of rivers with Robert Macfarlane (Public Lectures)
Across the globe, rivers are dying—choked by pollution, parched by drought, and shackled by dams. The prevailing narrative treats freshwater as a mere resource, water as a liquid asset, existing solely for human use. This lecture offers a different current: an ancient and urgent story in which rivers live, die, and even possess rights. It reimagines rivers as vital, sentient life-forces, intertwined with our own survival. Spanning Ecuador, India, Aotearoa New Zealand, northeastern Canada, and the speaker’s native southern England, the talk weaves together the voices of activists, artists, and lawmakers. Passionate and immersive, it promises to spark debate, shift perspectives, and invite listeners to recognize a profound truth: our fate has always flowed with the rivers. Free.

ArtSci Roundup goes monthly!

The ArtSci Roundup is your guide to connecting with the UW—whether in person, on campus, or on your couch.

Previously shared on a quarterly basis, those who sign up for the Roundup email will receive them monthly, delivering timely updates and engaging content wherever you are. Check the roundup regularly, as events are added throughout the month. Make sure to check out the ArtSci On Your Own Time section for everything from podcasts to videos to exhibitions that can be enjoyed when it works for you!

In addition, if you like the ArtSci Roundup, sign up to receive a monthly notice when it’s been published.

Do you have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).uw.edu).

Come curious. Leave inspired.

The UW offers an exciting lineup of in-person and online events. From thought-provoking art and music to conversations on culture, history, and science, the UW community invites you to explore, learn, and connect across disciplines throughout the University.

And as April comes to a close, see what’s happening in May.?

.

ArtSci On Your Own Time or From Your Own Home

Video | (Simpson Center for the Humanities)
From “Mourning across Centuries and Languages: A Poem’s Six-Hundred-Year Journey” with Jahan Ramazani to “What Is Racial Capitalism and Why Does It Matter?” with Robin D. G. Kelley, the Katz Distinguished Lectures Playlist offers a rich, ever-growing archive to explore from wherever you are, inviting you to engage with a wide range of thought-provoking topics. Free.

Book Club | Chronicles from?the Land of the Happiest People on Earth by Wole Soyinka?(UW Alumni)
Readers’ Choice! A mix of mystery and political satire, this novel takes aim at corruption in modern Nigeria. Two old friends decide to investigate a local cartel that traffics in human body parts. But in a country where religious charlatans and dishonest officials abound, can they trust anyone in their search? Free.

EXHIBITIONS CLOSING:

Through April 4 | ?(School of Art + Art History + Design)Death is a fundamental first step toward rebirth—but this transition can feel daunting without a compassionate guide. In The Book of Zero, our 2026 Jacob Lawrence Legacy Resident indira allegra presents a multimedia, meditative experience shaped by their research into doula work, death care, and the cyclical nature of bodies and environments. Free.

Through April 26 | ?(Henry Art Gallery)
How might art respond when the conditions supporting artistic expression—its very ground—are under threat? Directly or more obliquely, at scales ranging from intimate to monumental, works by artists including Chakaia Booker, Denzil Hurley, Jennie C. Jones, and Stephanie Syjuco engage with the conditions that shape creative freedom. Free.

Through April 26 | (Henry Art Gallery)
we leak, we exceed activates the unique volume and multiple vantage points of the Henry’s double-height gallery, drawing together threads from physics, Black critical thought, and information theory to create an immersive environment that interrogates the spatial and social implications of compression. A common process used in data storage, spatial organization, and information systems, compression abbreviates and collapses complex ideas into more simplified forms. Kameelah Janan Rasheed questions the way compression comes at the cost of nuance and creates unrecoverable losses. She draws parallels between the compression of information and the containment of people, both physically and through the structuring and defining of identities. Through a network of video, sound, and architectural mark-making, Rasheed proposes alternatively what she calls “an embrace of Black excess and expansion” as a liberatory practice. Free.

Through May 3 | (Henry Art Gallery)
Deana Lawson’s photographs result from collaborations with strangers whom the artist encounters by chance or deliberately seeks out. The pictures often depict richly textured domestic scenes in which the details of decor, lighting, and pose are constructed. In this way, Lawson draws on the legacies of historical portraiture, documentary photography, and the family album, but transcends these traditions, constructing images that merge lived experience with imagined narratives. Free.

Week of March 30

March 31 | ?(College of Education)
EduTalks brings together educators, researchers and community leaders to share bold ideas shaping the future of education. In just five minutes — and with a single powerful image — each presenter explores innovative approaches to today’s most pressing challenges. In the College of Education, we’re “solving for x,” taking inspiration from high school algebra to step into the complicated, often uncertain challenges in education with imagination and heart. In math, x represents the unknown. In education, it symbolizes the complex questions we face as we strive for a more just, equitable and joyful future for all learners. Solving for these challenges takes imagination, persistence and, above all, community. Free.

April 1 | (Communication)
Dr. Kathleen Hall Jamieson argues that scientists and science communicators would be well served by use of a “mental models” approach to simultaneously increase consequential knowledge and reduce public susceptibility to misconceptions about controversial climate and health findings. By engaging audiences with visual, verbal, or animated models, this approach creates understandings of science on which the audience can draw to recognize and reject consequential misconceptions. Free.

April 1? | (School of Music)
A free lunchtime performance featuring UW School of Music students in the North Allen Library lobby. Presented in partnership with UW Libraries. Free.

April 2 | (Jackson School of International Studies)
Libraries in French colonial Vietnam functioned as symbols of Western modernity and infrastructures of colonial knowledge. Yet Vietnamese readers pursued alternative uses of the library that exceeded imperial intentions. Bibliotactics examines the Hanoi and Saigon state libraries in colonial and postcolonial Vietnam, uncovering the emergence of a colonial public who reimagined the political meaning and social space of the library through public critique and day-to-day practice. Free.

April 2 | ?(Burke Museum of Natural History and Culture)
Part of Burke’s Free First Thursday series, the museum opens its collections spaces from 4:30 to 7:30?PM. Visitors can explore behind?the-scenes labs and storage, and speak with researchers, staff, and volunteers about their work.?Free.

April 2 | (Henry Art Gallery)
To celebrate the opening weekend of Eric-Paul Riege: ojo|-|o?l??, visit the artist offsite at the Burke Artist Studio, located in the Northwest Native Art Gallery at the Burke Museum, just a few blocks from the Henry. As part of Free First Thursday at the Burke, visitors will have the chance to watch the artist at work and speak with Riege about his process. Free.

April 3 | (UW Planetarium Arts x Colectivo Arte GUENDA)
An evening of guided gallery tours, lightning talks, and moderated panel discussions, featuring artists and scientists from Oaxaca, Seattle, Portland, UW, and UNAM. Guided tours are offered in English and Spanish. Lightning talks and panel will be conducted in English. Free.

April 3 | (Henry Art Gallery)
Be among the first to experience Eric-Paul Riege: ojo|-|ól??, the artist’s largest solo exhibition to date. Featuring sculpture, textiles, collage, and video, the exhibition draws on Diné cultural memory and examines the (re)production of Indigeneity. A no-host bar and music by KEXP DJ Kevin Sur round out the night. Free.

April 4 | (Henry Art Gallery)
An immersive performance by Eric-Paul Riege. Working in close concert with exhibition objects, Riege utilizes performance as a means of care and relationality among materials and objects. At once haptic and visceral, Riege will perform his self-described “weaving dances” as an extension of his world building across and within exhibitions. After the performance, Riege will be joined by co-curators, Thea Quiray Tagle and Nina Bozicnik, for an in-depth conversation about the connections among his research, practice, and performance. Free.

April 2 – 4 | ?(Meany Center for the Performing Arts)
Feathers will fly in this exuberant take on Swan Lake by the Australian contemporary circus group Circa. The world’s most romantic ballet is re-imagined as a circus spectacular, full of Circa’s signature physicality and shot through with cheeky humor and a thoroughly contemporary energy. Be swept away by this tale of swans and hapless princes sparkling with quirky touches like the sequined flipper-wearing duck army and a burlesque black swan. There are sumptuous aerials, jaw-dropping acrobatics and of course…feathers! Touching, funny and utterly entertaining, Duck Pond is a tale of identity and finding your true self.?

Week of April 6

Online – April 6 | (Jackson School of International Studies)
Presented by Sean Jacobs, Professor and Director of the Graduate Program in International Affairs at The New School, and Martha Saavedra, former Associate Director of the Center for African Studies at UC Berkeley. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Each week, Global Sport Lab will bring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Lectures will focus on teams coming to Seattle, as well as topics such as workers’ rights, World Cup histories, immigration and travel bans, the Pride Match controversy, and more. Free.

April 7 | (Meany Center for the Performing Arts)
Grammy-nominated documentary The Music of Strangers, which follows members of the Ensemble as they gather in locations across the world, exploring the ways art can both preserve traditions and shape cultural evolution. There will be a post-screening discussion with visionary Peter Sellars and Grammy Award-winning, multi-instrumentalist John-Carlos Perea, Chair of Ethnomusicology at UW. Free.

April 7 | ?(Asian Languages & Literature)
Japanese-language literature has been both read and written in Brazil for more than a century, creating an ever-expanding corpus of works. The talk will introduce these literary activities, focusing on the first decades of their production. In addition to presenting the authors, newspapers, bookstores, and readers in Brazil, the talk will also raise some questions about what makes up “Japanese literature” — and all other identity-based groupings of literary texts. Free.

Online option – April 7 | Unlocking Secrets: Interrogating the Epigenome to Reveal Pregnancy Risks in Moms with High Blood Pressure with Bertha Hidalgo (Public Lectures)
Dr. Bertha Hidalgo as she explores how epigenetics is reshaping our understanding of hypertensive pregnancy disorders. This lecture highlights population-based insights, early biomarkers of risk, and transformative strategies for prevention—advancing maternal health equity and innovation in public health. Free.

April 8 | (English)
Featuring Ange Mlinko, poet, critic, editor, & professor. Book signing and reception to follow. Free.

April 8 | (Gender, Women & Sexuality Studies)
Grrrilda Beausoleil is turning 50. All she wants is a reunion with her 1990s riot grrrl band—the one she abandoned just as they were about to make it big. With a scrappy film crew documenting the journey, she navigates old wounds, new-age platitudes, and a San Francisco transformed by tech and displacement. The band must decide whether they can trust Grrrilda again—and whether their DIY roots of wheat paste, stickers, and zines can still build community in a digital age.

Dubbed “SPINAL TAP with BIPOC and queers” by the Chicago Reader, the film is a hilarious improvised mockumentary that treats comedy as activism. At its heart, the production centers LGBTQ community building across generations—reconciling past and present, passing the mic, and finding solidarity through creativity. Free.

April 8 | (School of Music)
Seattle’s contemporary music orchestra performs Gy?rgy Ligeti’s piano concerto, featuring faculty pianist and SMO member Cristina Valdés, alongside new works for sinfonietta by faculty composers William Dougherty, Jo?l-Fran?ois Durand, and Huck Hodge. SMO is joined onstage by select graduate-student members of the UW Modern Music Ensemble in this large-ensemble format.

April 10 | ?(Digital Arts & Experimental Media)
Anomalous Textualities re-imagines the Studio Theater as a traversable showroom. Inhabited by seven distinct works, the margins of language and meaning are re-mediated, embodied, and deconstructed through human-machine (mis)translations. In this performance-installation, spatial, temporal, and linguistic boundaries are blurred, giving way to slippages across models, bodies, and forms. Within this anomalous showroom, language models drive mechanical systems, glitching oracles, and choreographic prompts. Two further works explore non-verbal communication, seeking a physical vocabulary for a world shared with a “technological other.”

In this complex system, there is no fixed sequence. Light and sound are the conductors. As illumination fades in and out across the grid, models are sporadically activated. The audience is invited to navigate the showroom and explore multiple perspectives, moving through the partitions to witness interactions up close, or observing the entire system from the margins as it breathes and stutters as a single organism. Free.

April 10 | Sand Point Open Studios (School of Art + Art History + Design)
Visit the private studios of the Painting + Drawing MFA students and Division of Art faculty at the School’s Sand Point facilities. We will also be celebrating the opening of Rebecca Shippee’s show in the Sand Point Gallery. Students, alumni and the general public are invited for an evening of conversation, interaction, and art. Free.

April 10 | (Jackson School of International Studies)
What does democracy look like from below? This talk will look at how ordinary lives are reshaped by surveillance, majoritarianism, and corporate-political nexus in South Asia. Exploring media influence, gendered surveillance, majoritarian and casteist politics, the struggles of urban poor workers and the slow erosion of democratic rights in contemporary South Asia through Neha Dixit’s The Many Lives of Syeda X, this talk explores how journalism can recover erased histories, expose routine violence, and hold power to account. Free.

Week of April 13

Online – April 13 | (Jackson School of International Studies)
Presented by Mary V. Harvey, Chief Executive at the Center for Sport and Human Rights; Maya Mendoza-Exstrom, Board Member of the SeattleFWC26 Local Organizing Committee, Chief Business Officer of Seattle Reign Football Club, and Chief Operating Officer of Seattle Sounders Football Club; Leo Flor, Chief Legacy Officer of the SeattleFWC26 Local Organizing Committee; and Anita Ramasastry, Henry M. Jackson Professor of Law and Director of the Sustainable International Development Graduate Program at the 天美影视传媒 School of Law. Free.

April 13 | (School of Music)
Faculty soprano Carrie Shaw’s new Seattle-based group Wind Up Vocal Project performs musical puzzles of the past and present, including Ming Tsao’s “DAS WASSERGEWORDENE KANONBUCH.”

April 13 | (School of Music)
The School of Music keyboard program presents a solo piano recital by Spencer Myer, associate professor of music at the Jacobs School of Music at Indiana University, performing works by Haydn, Ravel, Liszt, and Carl Vine. Free.

April 14 | ?(School of Art + Art History + Design)
Our question to consider: We are all in this together, so, how do we actually do this work together? This year-long program series hopes to honor our commitment to social justice and to gather our community to think about the work of liberation through shared texts, art, film, music, conversation, and workshops. Unlike your traditional book club, all the reading and study happen together, so no need to prepare. Join us monthly as we approach the topic of liberation from a number of perspectives. Free.

April 14 | (Simpson Center for the Humanities)
Tiffany Tsao will discuss the challenges of translating Indonesian literature in the context of a publishing industry that has tended to value Indonesian works more for their “Indonesianness” than their literary value. Catering to a readership interested specifically in the history, culture, and living conditions of Indonesia has some near-term benefits, but does this approach do Indonesian writing a disservice over the long term? She will discuss, more specifically, how this state of affairs has shaped the decisions she has made as a translator – from the works she has chosen to translate, to her approach to the translation process itself. Free.

April 16 | (School of Music)
Faculty percussionist Bonnie Whiting celebrates the release of Through the Eye(s), her new CD out now on Neuma Records. Documenting a cycle of pieces for solo speaking and singing percussionist developed in collaboration with nine incarcerated people at the Indiana Women’s Prison, Through the Eye(s) is a collaboration with composer Eliza Brown, who facilitated the project. The program includes a short performance followed by a question-and-answer session. Free.

April 16 | (Henry Art Gallery)
Join The Black Embodiments Studio for The (Printed) Matter of Black Arts Writing: Archives for the Future, a panel discussion on the practice of collecting, preserving, and circulating Black arts writing ephemera. Featuring archivists and publishers of printed matter like flyers, zines, pamphlets, notebooks, and books, the program explores the significance of gathering around materials that are fragile and prone to disappearance—and reflects on what contemporary practices of preserving and circulating Black arts writing ephemera can tell us about the futures of the art world in general. This is the second of two programs for Public Scholarship + Practice: Black Futures + Archives, a new series highlighting 天美影视传媒-led research and practice at the intersections of visual art and culture. Free.

April 16 – 18 | (Drama)
The IGNITE New Works Festival is a three-day event celebrating UW student “ART” of all forms, including performance art, theatre, film, installation, multimedia, and sculpture. The festival’s goal is to ignite expression, community, accessibility, and belonging among UW students by showcasing art that is FRESH, RISKY, and ODD. Performances will be held in the Glenn Hughes Penthouse (GH Penthouse) or Hutchinson Hall (HUT). Free.

April 17 | (School of Music)
Ana Alonso Minutti, associate professor of musicology and ethnomusicology at the University of New Mexico, presents “Noising the Desert: Land and Memory in Raven Chacon’s Work.” Composer and installation artist Raven Chacon (Fort Defiance, 1977) has developed a body of work shaped by the sonic landscapes of the New Mexican desert. This presentation traces how his engagement with noise amplifies place and activates personal and cultural memory, positioning noising as a borderlands practice that unsettles colonial histories. Free.

April 17 | (School of Music)
Seattle orchestra Harmonia (William White, conductor) performs concerto excerpts with UW piano students. Kane Chang, Jiaxuan Wu, Eli Antony, and Yuchen Qi.

April 17 | (Political Science)
Presentation by Tongtian Xiao, Ph.D. Student, 天美影视传媒 as a part of the Severyns Ravenholt Seminar in Comparative Politics. Free.

Online option – April 17 | (Classics)
Linda Gosner (Texas Tech) examines mining and its effects on the communities and ecologies of southeast Iberia following the conquest of this region during the Second Punic War. This region also had botanical and marine resources, long exploited by local communities, who reacted to Roman mining in divergent ways. Weavers of local grasses shifted their production strategies, supplying equipment for Roman mining. By contrast, harvesters of a large mollusk species, who once collaborated closely with miners, broke ties with the industry. Ultimately, the talk shows the important role local decision-making played in organizing production and in the empire’s experience in Roman Iberia. Free.

April 18 | ?(Meany Center for the Performing Arts)
Hailed as the “global ambassador of Spanish guitar” by Billboard Magazine, Pablo Sáinz-Villegas is widely acclaimed as the successor to Andrés Segovia. His playing dazzles with vibrant colors and deep emotion, captivating audiences with its expressiveness. Sáinz-Villegas’ guitar evokes intimacy and passion, weaving haunting melodies that transport listeners to a place of reverie and reflection. An exceptional performer, he stands as a living testament to music’s profound power to touch the depths of the human soul.

Week of April 20

Online – April 20 | (Jackson School of International Studies)
Presented by César Wazen, Director of the International Affairs Office at Qatar University. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Each week, Global Sport Lab will bring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Lectures will focus on teams coming to Seattle, as well as topics such as workers’ rights, World Cup histories, immigration and travel bans, the Pride Match controversy, and more. Free.

April 21 | (Jackson School of International Studies)
Focusing on Recep Tayyip Erdo?an’s public displays of crying, this talk examines what these moments signify, and why his supporters interpret them as authentic, drawing on insights from focus group discussions. It situates these performances within Erdo?an’s increased reliance on populist discourse and style, arguing that these emotional and performative dynamics have been central to mobilizing support and maintaining the cohesion of his constituency. In doing so, the talk shows how such strategies have contributed to the consolidation of an authoritarian regime sustained by popular backing, particularly in moments when legitimacy is under strain. Free.

April 22 | ?(Meany Center for the Performing Arts)
Yo-Yo Ma’s performance is currently sold out. Tickets may become available as some tickets get returned closer to the performance. A waitlist will open at the Meany Box Office starting at 6:30 p.m. on April 22. This special performance from Yo-Yo Ma pairs repertoire from the center of his musical firmament with reflections on how it has shaped his thinking about art, human nature and our search for meaning.

April 22 | (Communication)
Drawing on his research in media, technology, and public life, USC Associate Professor Mike Ananny examines how this framing shapes public understanding, limits accountability, and influences how societies respond to emerging technologies. The talk invites audiences to think more critically about what generative AI is, how it operates, and why treating it as a public problem is essential for addressing its broader social and political impacts. Free.

April 23 | (Henry Art Gallery)
Deana Lawson draws on the legacies of historical portraiture, documentary photography, and the family album, but transcends these traditions, constructing images that merge lived experience with imagined narratives. The aesthetics of intergenerational connectivity guide Lawson’s choice of subject matter, with each of her works taking its place in an overarching project that coheres into what she terms “an ever-expanding mythological extended family.” Lawson’s works also demonstrate a special attention to the element of light, as both part of the mechanical process by which photographs are realized, and as a manifestation of the divinity that suffuses her sitters. A focused presentation of Lawson’s work on the Henry’s mezzanine features photographs that highlight her ongoing exploration of female subjectivity through the photographic image. Free.

April 24 | (German)
German Studies Chair, Ellwood Wiggins, and Professor Andre Schütze present and discuss the enduring legacy of Faust.?Discover what to look out for in Murnau’s revolutionary cinematic masterpiece and learn about the Faust story as a parable of modernity–and of German history–in its adaptations across the ages. What is the price of your soul? Following the discussion, please stick around as the community—students, alumni, faculty, and staff—gather over refreshments to celebrate German Studies’ own 21st Century learning. Free.

April 24 | (Burke Museum of Natural History and Culture)
The dinosaurs ruled the Earth for more than 150 million years — evolving into spectacular giants like Brontosaurus and T. rex, which captivate our imaginations. In this talk, University of Edinburgh professor and paleontologist Steve Brusatte will discuss the complete story of where dinosaurs came from, how they rose to dominance, how most of them went extinct when a giant asteroid hit, and how some of them live on as today’s birds. In doing so, he will recount stories of digging up dinosaurs and working with colleagues around the world. At a time when Homo sapiens has existed for less than 300,000 years and we are already talking about planetary extinction, dinosaurs are a timely reminder of what humans can learn from the magnificent creatures that ruled Earth before us. Free.

April 24-25 | Improvised Music Project Festival (IMPFEST): / (School of Music)
The School of Music and the student-run Improvised Music Project (IMP) present IMPFest, featuring UW Jazz Studies students and faculty performing with guest artists of international renown. Headliners for this year’s festival are Grammy-nominated drummer, producer, and emcee Kassa Overall and Icelandic composer and bass guitarist Skùli Sverisson.

April 24-25 | (Meany Center for the Performing Arts)
Seamlessly blending illusion, acrobatics, magic and whimsy, MOMIX sends audiences flying down the rabbit hole in Moses Pendleton’s ALICE, inspired by Lewis Carroll’s classic Alice in Wonderland. Join this dazzling company on a mind-bending adventure, as Alice encounters time-honored characters including the undulating Caterpillar, a lobster quadrille, frenzied White Rabbits, a mad Queen of Hearts and a variety of other surprises.

April 26 |?(UW Alumni)
Join the UWAA and BECU for a day of service to help fight food insecurity. Free.

April 26 | (Burke Museum of Natural History and Culture)
Dig into paleontology at the Burke’s annual festival of fossils!
Celebrate all things fossilized with hands-on activities for all ages! View hundreds of specimens from the Burke’s collection and hear about groundbreaking research from Burke and UW scientists.

• Fossil fun for everyone!
• Watch paleontologists uncover a duck-billed dinosaur in the Fossil Prep Lab.
• Learn about the fossils of Sucia Island, including the one and only dinosaur bone found in Washington state!
• Chat with Burke paleontologists and students about fossils from the Burke’s extensive vertebrate, invertebrate, and paleobotany collections.
• Check out the amazing T. rex skull unearthed by Burke scientists.
• And more!

Week of April 27

Online – April 27 | (Jackson School of International Studies)
Presented by Niki Akhavan, Associate Professor and Chair of the Department of Media and Communication Studies at The Catholic University of America. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Each week, Global Sport Lab will bring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Lectures will focus on teams coming to Seattle, as well as topics such as workers’ rights, World Cup histories, immigration and travel bans, the Pride Match controversy, and more. Free.

April 28 | ?(School of Music)
Students of Dr. Stephen Price present a UW Organ studio spring recital. Dr. Price teaches Organ performance, Church music, and Keyboard Harmony courses. In addition, he leads ongoing initiatives to develop and revitalize the UW program, continuing the legacy of his predecessor, Dr. Carole Terry. Free.

April 28 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrance Gallery. Ways of Becoming is split into three shows between April 28 – June 5, 2026. Free.

April 28 | (Simpson Center for the Humanities)
Stephanie LeMenager, Professor of English and Environmental Studies, considers the role of fiction as a form of resistant truth-telling in an era of lies, bullish*t, propaganda, GenAI fakes, and conspiracy theory, and in the shadow of the climate crisis. In our media atmosphere filled with falsehoods, fiction becomes a means of capturing messy realities unassimilable to propaganda. Moreover, the flexibility of fictional imagination allows for social responses to radical uncertainties, via new genres of storytelling that call climate-change publics into being. In this talk, we’ll consider stories of megafire. Free.

April 29 | (Philosophy)
The idea of space as the stage on which physical events play out dates at least as far back as the 5th century BC. The twentieth century saw a shift from theorising about space and time separately to thinking about spacetime, but the metaphor of spacetime as a stage or arena has continued. Twenty-first century physics looks likely to render this untenable – theories of quantum gravity do not appear to postulate spacetime as a fundamental container for physical contents. This talk examines an alternative way of thinking about spacetime based on the role that it plays in our physical theories – spacetime philosophy should focus on what spacetime does, rather than what it is. Free.

April 29 | (Psychology)
Presented by Maureen Craig, Associate Professor of Psychology & Neuroscience, Duke University. Free.

April 30 | (School of Music)
The Wind Ensemble and Symphonic Band (Erin Bodnar, director) presents “Scenes and Portraits,” featuring music by Gustav Holst, Martin Ellerby, and others.

April 30 |(Burke Museum of Natural History and Culture)
What does it mean to live well as wildfire and smoke season becomes more a part of life in the Pacific Northwest and many other places around the world? As much as we focus on preparedness and reducing materials that fuel wildfires, we must also reckon with the human dimensions of fire, which shape how we interact with it. “Fire Humanities” is a book project and an emerging field of study that draws on the humanities and arts to center stories, representations, collaborations, and values that promote adaptation, resilience, and justice as we adapt to a world with more fire.

This program will feature a panel discussion with five contributors to the book, who will share their approaches to this emerging field of research. After the panel, you’ll be invited to share your stories of fire and smoke with each other, speak with the panelists, and participate in hands-on activities connected to the Fire Humanities project. Free.

April 30 | ?(Jackson School of International Studies)
Panel discussion featuring Wang Feng, University of California, Irvine, and Yong Cai, University of North Carolina at Chapel Hill, along with UW faculty James Lin and Sara Curran. Free.

May 1 | (Jackson School of International Studies)
Writing history entails good editing—and accepting when material can’t make the final cut. Lengthy research projects require a command of sources but also analytical flexibility. Such flexibility can ensure rigor, sometimes at the expense of findings that, alas, must be shelved for some other future use. “The B-Sides of Unmaking Botany” will examine a set of sources that did not make it into the recently published monograph Unmaking Botany: Science and Vernacular in the Colonial Philippines (Duke University Press, 2025). The objectives of the talk are thus twofold: to provide a behind-the-scenes take on the production of a scholarly monograph and to offer a conceptual argument gleaned from the sources that nonetheless resonates with some of Unmaking Botany’s principal interventions. Free.

May 1-2 | (American Indian Studies)
Indigenous scholars, artists, community leaders, and practitioners come together to reflect on food sovereignty, wellness, cultural resurgence, and collective healing through land-based knowledge and practice. Keynote by Vina Brown (Haí?zaqv and Nuu-chah-nulth), a scholar, artist, and wellness advocate, whose work centers on Indigenous law, cultural healing, and community well-being. Raised in her Haí?zaqv homelands, Vina’s work is deeply grounded in cultural resurgence, ceremony, and Tribal Canoe Journeys. She is the founder of Copper Canoe Woman and co-founder of Rooted Resiliency, an Indigenous women-led nonprofit dedicated to community wellness, cultural healing, and reclamation. Across her work, Vina advocates for land, culture, and collective well-being, with particular attention to healing intergenerational and historical trauma through community, movement, and Indigenous knowledge systems. Free.

See all that’s to come in the May ArtSci Roundup.

ArtSci Roundup goes monthly!

The ArtSci Roundup is your guide to connecting with the UW—whether in person, on campus, or on your couch.

Previously shared on a quarterly basis, those who sign up for the Roundup email will receive them monthly, delivering timely updates and engaging content wherever you are. Check the roundup regularly, as events are added throughout the month. Make sure to check out the ArtSci On Your Own Time section for everything from podcasts to videos to exhibitions that can be enjoyed when it works for you!

In addition, if you like the ArtSci Roundup, sign up to receive a monthly notice when it’s been published.

Do you have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).uw.edu).

Angèle Christin (Stanford University) will present an ethnographic study of content creators on social media platforms, which draws on cases ranging from vegan YouTubers to “dad” influencers and influencer marketers.

Christin will show how structural forces reproduce precarity as well as gender and racial inequality in social media careers, while also nudging influencers toward interpersonal “drama” and sometimes the production of problematic content. Moving beyond the case of influencers, Christin will develop the concept of the “follower economy” to explain these transformations in how we communicate and present ourselves offline.

May 8, 7:30 pm | ?Kane Hall

May 9, 12:00 – 1:00 pm | ?Online via Zoom

Kevin Lin, Assistant Teaching Professor at UW’s Paul G. Allen School of Computer Science and Engineering, will discuss how instructors can use alternative grading approaches to develop more equitable, effective learning environments. Participants will leave this session with an understanding of how alternative grading methods can help meet students’ immediate needs and long-term goals.

At UW, Lin leads instructional innovation in data structures and algorithms with a focus on restorying computing education toward more critical and just social futures. At UC Berkeley, Lin coordinated large undergraduate CS courses that served over 1,000 students per term.

Free |

May 9, 5:00 – 6:30 pm | Allen Library

Join the Jackson School of International Studies for a film screening and Q&A with Janek Ambros, the director and producer of the documentary “Ukrayintsi u Vyhnanni” (Ukrainians in Exile).

The documentary showcases an anonymous Ukrainian citizen telling her story about the Russian invasion. It was executive produced by two-time Oscar winner Janusz Kamiński and filmed along the border of Poland and Ukraine. “Ukrainians in Exile” won best documentary at the 76th Salerno Film Festival.

Free |

May 9, 6:00 pm | Henry Art Gallery

This lecture considers two commercial artists whose work revolved around light and the manipulation of matter to achieve emotional, persuasive ends: the photographic advertising illustrator, Lejaren à Hiller (1880-1969) and the electrical sign designer Douglas Leigh (1907-1999).

Free |

May 9 – 11, 8:00 pm | Meany Hall

Drawing creative strength from his Algerian roots and Mediterranean culture, choreographer Hervé Koubi makes a much-anticipated return to Seattle with his exceptional all-male dance troupe. Combining contemporary and urban dance movements with capoeira and martial arts, this powerful company is known for its arresting imagery and gravity-defying choreography. In the critically acclaimed Les Nuits Barbares?(The Barbarian Nights), Koubi takes a deep look into the history of the Mediterranean to extract the truth behind the stereotypes of those who were once considered “barbarians.”

Tickets |

May 9 – 12, 2:00 or 7:30 pm | Glenn Hughes Penthouse Theatre

The Producing Artists Lab is an opportunity for student artists to share exploratory or developmental projects with the public. Airness is a comedy about competition, completion, and finding the airness inside yourself, directed by M.F.A. Directing student Kate Drummond.

When Nina enters her first air guitar competition, she thinks winning will be easy. She discovers it’s about finding yourself in your favorite songs, and performing with raw joy. Following her mission to shred or be shredded, Airness is an exuberant reminder that everything we need to rock is already inside us.

Tickets |

May 10, 12:00 – 1:30 pm | Gowen Hall

Mahelet G. Fikru, associate professor at the Missouri University of Science and Technology, is invited to The Duck Family Colloquium Series to talk about “Economic and Environmental of Mining in Ecuador.”

Free |

May 10, 3:30 pm | Denny Hall or Zoom

Free |

May 10, 1:00 – 5:00 pm | Gates Hall

Free |

May 12, 7:00 pm | Brechemin Auditorium

Have an event that you would like to see featured in the ArtSci Roundup? Connect with Kathrine Braseth (kbraseth@uw.edu).