Come curious. Leave inspired.

The UW offers an exciting lineup of in-person and online events. From thought-provoking art and music to conversations on culture, history, and science, the UW community invites you to explore, learn, and connect across disciplines throughout the University. And you don’t have to wait until November: Take a look at everything still happening in October.

Go directly to the week you’d like to view:

• Week 1: November 2 – 8
• Week 2: November 9 – 15
• Week 3: November 16 – 22
• Week 4: November 23 – 29
• Week 5: November 30 – December 6

to receive a monthly notice when the ArtSci Roundup has been published.

ArtSci On Your Own Time:

Closing November 7 | (School of Art + Art History + Design)
The annual fall MFA show mediates on accumulation, the underground, labor & capacity, and the movement of systems and objects toward loss, disrepair, and failure. Spanning performance, installation, sound art, and found object sculpture, see the works of Jayden Dukes, Gaeun Kim, Cameron McGaff, and Skye Amber O’Brien. Free.

Opening November 7 | (Burke Museum of Natural History and Culture)
This exhibition focuses on the biodiversity and global importance of Earth’s largest terrestrial ecosystem and the last intact forest on Earth. See, hear, and feel the forest through stunning photography, interactive displays, commissioned artworks, first-person stories, and Burke Museum collections. Learn about stories of resilience, strength, and hope in a changing world. Presented in English and Spanish, the exhibition gives voice to the boreal through the words of Indigenous community members, scientists, conservationists, artists, and writers. It shares how knowing nature can offer a vision for a sustainable future.

(Biology)
Wednesdays, noon to 4 pm / 2nd and 4th Saturdays, 10 am – 2 pm
For nearly 70 years, the Biology Greenhouse at the 天美影视传媒 has played a vital role in research and teaching. Whether focusing on plant-pollinator interactions, paleoclimatology, or other biological questions, the teaching collection has enhanced and inspired UW biological research. Visit the 4 Collection rooms and browse through an amazing diversity of plant species from around the world. Free.

Book Club | A Long Petal of the Sea by Isabel Allende (UW Alumni Association)
Readers’ Choice! In the late 1930s, civil war grips Spain. Hundreds of thousands flee to France, including a wounded army doctor and his brother’s widow. The two team up to seek refuge in Chile as Europe erupts in war — but life in exile comes with its own dangerous challenges. UW Alumni Book Club invites all curious readers to dig into personal stories, timely topics, and transformative fiction.? Free.

Week 1: November 2 – 8

November 2 | (Chemistry)
Ram Seshadri is the Fred and Linda R. Wudl Professor of Materials Science and has served as the Director of the Materials Research Laboratory: A National Science Foundation Materials Research Science and Engineering Center (NSF-MRSEC) since 2015. He recently took on the additional role of associate dean for research in the College of Engineering. His research contributions are embodied in 450+ journal publications, and broadly address the topic of structure–composition–property relations in functional, crystalline inorganic, and hybrid materials. Ram is the editor of Annual Reviews of Materials Research and is a lead editor of Physical Review Materials. Free.

Virtual option – November 2 | (Jackson School of International Studies)
What do negotiations to end the war in Iran look like to those at the table? What role might the United Nations or Gulf States play in ending the violence in Gaza or Lebanon? Is there hope for diplomacy with Russia? Join us for a moderated conversation and Q&A with UW graduate and diplomat Dr. Mohamed Al-Hassan. With extensive experience navigating the US / Iran relationship; representing Oman at the United Nations and serving as the UN representative in Iraq; and leading Oman’s diplomatic mission to Russia, Dr. Al-Hassan brings an insider’s perspective on some of the most difficult diplomatic challenges of the day. Free.

Virtual – November 3 | ?(Jackson School of International Studies)
Helen Hardacre is Reischauer Institute Research Professor of Japanese Religions and Society, Harvard University. Her publications include The Religion of Japan’s Korean Minority (1984), Lay Buddhism in Contemporary Japan: Reiyukai Kyodan (1984), Kurozumikyo and the New Religions of Japan (1986), Shinto and the State, 1868-1988 (1989), Marketing the Menacing Fetus in Japan (1997), Religion and Society in Nineteenth-Century Japan (2002), Shinto, A History (2016), Constitutional Revision and Civic Activism in Japan (lead editor and contributor, 2021), and Shinto Shrines in Prewar and Wartime Japan (2025). Her current research concerns Shinto shrines in prewar and wartime Japan. She earned her Ph.D. from the Divinity School at the University of Chicago in History of Religions in 1980. Among her academic awards since 2000 are the following: John Simon Guggenheim Foundation Fellow (2003-04), Walter Channing Cabot Fellow (Harvard University, 2017), and Order of the Rising Sun (2018). Free.

November 4 | (School of Music)
A free lunchtime performance featuring UW School of Music students in the North Allen Library lobby. Presented in partnership with UW Libraries. Free.

November 5 | (Burke Museum of Natural History and Culture)
Admission to the Burke Museum is FREE and the museum is open until 8 p.m. on the first Thursday of every month. Get closer to the daily work happening in the Burke Museum’s visible collections storage, labs and workrooms during Free First Thursday. Free.

November 5 – 7 | ?(Digital Arts & Experimental Media)
DXFEST, a three-day festival showcasing artworks and music by artists in the DXARTS program, opens at Gallery 4Culture with a lecture-performance by Afroditi Psarra as part of her exhibition Pythia Embodied. The festival moves to Meany Center for the Performing Arts, where there will be a digital art exhibition and electronic music performances. The music works will be presented using the DXARTS Ambisonics Audio System, a state-of-the-art multi-channel system designed to provide immersive spatial audio experiences. Artworks by DXARTS artists will be on display in the theater’s lobby prior to the concerts and during intermissions. Free.

November 5 – 15 | ?(School of Drama)
Phèdre is a queen and a mother who has been cursed by the Gods. She receives news that the king, Theseus, is dead. Encouraged by her lady-in-waiting, Oenone, and fueled by her own feelings Phèdre confesses to the King’s son and heir, Hippolytus that she is in love with him. Soon after, King Theseus returns, alive and well, setting off a series of unforeseen consequences.

November 6 | (Cinema & Media Studies)
Join the Henry Art Gallery for a special screening of short films made by students in the Department of Cinema & Media Studies. Spanning a wide range of genres, including documentaries, comedies, dramas, and music videos, get an exclusive glimpse into the work of this emerging cohort of filmmakers. After the screening, stick around to meet the filmmakers and faculty guiding Cinema & Media Studies students’ creative projects and research. Free.

November 6 | ?(Classics)
Presented by Verity Platt (Cornell). Free.

Opening November 7 | (Burke Museum of Natural History and Culture)
This exhibition focuses on the biodiversity and global importance of Earth’s largest terrestrial ecosystem and the last intact forest on Earth. See, hear, and feel the forest through stunning photography, interactive displays, commissioned artworks, first-person stories, and Burke Museum collections. Learn about stories of resilience, strength, and hope in a changing world. Presented in English and Spanish, the exhibition gives voice to the boreal through the words of Indigenous community members, scientists, conservationists, artists, and writers. It shares how knowing nature can offer a vision for a sustainable future.

Week 2: November 9 – 15

November 9 | ?(School of Music)
Seattle Modern Orchestra’s (SMO’s) 天美影视传媒 residency celebrates the legacies of longtime former School of Music professors and West Coast luminaries Stuart Dempster (b. 1936) and William O. Smith (1926-2020) with “90/100, Celebrating Stuart Dempster, William O. Smith, and West Coast Experimentalism.” Curated by longtime SMO clarinetist Rachel Yoder, the evening integrates elements of improvisation, deep listening, and playfully creative movement while rebooting elements of the composer/performer duo’s historic antics.

November 10 | (Clean Energy Institute)
A symposium on innovative technologies, strategies, and partnerships to accelerate a scalable and equitable clean energy future in Washington and beyond, featuring UW President Jones, former WA Gov. Jay Inslee, former U.S. Cabinet members Ernest Moniz and Sally Jewell, David Baker, and world-leading clean energy/materials researchers.

November 10 | (Meany Center for the Performing Arts)
Indonesian pianist Janice Carissa, a Gilmore Young Artist and Salon de Virtuosi recipient, is celebrated for crafting vivid musical narratives that transcend mere virtuosity. Her program spans centuries and styles, opening with Bach’s elegant French Suite No. 5 in G Major, moving to Granados’ passionate Goyescas, “El Amor y la muerte,” and Ravel’s darkly glittering La valse. The evening also features works by Olivier Messiaen and Indonesian composer Eunike Tanzil, showcasing Carissa’s expressive nuance, lyrical sensitivity and command of both classical and contemporary repertoire.

Virtual – November 12 | ?(Simpson Center for the Humanities)
Safia Aidid is an interdisciplinary historian of modern Africa and Assistant Professor in the Department of History and the African Studies Centre at University of Toronto. She holds a PhD from Harvard University. Her research addresses anticolonial nationalism, territorial imaginations, borders, and state formation in the Horn of Africa, with a particular focus on modern Somalia and Ethiopia. She is currently working on a book manuscript entitled “Pan-Somali Dreams: Ethiopia, Greater Somalia, and the Somali Nationalist Imagination.” Free.

November 13 | (Meany Center for the Performing Arts)
Isata Kanneh-Mason joins artistic forces with the Orpheus Chamber Orchestra, celebrated for its trademark conductor-less precision and collective spirit. The award-winning pianist from the renowned Kanneh-Mason family and the Grammy Award-winning orchestra present a program of favorites by Mozart and Haydn with Suites No. 1 and No. 3 from Handel’s Water Music and a newly commissioned work by Katie Jenkins, performed with the mindset of a collaborative chamber ensemble.

November 15 | ?(Burke Museum of Natural History and Culture)
Engage with professional archaeologists and researchers as they share their work. Learn about ancient technologies and local cultural heritage, try your hand at sorting artifacts, watch a flintknapping demonstration (that’s stone tool making!), and more.

Through November 15 | ?(School of Drama)
Phèdre is a queen and a mother who has been cursed by the Gods. She receives news that the king, Theseus, is dead. Encouraged by her lady-in-waiting, Oenone, and fueled by her own feelings Phèdre confesses to the King’s son and heir, Hippolytus that she is in love with him. Soon after, King Theseus returns, alive and well, setting off a series of unforeseen consequences.

Week 3: November 16 – 22

November 17 | ?(Honors)
Growing concerns about the health of America’s 250-year experiment in representative democracy should prompt us to think deeply about how civic belonging has been defined in U.S. society since the nation’s founding and what current efforts to restrict access and opportunities for civic participation mean for our collective futures. Civic Belonging in an Anti-Democratic Age brings together UW faculty whose teaching and research straddle law, politics, human rights, urban studies, and digital technologies for a lively interdisciplinary conversation about the stakes of belonging in U.S. society. Join us as we examine the current moment and ask how we can work towards a more inclusive democratic future. Free.

November 17 | (Simpson Center for the Humanities)
We humanists are hoping for, and many of us are fighting for, a new day in the United States when the production and circulation of knowledge are understood as keystones of democracy and of human thriving – and thus as deserving of substantial public investment. Having worked so long in the spirit of doing a lot with a little, how do we envision the humanities in conditions of abundance? What shifts in traditional academic culture and policy will help us meet those conditions? In the spirit of Octavia Butler’s future-oriented thinking, this talk draws together many threads of contemporary thinking to sketch a future where American universities center the values and practices of liberal arts-grounded humanistic inquiry. Free.

November 17 | (School of Art + Art History + Design)
This year-long program series honors the gallery’s commitment to social justice and to gather the community to think about the work of liberation through shared texts, art, film, music, conversation, and workshops. Each month, the club will approach the topic of liberation from several perspectives. Unlike your traditional book club, all the reading and study happens together, and preparation is not required. Come ready to attend a workshop, engage with a piece of art, or chat over a shared meal. Free.

November 18 | (Jackson School of International Studies)
Details coming. Free.

Virtual – November 18 | (Burke Museum of Natural History and Culture)
In this presentation, Jennfier Angaiak Wood will discuss her Yup’ik ancestry, give an overview of Yup’ik artistic tradition, and share examples of how she incorporates historic design elements into her contemporary artworks. Free.

November 18 – 19 | Jazz Infusions – / ?(School of Music)
UW Jazz Studies students perform in small combos over two consecutive nights of original tunes, homage to the greats of jazz, and experiments in composing and arranging. Free.

Virtual option – November 18 |? ? (Jackson School of International Studies)
In this talk, Joanne Leow traces the process of writing and publishing her hybrid memoir Exhumations: In the Body of a Petrostate. By following the trajectory that her writing took from online writing to print journal to bound book, she considers what it means to publish work about Singapore while in the diaspora. Exhumations oscillates between socio-political and cultural analysis and a memoir of grief and illness. Seeing our porous bodies as part of a contaminated and compromised system based on extraction, violence, and political repression, her work asks what must be made visible in our current moment. In doing so, she draws from her time as a journalist for state media, her positionality as a “quitter,” and her current work as a scholar based in Canada. These intersecting experiences have allowed her to explore histories of activism, censorship, weapons manufacturing, terraforming, and petroleum refining in Singapore. Free.

November 19 | (Henry Art Gallery)
Artist Trenton Doyle Hancock discusses his varied career and current projects. Inspired by the world-building of comics, Hancock’s work iterates over time through the investigation of character, story, and symbols. Co-presented with the UW School of Art + Art History + Design, Hancock will address his use of popular culture, narrative, and autobiography to subvert cultural tropes and national mythologies. A Q&A with the audience will follow the talk. Free.

November 19 | ?(Burke Museum of Natural History and Culture)
Each month, hear from Burke staff about a book they recommend. Read the book ahead of time, or join to learn more about the selection. Free.

November 19 | ?(American Indian Studies)
Readings by Simon Ortiz and Sara Marie Ortiz, followed by audience Q&A. Storytelling offers a spiritual connection, a sharing of sacred breath. Literature, similarly, preserves human experience and ideals. Both forms are durable and transmit power that teaches us how to live. Both storytelling and reading aloud can impact audiences through the power of presence, allowing for the experience of the transfer of sacred breath as audiences are immersed in the experience of being inside stories and works of literature. Free.

November 19 | ?(Geography)
Alums share how their degrees in geography have shaped careers in climate risk, procurement, and user experience design. Featuring Derek Huling (Program Analyst, FEMA), Krystle Jumarawan (Geospatial Specialist II, Woven by Toyota), and Helen Elizabeth Olsen (Deputy Director, The Gates Foundation). Moderated by Professor Sarah Elwood. Free.

November 19 | (Jackson School of International Studies)
This talk examines the historical political divergence between China and Europe. While both regions experienced repeated shifts in territorial unification, political stability, and institutional development in earlier periods, from the medieval period onward, their trajectories increasingly diverged. Europe gradually evolved toward a polycentric political order, while China consolidated into a centralized and authoritarian state. This talk proposes the development of China’s imperial civil service examination system as a key driver of this divergence. Drawing on a synthesis of several recent works, it approaches the question from three complementary perspectives: macro-level patterns of political development, micro-level quantitative evidence on bureaucratic recruitment, and formal theories of political equilibrium and institutional change. Free.

November 19 | (School of Music)
Celebrated Russian pianist Mikhail Voskresensky leads a master class with UW piano students. Free.

November 20 | (Classics)
Eight years after demonstrators in Charlottesville, Virginia, chanted “Jews will not replace us!” at a rally whose promotional poster featured the acronym SPQR and where one group of activists carried shields emblazoned with images of the Roman fasces, most Classical scholars are aware that white nationalists and other hateful actors take inspiration from Greco-Roman antiquity. There is less consensus, however, about what this phenomenon means for those of us who research and teach about the ancient Greco-Roman world. In this lecture, Curtis Dozier, author of The White Pedestal: How White Nationalists Use Ancient Greece and Rome to Justify Hate (Yale University Press, 2026), draws on his ten years’ experience documenting appropriations of Greco-Roman antiquity by hate groups to bring into focus what white nationalist classicism reveals about the material we study, our discipline, our nation, and ourselves. Free.

November 19 – 21 | (Meany Center for the Performing Arts)
Taiwan’s Hung Dance makes its Seattle debut with BIRDY, a powerful and poetic work choreographed by the company’s founder and artistic director Lai Hung-Chung. Performed by eight dancers, the piece blends contemporary dance with elements of Chinese opera, Tai Chi and myth. Using striking props like rattan poles and flowing pheasant feathers (Ling Zi), BIRDY explores the tension between freedom and constraint, personal feeling and social pressure. The movement is bold, fluid and deeply human. BIRDY invites audiences to reflect on the desire to break free, and the quiet strength it takes to keep moving within the world around us.

November 22 | (School of Music)
UW music students perform music from the Baroque era under the direction of Tekla Cunningham. Free.

Week 4: November 23 – 29

November 24 | (School of Music)
UW voice students of Thomas Harper and Carrie Shaw perform works from the vocal repertoire. Free.

Week 5: November 30 – December 6

December 1 | (School of Music)
The UW Percussion Ensemble (Bonnie Whiting, director) performs contemporary music arranged for percussion ensembles.

December 2 | ?(Meany Center for the Performing Arts)
Celebrate the season with the legendary Michael Feinstein in a festive evening of song and storytelling. A champion of the Great American Songbook, Feinstein brings signature warmth, wit and impeccable style to beloved holiday classics and timeless standards. Backed by lush arrangements, he delivers an elegant, nostalgic journey filled with heart and swing. This joyful concert promises an unforgettable night celebrating the magic, romance, and spirit of the holidays.

December 2 | ?(School of Music)
The Studio Jazz Ensemble (Jacob Zimmerman, director) performs big band arrangements and repertory selections. The Modern Band (Cuong Vu, director) performs innovative arrangements of jazz standards, selections from the outer limits of the genre, and new original compositions.

December 2 | (School of Music)
A free lunchtime performance featuring UW School of Music students in the North Allen Library lobby. Presented in partnership with UW Libraries. Free.

December 3 | (Burke Museum of Natural History and Culture)
Admission to the Burke Museum is FREE and the museum is open until 8 p.m. on the first Thursday of every month. Get closer to the daily work happening in the Burke Museum’s visible collections storage, labs and workrooms during Free First Thursday. Free.

December 3 | (School of Music)
The Campus Band (Joshua Michael Smith, conductor) and Concert Band (Yuman Wu, conductor) present “Song and Dance,” performing music by Leonard Bernstein, James Barnes, Frank Ticheli and others.

December 3 | (School of Music)
UW keyboard students perform from the piano repertoire in the quarterly Brechemin Piano Series concerts. Free.

December 4 | (School of Music)
The UW’s top auditioned choirs present modern vocal works, music from around the globe, and great works from the sacred repertoire in shared quarterly concerts showcasing each group’s most recent work.

December 5 | (School of Music)
The Modern Music Ensemble (Cristina Valdés, director) presents works of our time in several concerts each year. Including repertoire from the early to mid-20th century and beyond, the group focuses on small ensemble and chamber orchestra works, performed by both undergraduate and graduate students. Free.

The ArtSci Roundup

The ArtSci Roundup is your guide to connecting with the UW—whether in person, on campus, or on your couch.

Those who receive monthly emails, with timely updates and engaging content wherever you are. Check the roundup regularly, as events are added throughout the month. Check out the ArtSci On Your Own Time section for everything from podcasts to videos to exhibitions that can be enjoyed when it works for you!

Do you have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).

Source

Come curious. Leave inspired.

The UW offers an exciting lineup of in-person and online events. From thought-provoking art and music to conversations on culture, history, and science, the UW community invites you to explore, learn, and connect across disciplines throughout the University.

.

Go directly to the week you’d like to view:

• Week 1: September 28 – October 4
• Week 2: October 5 – 11
• Week 3: October 12 – 18
• Week 4: October 19 – 25
• Week 5: October 26 – November 1

See all that’s to come in the November ArtSci Roundup.

ArtSci On Your Own Time:

Closing October 25 | (Henry Art Gallery)
ojo|-|o?l?? (pronounced oh-ho hol-ohn) is an exhibition of recent and newly commissioned work by Diné artist Eric-Paul Riege (b. 1994, Na’nízhoozhí [Gallup, New Mexico]) that includes sculpture, textile, collage, and video, activated by moments of performance. Across this work, Riege combines customary Diné practices of weaving, silversmithing, and beading with contemporary cultural forms, exploring Diné cosmology, the history of Euro-American trading posts in and adjacent to the Navajo Nation, and the notion of “authenticity” as a value marker of Indigenous art and craft.

(School of Art + Art History + Design)
The annual fall MFA show mediates on accumulation, the underground, labor & capacity, and the movement of systems and objects toward loss, disrepair, and failure. Spanning performance, installation, sound art, and found object sculpture, see the works of Jayden Dukes, Gaeun Kim, Cameron McGaff, and Skye Amber O’Brien. The exhibition runs from September 30 through November 7. Free.

(Biology)
Wednesdays, noon to 4 pm / 2nd and 4th Saturdays, 10 am – 2 pm
For nearly 70 years, the Biology Greenhouse at the 天美影视传媒 has played a vital role in research and teaching. Whether focusing on plant-pollinator interactions, paleoclimatology, or other biological questions, the teaching collection has enhanced and inspired UW biological research. Visit the 4 Collection rooms and browse through an amazing diversity of plant species from around the world. Free.

Week 1: September 28 – October 4

September 30 | (School of Art + Art History + Design)
The annual fall MFA show mediates on accumulation, the underground, labor & capacity, and the movement of systems and objects toward loss, disrepair, and failure. Spanning performance, installation, sound art, and found object sculpture, see the works of Jayden Dukes, Gaeun Kim, Cameron McGaff, and Skye Amber O’Brien. The exhibition runs from September 30 through November 7. Free.

September 30 | (Burke Museum of Natural History and Culture)
Authors Spencer Greening and Rachel Greening discuss their new book, Gyetk: Coastal Fusion and Ancestral Knowledge from a Ts’msyen Kitchen.?Gyetk (pronounced gy-e-tk and meaning “to feed the people”) immerses readers into the rich food traditions, knowledge, and relationships that have sustained the Ts’msyen (Tsimshian) people for millennia along the Pacific Northwest Coast. Drawing from the authors’ lived experiences practicing a land-based lifestyle, as well as their backgrounds in Indigenous food sovereignty, health and well-being, and cultural research, Gyetk weaves together modern culinary fusion, traditional knowledge, and scholarly insight. Through 60 beautifully photographed recipes, the book follows the Ts’msyen seasonal round, weaving together ancestral foodways, traditional ecological knowledge, dietetic perspectives, and thoughtful harvesting practices — inviting readers to feast in relationship with the natural world.

October 1 | ?(Burke Museum of Natural History and Culture)
Admission to the Burke Museum is FREE, and the museum is open until 8 p.m. on the first Thursday of every month. Get closer to the daily work happening in the Burke Museum’s visible collections storage, labs, and workrooms during Free First Thursday. Free.

October 1 + October 3 | (Henry Art Gallery)
To celebrate the culmination of the exhibition, ojo|-|o?l?, join Eric-Paul Riege with guest artists Olivia Camfield and Kole Galbraith for a multi-day convening of film screenings, performances, and conversations. Inspired by the modularity of Riege’s work in which materials and motifs are re-worked and re-imagined in perpetuity, the artists will explore how history and culture are neither static nor permanent. To close the convening, join Riege, Camfield, and Galbraith as they source new meanings from the sounds, materials, and images of both the past and present, challenging high art through lo-fi means. Free.

October 2 | ?(Meany Center for the Performing Arts)
On Mahatma Gandhi’s birthday, three-time Grammy Award-winning composer Ricky Kej performs music from his acclaimed album Gandhi — Mantras of Compassion. Kej, a UN Goodwill Ambassador and recipient of India’s fourth-highest civilian award, Padma Shri, blends ancient Indian mantras with global musical traditions and contemporary orchestration. His sweeping melodies and meditative soundscapes honor Gandhi’s legacy. Featuring local performers and a youth choir, Kej invites audiences to reflect on the power of nonviolence, compassion and unity in today’s world.

Hybrid – October 2 | (Classics)
Latin poetry is defined by its relationships with poetry in other languages. It was originally constituted by its relation to Greek, and in later times has been constituted by its relation to the European vernaculars. In this bold and innovative book, distinguished Latinist Stephen Hinds explores these relationships through a series of vignettes. These explore ancient conversations between Latin and Greek verse texts, followed by modern (especially early modern) conversations between Latin and European vernacular verse texts, reflecting the linked stories of reception that make up the so-called ‘classical tradition’: conversations across language, across period, and sometimes both at the same time. The book’s range is expansive, ranging from Homer through Virgil and the Augustans to late antiquity, the Renaissance, Romanticism and on to Seamus Heaney. Free.

October 3 | Washington Warm Up at USC (UW Alumni)
The Huskies head to Southern California to take on the Trojans at Memorial Coliseum. Join the UWAA’s official pre-game party!

October 3 | (Philosophy)
In conversation with UW Political Science Professor Jamie Mayerfeld, UW Philosophy Professor Dr. Karen Emmerman will discuss her recently published book, Defending Animals, Disappointing People. Emmerman offers a ground-breaking exploration of what happens when caring deeply about animals places us in conflict with the people we love. Free.

October 4 | (School of Music)
In never leave story, percussionist Bonnie Whiting explores intersections of storytelling and experimental music, integrating text, movement, creative sonification, and technology. Act I features collaborations with dancer Jennifer Salk and ceramicist Timea Tihanyi, plus music by Jeffrey Trevi?o and field recordings of poet Alice Notley. In Act II, Whiting extends her speaking percussionist project via a new commission from composer Kevin Clark and a reimagining of a historic work by Iannis Xenakis. Tennyson’s Ulysses looks back on his life, while Aeschylus’ Kassandra looks forward: in reality, both point to the urgency of “the now.”

Week 2: October 5 – 11

October 6 | (School of Art + Art History + Design)
Assistant Professor Miriam Chusid will present her ongoing research on premodern Japanese art history and visual culture, with a particular focus on Buddhist art. In thirteenth-century Japan, beliefs about life after death underwent a dramatic transformation. This era of profound political upheaval and social instability brought with it increasing anxiety around the ability to attain religious salvation, an event dependent on dying with sole focus on the Buddha. Chusid’s book examines the most notable innovation to alleviate such fears: the creation of images of Buddhist hell used to benefit the dead. In this talk, Chusid uncovers the visual, ritual, and material matrix from which these depictions were given form and meaning, and demonstrates how ritual specialists employed them to address a range of postmortem concerns and expectations within increasingly diverse Buddhist communities. Chusid’s book, The Ill-Fated Afterlife: Painting the Buddhist Cosmos in Premodern Japan, is forthcoming from the 天美影视传媒 Press in December 2026. Free.

October 7 | (Simpson Center for the Humanities)
The American example of the end of Slavery inspired a number of social movements in India. Satyashodhak Samaj was one of them. It was a socio-cultural sect established in 1874 by Jotirao Phule and others, with a view to create a society based on the ideals of equality and justice. Engaging with the writings of Jotirao Phule, Mukta Salve, Dhondiram Kumbhar and Tarabai Shinde, the talk will try to connect the issues of discrimination based on caste and gender in the late nineteenth century Maharashtra and explore the ways in which the Satyashodhak Samaj offered to mitigate the challenges posed by the unequal social structure. Free.

October 7 | (School of Music)
Faculty pianist Cristina Valdés performs works honoring the 100th birthday of 20th century composers Betsy Jolas, Morton Feldman, and Gyorgy Kurtag. Program includes Betsy Jolas’s Signets, hommage à Maurice Ravel; Morton Feldman’s Palais de Mari; and Gyorgy Kurtag’s Eight Piano Pieces, Op. 3, as well as works by Ravel and Haydn.

Hybrid – October 8 | State of the University Address (Office of the President)
天美影视传媒 President Robert J. Jones invites you to his first State of the University Address. He’ll reflect on his first year as president and share his vision and the University’s strategy for the future as it navigates the challenges and opportunities ahead. Free.

October 8 | (Jackson School)
As part of the 18th Annual Seattle Latino Film Festival, the event will feature a special screening of this powerful Indigenous-themed documentary, followed by a Q&A with members of the filmmaking team, including directors Guido Bilbao and Elio Cunampio, an Indigenous Emberá filmmaker from Panama. Free.

October 8 | ?(School of Art + Art History + Design)
Moderated by Swagato Chakravorty (The Henry Art Gallery), Dr. Jennifer Jolly (Ithaca College) and Dr. Gigi Peterson (SUNY Cortland) will be in conversation about? Mexican Muralism and Networks of Solidarity: The Struggle Against Racial Discrimination” in Seattle and Beyond. This conversation situates Pablo O Higgins’ 1945 mural, currently on display at the UW, in the larger context of mural-making and international organizing to explore the conditions and contradictions that conspired to make this form of expression a radical, if imperfect, tool for social change. Free.

October 9 | (GWSS)
The Department of Gender, Women & Sexuality Studies welcomes the entire campus community to celebrate the start of a new academic year and greet new students. The gathering will feature the presentation of the Doman Excellence in Teaching and Alumni Awards, as well as snacks and festive community celebration. Free.

October 9 | ?(Henry Art Gallery)
Joiri Minaya presents Fabricating the Global Tropics, a talk about textiles, place, identity, and the fantasy realm for the “exotic” that extends from the Caribbean to the Pacific. This public talk is one of two keynote lectures for the 7th Triennial Conference of the Association for Latin American Art, Reclamations: The Afro-Asian-Native Turn in the Arts of Latin America, presented in conjunction with her current exhibition Joiri Minaya: To Hell With Hibiscus. Free.

Week 3: October 12 – 18

October 12 | (History)
2026 Inaugural Linda Nash Memorial Lecture: Drawing on archival research, fieldwork, Indigenous legal theory, and the natural sciences, Dr. Bathsheba Demuth’s talk examines how Indigenous, imperial, and nation-state legal traditions made law with, for, and about the Yukon River over the past two centuries—from seeing law in the actions of salmon to using laws to shape human relations with beavers. In doing so, it offers an argument for how environmental history can widen the scope of the social in ways critical to our understanding of what law is, and who it is for, in an era of climate change and species loss. Bathsheba Demuth is a writer and environmental historian focused on the lands and seas of the Russian and North American Arctic and teaches environmental history and creative nonfiction at Brown University. Free.

Hybrid – October 14 | A Conversation with Paola Ramos (Public Lectures)
Emmy Award-winning journalist, Paola Ramos, in conversation with UW Political Science faculty member Sophia Jordán Wallace, explores the evolving landscape of Latino voter engagement and political participation. This compelling discussion examines demographic shifts, policy priorities, and the critical role Latino voters play in shaping electoral outcomes across America. Free.

October 14 | (Dance)
UW Department of Dance second-year MFA candidates present their research:

• “The Edge of Comfortability: A Phenomenology of Trust and Risk in Contact Improvisation” by Jake Bone
• “Disrupting the Script: Audience Agency, Care, and the Unpredictability of Performance in Public Spaces” by Alice Gosti
• “The Straightening of Bachata: Studio-fication as (mis)Translation” by marco farroni leonardo
• “Litefeet’s Visibility Paradox: Competing Media Narratives and the Politics of Being Seen” by Jillian Amadi Roberts
• “Waacking Battles: Spaces of Translation and Transformation” by Tracey Wong

Free.

October 14 | ?(Jackson School)
Over the past four decades, China has witnessed a shift in its public sphere, transitioning from a period of flourishing to one of decline. Conversely, the realms of culture, arts, and private life have remained highly vibrant. Furthermore, the center stage of social media has shifted from intellectuals to internet celebrities. What does this mean for China’s future? Free.

October 15 | (Speech & Hearing Sciences)
Annette Estes, PhD, is the director of the 天美影视传媒 Autism Center. The Center is devoted to supporting autistic individuals and their families, caregivers, and community through clinical services, research, and education. She holds the Susan and Richard Fade Endowed Chair, is a Research Professor in the Department of Speech and Hearing Sciences, and an Adjunct Research Professor in the Department of Psychology at the 天美影视传媒. She is also a licensed psychologist in the state of Washington. Her research is carried out at the UW Autism Center and Center on Human Development and Disability. Free.

October 15 | ?(Burke Museum of Natural History and Culture)
The October book club selection is The North Cascades: Finding Beauty and Renewal in the Wild Nearby by William Dietrich. The discussion will be led by Burke Museum Herbarium Collections Manager, David Giblin. Free.

October 15 | ?(Jackson School)
As “hyphenated people” (Chow 1993) and “Taiwanese new immigrants” (Robinson 2020), Chinese diasporic and Southeast Asian directors making films in Taiwan today embody a transnational dimension of Taiwan New Cinema (first wave, 1982–9; second wave, 1990–), raising questions about gender, identity, queerness, migration, mobility, and more crucially, the global structures that fund, produce, circulate, and exhibit world cinema. Their internationally co-produced and circulated films materialize these flows of capital and people, while film festivals mediate their reception and reposition Taiwan geopolitically toward Southeast Asia, renegotiating the island’s uncertain and ambiguous national identity. This talk approaches film festivals as a theoretical framework for understanding how Hou Hsiao-hsien, Tsai Ming-liang, and Midi Z came to represent Taiwan through international circulation and reception. Situating Taiwan New Cinema within this exhibition context, Beth Tsai also considers its persistent feminist caliber within the nation’s cultural imaginary and slow-cinema aesthetics, focusing on female fl?neurs in Hou’s city films as a case study. Free.

October 15 | (Jackson School / Cinema & Media Studies)
The film follows a group of restless young men who leave their fishing village on the Penghu Islands for the port city of Kaohsiung, where new encounters with work, urban life, friendship, and desire mark their passage into adulthood. Through its attention to everyday rhythms, place, and the changing social landscape of 1980s Taiwan, The Boys from Fengkuei anticipates the cinematic style that would make Hou one of Taiwan’s most influential filmmakers. The screening will be followed by a Q&A and discussion with Beth Tsai (Film & Media Studies, Hunter College, CUNY) and James Tweedie (Cinema & Media Studies, 天美影视传媒), exploring the film’s place in Hou’s career, Taiwan New Cinema, the histories and environments that shape its coming-of-age story, and how the film continues to speak to audiences today. Free.

October 15 | (Simpson Center for the Humanities)
Writing is a relational practice. Like teaching, writing is central to our lives as educators, artists, and university workers. And like teaching, we rarely engage one another on what we are doing when we are writing. As such, writing can be underestimated as a practice, and overlooked as a form of relation. Writing can be a way of knowing, a visitation, a keeping, and a keeping away. Following her lecture, Eve Tuck will be joined by UW professor Dian Million (Tanana Athabascan) for a conversation on writing as one way we attend to our many relations of care and responsibility to communities, to lands and waters, and to one another. Free.

October 15 – 17 | (Scandinavian Studies)
ASTRA/NORTANA/DANA unified symposium explores how archives shape culture, memory, and citizenship, and can be used as a powerful pedagogical tool to help students engage with language and culture. Authors, archivists, and fellow teachers from both sides of the Atlantic will present and lead workshops on why the archives matter more than ever and how we can use them in our teaching and research. Free.

October 16 | (Physics)
Dr. Stephon Alexander (Brown University) revisits the deep interconnection between music and the evolution of astrophysics and cosmology. We explore new ways in which music, particularly jazz, mirrors ideas in modern physics, including quantum mechanics, general relativity, and the physics of the early universe. Finally, we discuss how innovations in physics have been, and may continue to be, inspired by the kind of “improvisational logic” exemplified in jazz performance and practice. Free.

October 16 | (Meany Center for the Performing Arts)
The Arditti Quartet enjoys a worldwide reputation for its spirited and technically refined interpretations of contemporary and 20th-century music. Since its founding in 1974 by violinist Irvine Arditti, the Quartet has inspired hundreds of composers to write groundbreaking works specifically for the ensemble, shaping how this music is heard and played. As explorers of cutting-edge string quartet music, their Meany debut features selections from the wide collection of the Quartet’s repertoire.

October 16 | ?(School of Music)
Following the Quartet’s Oct. 16 Meany Center appearance, the quartet premieres UW School of Music director and faculty composer Jo?l-Francois Durand’s String Quartet No. 4, a new work written for the group for this performance, as well as pieces by James Clarke and Brian Ferneyhough. Free.

October 18 | Alaska Airlines Dawg Dash (UW Alumni)
Hit the road, Huskies! Lace up your sneakers and soak in the fall campus beauty at our annual 10K run and 5K run/walk in support of students. All Dawgs (and dogs) are invited. UWAA members save on registration! From race start to the Post-Dash Bash finish, it’s a day of fun for the whole Husky pack.

Week 4: October 19 – 25

October 19 | (Jackson School)
A journey through the evolution of Peruvian tropical music, beginning in 1950s Lima, when large orchestras embraced Cuban music and mambo, and continuing through the 1960s, when cumbia emerged alongside and competed with Afro-Caribbean sounds. By the end of that decade, cumbia had become the leading genre of Peruvian tropical music, giving rise to Peruvian cumbia. The story continues in the 1970s, as tropical music spread across the country before returning to Lima, bringing diverse regional sounds into the capital’s recording studios. In the 1980s, the growing influence of Andean music gave rise to the term “chicha.” The genre evolved through Peru’s sociopolitical and economic crisis of the 1990s, the rise of tecnocumbia and northern cumbia, and a chicha revival that began in the late 2000s and continues today. The presentation combines active listening to chicha music with an exhibition of neon chicha posters, tracing the musical and visual evolution of this influential Peruvian genre. Free.

October 19 | (Jackson School)
Is Zionism a movement of national liberation or a story of colonialism and dispossession? Most public debate insists it has to be one or the other. This talk makes the case that it’s both, and that treating it as an either/or question gets in the way of actually understanding Zionism’s history, its current crisis, and its possible futures. Drawing on history that ranges from French Algeria to the broader question of Jewish nationalism, this talk will ask whether Zionism should be seen as an exceptional case or as part of larger histories of liberation, nationalism, and colonialism since the late 19th century. By reframing Zionism in a series of wider contexts, the talk clarifies the stakes of the existential choices currently facing Israel and Palestine. The talk also offers a preview of speaker Ethan Katz’s current book project, “Unsettling Histories: Zionism and Colonialism Reconsidered,” forthcoming from Princeton University Press. Free.

October 19 | (Statistics)
The 2026 Blackwell Seminar is presented by Stephanie Cook, Associate Professor in the Departments of Social and Behavioral Sciences and Biostatistics and New York University James Weldon Johnson Professor, New York University. The Blackwell Seminar was established in 2020 to honor the contributions of David Blackwell to mathematical statistics, game theory, probability theory, and information theory. The Blackwell Seminar focuses on topics at the interface between statistics and equity issues such as racial disparities, social justice, and ethics. Speakers are invited based on their contributions to these areas. Free.

October 20 | (Meany Center for the Performing Arts)
Bruce Liu has emerged as one of the most compelling pianists of his generation since winning the 18th International Chopin Piano Competition in 2021. He is praised not only for his dazzling technique but also for his curiosity and artistry, which combine “nimble versatility” (The New York Times) with “playing of breathtaking beauty” (BBC Music Magazine).

Online – October 20 | (Harry Bridges Center for Labor Studies)
The Bridge’s Center presents the findings from their research project, “Rights on the Line: Policy and Regulatory Gaps Affecting Migrant Fishers in Washington State Ports.” Free.

October 21 | (Chemistry)
Professor Emeritus Ned Sibert (University of Wisconsin, Madison) presents “Exploring the CH Stretch Spectral Region with Local Mode Hamiltonians.” Free.

October 21 | (College of the Environment)
Conservation has always been about more than protecting species and ecosystems—it is about our relationship with the living world. Drawing on lessons from The Nature Record, the first independent national assessment of nature in the United States, Phil Levin, professor and director of the UW School of Marine and Environmental Affairs and director of The Nature Record, reflects on what four years of scientific synthesis revealed about stewardship, resilience and responsibility. Blending personal stories, ecological science and reflections from ancient wisdom and contemporary literature, this talk explores why nature matters not only for biodiversity but also for our shared future. At a moment of rapid environmental and social change, Levin considers what the evidence tells us about our relationship with nature and the choices before us.

Online – October 22 | (Classics)
Roman imperialism brought about interconnected world history. So argues the second-century historian Polybius. Beginning in the 140th Olympiad (220-216 BCE), “history became corporeal, so to speak, [hoinoei sōmatoeidē] and Italian and African affairs were woven together with those in Asia and Greece, and the direction of everything became towards one end [telos]” (1.3.4). The rise of Rome marks a historical threshold: the first truly “world” empire and a moment of unification for world history. This talk sets Polybius’ organicist claims about Roman empire in the context of Hellenistic historiography, and examines some aspects of Polybius’ reception history in later Roman historical writing. In so doing, I trace a long tradition of using corporeal metaphor to theorize the intersection of world empire and effective historiography. Free.

October 22 | (Jackson School)
Central Asia is considering a major expansion of nuclear energy. The appeal is clear: nuclear power could support economic growth, reduce reliance on imported fuel, and help meet climate goals. But the region also carries a difficult history with nuclear activity, from Soviet-era testing and mining, and faces ongoing concerns about safety, security, waste management, corruption, and geopolitical competition among major powers. This talk examines these competing pressures and what they mean for the region’s energy future. Free.

October 22 | (Jackson School)
Susan Whiting’s book advances institutional economic theory with original survey and fieldwork data by addressing two puzzles in Chinese political economy: how economic development has occurred despite insecure property rights and weak rule of law; and how the Chinese state has maintained political control amid unrest. She answers these questions by focusing on the role of illiberal law in reassigning property rights and redirecting grievances. The book reveals that, in the context of technological change, a legal system that facilitates reassignment of land rights to higher-value uses plays an important and under-theorized role in promoting economic development. This system simultaneously represses conflict and asserts legitimacy. Comparing China to post-Glorious Revolution England and contemporary India, Whiting offers a critical new argument that brings the Chinese case more directly into debates in comparative politics about the role of the state in specifying property rights and maintaining authoritarian rule. Free.

October 23 | (German Studies)
The Seattle Opera and the German Studies Department are teaming up for a German Night at the Opera for their performance of Richard Strauss’s Salome, followed by a Q&A with Professor Annegret Oehme. There will also be a to discuss the opera on Monday, October 26. Details coming.

October 23 | (Asian Languages & Literature)
From Godzilla to Pokémon, Japan is monster country. And all of Japan’s monsters have their roots in the bizarre menagerie of creatures called yokai. Noted monster scholar and yokai folklorist Zack Davisson guides you through the history behind yokai; a journey from the invisible monsters of the Heian period to the yokai catalogs of Edo. Free.

October 23 | (Philosophy)
The Annual Ethics Lecture features Linda Alcoff (Hunter College). Racism in the United States today cannot be understood in a narrow national frame. Rather, it needs to be understood in relation to the coming end of the US Empire and of Western intellectual and financial dominance, and the resulting precarity of the social contract citizens have expected in the global north. To chart this terrain, Alcoff argues that we need a historical understanding of racial formations, a focus on cultural racism, and an honest approach to the complex history of settler colonialism in this hemisphere that can be the basis of new and stronger coalitions for all working-class peoples. Free.

October 25 | (School of Music)
Members of the UW Wind Ensemble (Christopher Vongvithaymathakul, director) perform music by W.A. Mozart, Claude Arrieu, Joan Tower and others. With Yuman Wu and Joshua Michael Smith, assistant conductors. Free.

Week 5: October 26 – November 1

October 26 | (Jackson School)
Christopher Rea discusses how he and Julie M. Wang rendered an award-winning novel into English, including the process of researching a historical epic of bestial violence also filled with Malaysian vampires, Japanese demons, and Bornean bog monsters. In doing so, he offers answers to a more general question: When faced with a challenging text, how can a translator get out alive? Free.

Hybrid?– October 26 | What Feeds Us: Science, Climate, and the Future of Food with Pamela Ronald (Public Lectures)
Climate change is threatening the crops that feed us all. UC Davis geneticist Pamela Ronald reveals how her discovery of flood-tolerant rice is helping millions of farmers adapt — and what plant science means for the future of food. Free.

October 28 | (Simpson Center for the Humanities)
How did the martial artist and actor Bruce Lee vault to global stardom? In this lecture, Daryl Joji Maeda describes how transpacific contacts and migrations created the world in which a singular individual encountered, absorbed, and synthesized multiple philosophical and aesthetic influences to create a hybrid form all his own. Tracing Lee’s evolution as a fighter and performer reveals how macroeconomic and geopolitical forces can manifest new forms of culture and resistance. Free.

October 28 | ?(Jackson School)
The U.S. faces more challenges in East Asia than it has seen in decades: An ascendant China that is threatening American dominance of geopolitics, economics and technology, and a nuclear North Korea that has been newly emboldened by its ties with Moscow and Beijing. Jonathan Cheng, the China bureau chief for The Wall Street Journal and the former Korea bureau chief, will talk about more than a decade reporting from on the ground in China and on the Korean peninsula, and his new book, “Korean Messiah: Kim Il Sung and the Christian Roots of North Korea’s Personality Cult.”?Free.

October 29 | (School of Music)
Dr. Stephen Price is joined by students, colleagues, and friends of the UW Organ Studies program in this concert of spooky organ classics and Halloween fun. Free.

October 29 | (Jackson School)
Tadashi Ishikawa introduces Geographies of Gender, which examines the fringes of family and marriage in imperial Japan and colonial Taiwan in the 1910s through the outbreak of the Second Sino-Japanese War in 1937. The talk focuses on daughter adoption as one of the boundaries of family and marriage under study. As elite and ordinary Japanese and Taiwanese men and women exchanged competing social norms and ideals in colonial and anticolonial spaces, daughter adoption became a point of negotiation in the colonial courtroom. Those processes, his book argues, ultimately redefined the Japanese empire along gender lines. As the colony of Japan as a non-Western empire during the interwar era, Taiwan showed both the possibility of progress and its repeated gendered contradictions among both colonizer and colonized, suggesting that it is a promising object of historical research not only as spatially open, but as temporally circular. Free.

October 30 | ?(Simpson Center for the Humanities)
Spot Reservation, Swinomish artist Daniel R. Smith’s newest participatory public art project, is a free event he describes as an “Indigenous, celebratory occupation of the 天美影视传媒.” Taking place the day before Halloween, Friday, October 30, from 11:00am – 3:00pm, the project transforms the lower level of the Padelford Parking Garage into an unexpected gathering place centered around participatory art making in a tiny forest, or “nanoforest,” of native plants growing from industrial oil barrels. Featuring photo portraits with costumes and wearable taxidermy in a tiny post-apocalyptic forest, fry bread tacos, live birds of prey demonstrations, and an open mic; all free and open to the public.

October 30 | ?(Middle Eastern Languages & Cultures)
Nearly half a century after the Iranian Revolution, a striking paradox has emerged. Many young Iranians reject 1979 as the origin of the political order they seek to overcome, while many of the revolutionary generation have become estranged from the revolution they once made. Yet successive waves of protest, from the Green Movement to Women, Life, Freedom, have returned to the street—the quintessential space of revolutionary politics—to challenge the Islamic Republic.
In the wake of state brutality, political disappointment, and the ongoing effects of the US and Israeli wars on Iran, the present is increasingly marked by exhaustion and political impasse. This lecture asks what becomes visible when we remember 1979 before its outcome was known: when leftists, nationalists, Islamists, workers, students, intellectuals, merchants, and others occupied the same streets while imagining radically different futures. Free.

October 30 | (School of Music)
David Alexander Rahbee and the UW Symphony present “Hungarian Connections,” a program of music by Leó Weiner, Ludwig van Beethoven, and Bela Bartók. With faculty artist Pala Garcia, violin.

October 30 | ?(Classics)
Learn about recent archaeological excavations at the UNESCO World Heritage Site of Oplontis in the Bay of Naples. Through the two Roman villas found there, we encounter both unbridled luxury and the lives of working individuals.

The ArtSci Roundup

The ArtSci Roundup is your guide to connecting with the UW—whether in person, on campus, or on your couch.

Those who receive monthly emails, with timely updates and engaging content wherever you are. Check the roundup regularly, as events are added throughout the month. Check out the ArtSci On Your Own Time section for everything from podcasts to videos to exhibitions that can be enjoyed when it works for you!

Do you have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).

Source

Come curious. Leave inspired.

Wherever you are, the 天美影视传媒 offers opportunities to learn and connect with the ideas, people, and research shaping our world. This summer, visit campus for the latest exhibitions at the Henry Art Gallery and Burke Museum of Natural History and Culture, or join us from anywhere through recorded lectures, podcasts, virtual experiences, and more. As a public university, we’re proud to share the knowledge, creativity, and discoveries of the UW with communities near and far.

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If You’re in Seattle:

SUMMER EVENTS:

July 7 | (Arboratum Foundation)
Meet Seattle-based author, journalist, and photographer Roddy Scheer and learn about his new book, Wild Seattle: Explore the Amazing Nature in and Around the Emerald City.

July 11 | (Harry Bridges Center for Labor Studies)
Harry Bridges Center for Labor Studies at the 天美影视传媒 for a day packed with labor history, organizing strategies, and labor research with the Seattle labor community. How are racism and capitalism related, and how have workers confronted them, past and present? Come ready to learn, discuss, and organize!

July 22 – 26 | (School of Art + Art History + Design)
Assembly is a new invitational contemporary art fair organized by a cohort of Seattle’s leading galleries. Founding members include Traver Gallery, led by School of Art + Art History + Design alum Sarah Traver (BFA ’02), and Greg Kucera Gallery. The fair’s inaugural edition will take place at the West Canal Yards. It will bring together galleries from across the Western US with their curatorial programs, artists, and collectors.

July 23 – 26 | ?(ArtsUW)
Seattle Art Fair, a one-of-a-kind showcase for the vibrant arts community of the Pacific Northwest, and a leading destination for the best in modern and contemporary art, returns for its tenth edition. The Fair brings together the region’s strong collector base, the Pacific Northwest’s top museums and institutions, and an array of innovative public programming.

Through July 24 – Book Club | The Frozen River by Ariel Lawhon (UW Alumni Association)
Readers’ Choice! Bundle up for an historical mystery set in 18th-century Maine. The body of a local man is found in the frozen Kennebeck River. Martha Ballard, the local midwife, suspects that this death is not an accident — and her detailed diaries of local life are full of clues. Will she weather the scandals unleashed by her pursuit of the truth? Inspired by historic events!

July 25 | (Burke Museum of Natural History and Culture)
Walk around the 天美影视传媒 campus with Dr. Susan Pavel to learn more about native plants and how you can use them to dye textiles. In this workshop, learn about the native plants around the Burke Museum and how they can be used. Hear about the dyeing process and see samples of native plant dyes. Leave this workshop with the information to do your own natural dyeing at home! Takeaways include: a sample card of a natural dye from a native plant.

August 6 |?(Burke Museum of Natural History and Culture)
Admission to the Burke Museum is FREE, and the museum is open until 8 p.m. on the first Thursday of every month. Get closer to the daily work happening in the Burke Museum’s visible collections storage, labs, and workrooms during Free First Thursday.

August 27 | (Henry Art Gallery)
Celebrate the opening of new exhibitions featuring newly acquired prints by Helen Frankenthaler, collection objects that explore the politics of the everyday, a solo exhibition by artist Joiri Minaya, and the unveiling of a new mural project! Plus music and drinks!

SEPTEMBER EVENTS:

September 14 | (Philosophy)
Drawing on care ethics and relational philosophy, Karen S. Emmerman develops relational vegan ecofeminism, a framework that takes animals’ moral standing seriously while also acknowledging the emotional, cultural, and familial stakes woven into human traditions. Rather than treating veganism as a simple matter of ethical prioritization, Emmerman shows that refusing a grandmother’s lovingly prepared chicken soup, or rejecting a family hunting tradition, carries profound relational weight. These moments produce “moral remainders” of lingering hurt, regret, or estrangement that persists even when we make the best ethical choice. Emmerman’s book is a ground-breaking exploration of what happens when caring deeply about animals places us in conflict with the people we love. She’ll be joined in conversation by Amy Reed-Sandoval.?Free.

September 16 | (Burke Museum of Natural History and Culture)
In this event, David B. Williams will be in conversation with local journalist Mary Ann Gwinn, about his new book. Blending human and natural history into a vivid portrait of one of North America’s most dynamic landscapes, In the Range of Fire and Ice is a lively, groundbreaking exploration of Washington’s Cascade Range. Drawing on conversations with anthropologists, park rangers, ecologists, and climate scientists, as well as firsthand experience, award-winning author David B. Williams brings readers into the mountains to uncover stories etched in the landscape over millennia.

September 17 | (Philosophy)
UW Prof. Colin Marshall is joined by UW Assoc. Prof. José Jorge Mendoza for a lively conversation about Marshall’s new book, Just Hear Me Out. In Just Hear Me Out, Marshall describes a persuasive method that is both effective and ethical. Rather than share a flurry of tips on how to win friends and influence people, Marshall invites us to take up persuasion as fundamentally civil work, good for both our conscience and our communities. Real-world persuaders such as Jane Addams, Daryl Davis, and Fred Rogers show us an ethical route, he argues, to changing hearts through patience, respect, and compassion. Hosted at the University Bookstore. Free.

September 24 | (Burke Museum of Natural History and Culture)
Samuel Elwitt (1834-1919) was a prolific and highly accomplished Tsimshian carver from the Kitselas First Nation. Partially paralyzed from an early age, Elwitt worked as a full-time artist and relied on carving and painting as his primary source of income for his entire life. Despite a multitude of Elwitt’s spoons, model poles, bowls, and headdresses being present in some of the world’s most notable museums, including the British Museum, American Museum of Natural History, Canadian Museum of History, and the Museum of Anthropology at UBC, most Northwest Coast scholars have never heard of this pivotal artist. This presentation by Vancouver-based museum anthropologist and writer Christopher W. Smith retraces his efforts over the last 18 years to untangle the historic intersectional discrimination and inconsistent museum cataloguing practices that led to this important artist being left out of the Northwest Coast art historical canon. In his presentation, Smith will share key biographical details on Elwitt, historic photos, notable works, and the defining features of Elwitt’s unique carving and painting styles with the audience. Smith will also discuss the important roles that formal attribution, archival research, and online museum databases have played in the return of this information back to Elwitt’s home community and descendants. Free.

September 24 | (Henry Art Gallery)
Every night for almost two decades, artist Clare Johnson has drawn and written on a post-it to save a small piece of each ending day. Currently including over 6,500 sticky notes and growing nightly, this sprawling yet deeply intimate work honors what normal communication can’t—all the separate times held within ourselves, endlessly overlapping, collapsing, and refocusing. As part of Art + Culture Week and in conjunction with the exhibition Day-to-Day: Rhythm, Routine, Resistance, join Johnson at the Henry for a talk and hands-on activity exploring personal histories and practices of everyday making. Free.

September 25 | (Burke Museum of Natural History and Culture)
Join in for an introduction to a moving meditation called Qi Gong. Participants will learn a practice called T’ai Chi Chih, which is a series of 19 movements and one closing posture. Benefits of Qi Gong include improved balance, increased energy, and greater mental clarity. Free.

September 30 | (Art + Art History + Design)
Celebrate the 2026 MFA Show at the Jacob Lawrence Gallery. The exhibition runs from September 30 through November 7. Free.

September 30 | (Burke Museum of Natural History and Culture)
Authors Spencer Greening and Rachel Greening discuss their new book, Gyetk: Coastal Fusion and Ancestral Knowledge from a Ts’msyen Kitchen.?Gyetk (pronounced gy-e-tk and meaning “to feed the people”) immerses readers into the rich food traditions, knowledge, and relationships that have sustained the Ts’msyen (Tsimshian) people for millennia along the Pacific Northwest Coast. Drawing from the authors’ lived experiences practicing a land-based lifestyle, as well as their backgrounds in Indigenous food sovereignty, health and well-being, and cultural research, Gyetk weaves together modern culinary fusion, traditional knowledge, and scholarly insight. Through 60 beautifully photographed recipes, the book follows the Ts’msyen seasonal round, weaving together ancestral foodways, traditional ecological knowledge, dietetic perspectives, and thoughtful harvesting practices — inviting readers to feast in relationship with the natural world.

(Biology)
Wednesdays, noon to 4 pm / 2nd and 4th Saturdays, 10 am – 2 pm
For nearly 70 years, the Biology Greenhouse at the 天美影视传媒 has played a vital role in research and teaching. Whether focusing on plant-pollinator interactions, paleoclimatology, or other biological questions, the teaching collection has enhanced and inspired UW biological research. Visit the 4 Collection rooms and browse through an amazing diversity of plant species from around the world. Free.

EXHIBITIONS:

Opening July 5 | ?(Henry Art Gallery)

By the age of thirty-two, Helen Frankenthaler (1928—2011) had established herself in a white male-dominated art world as one of the leading American Abstract Expressionist painters of the twentieth century. Her distinctive “soak-stain” technique—applying thinned paint onto unprimed canvases on the floor to produce watercolor-like effects—introduced chance as an integral part of her artistic process. Printmaking, a technical process involving chemistry, collaboration, and repetition, might appear at odds with the spontaneity and physicality of her painting.

Opening July 11 |
(Henry Art Gallery)
This exhibition brings together contemporary artworks across media that explore the poetics and politics of everyday life. Using the day-to-day as both material and subject, these works explore how the ordinary and seemingly incidental can become a powerful source for artistic inquiry, critical reflection, and imagination.

Opening July 18 | (Henry Art Gallery)
Richard Learoyd’s (U.K., b. 1966)?large-scale photograph of a dead grey reef shark in the Henry’s permanent collection. This photograph draws from lineages of scientific photography and still life across media, resulting in a picture that surfaces entanglements between traditions of imaging and practices of extraction from land, people, and other living creatures. Reflections from members of the UW community across Art History, Anthropology, and Marine Biology will examine these intersecting histories and contexts.

Opening July 25 | (Henry Art Gallery)
Joiri Minaya (b.1990, New York City; raised in the Dominican Republic) is a multidisciplinary artist who examines the Tropics as a constructed place and identity. As both performer and saboteur, Minaya challenges misrepresentations that reduce tropical geographies and their inhabitants to imagined fantasies of the colonial imagination. In her work, she reclaims Afro-Indigenous narratives of resistance, ancestral knowledges, and regenerative practices—especially those rooted in plant and botanical traditions.

Through August 30 | (Burke Museum of Natural History and Culture)
Journey through the seasonal cycle of weaving, from gathering materials and spinning wool to dyeing with natural ingredients and weaving intricate designs. Along the way, learn firsthand from weavers and gain insight into the deep cultural and scientific knowledge embedded in every strand. Related Article by the Seattle Times:

As you enter the exhibit, you’ll see baskets, tumplines, and raw materials — all part of the first phase of the weaving process: gathering. Ancestral weavings — some on loan and returning to Coast Salish territory for the first time in a century — are displayed alongside contemporary creations by the co-curators.

(Henry Art Gallery)
ojo|-|o?l?? (pronounced oh-ho hol-ohn) is an exhibition of recent and newly commissioned work by Diné artist Eric-Paul Riege (b. 1994, Na’nízhoozhí [Gallup, New Mexico]) that includes sculpture, textile, collage, and video, activated by moments of performance. Across this work, Riege combines customary Diné practices of weaving, silversmithing, and beading with contemporary cultural forms, exploring Diné cosmology, the history of Euro-American trading posts in and adjacent to the Navajo Nation, and the notion of “authenticity” as a value marker of Indigenous art and craft.

ART AROUND SEATTLE:

Volunteer Park: (Henry Art Gallery)
The title, Soft Services, is a phrase drawn from the artist’s research and interviews with members of the activist community, in reference to the care efforts made during the height of the AIDS crisis. At the time, the rare opportunity arose to use the Ryan White (CARE Act) monies towards “soft services”—aspects of support deemed assistive but not strictly necessary and as such not covered by traditional healthcare (massage, meal trains, dog walking, etc.) Through this installation, Bass explores the notion of what true care means, what we define as essential versus optional, and who has access to it, questions of heightened importance at this moment of crisis and recovery.

Judkins Park Sound Transit: ?(School of Art + Art History + Design)
“A Walk in the Neighborhood,” a public art installation by Barbara Earl Thomas, ’73, ’77, is the culmination of 12 years of creative development. It features illustrated glass panels that serve as dividers and windbreaks on the terminal platform. The imagery features people and elements from the neighborhood rendered in Thomas’s cut-paper style.

Through August 8 | ARTS at King Street Station: ?(School of Art + Art History + Design)
Vivian Cho is a visual designer and animator based in Seattle whose work includes themes of identity, nature, and digital nostalgia. Their practice is driven by curiosity and a love for experimentation, often exploring ways to synthesize 2D and 3D digital art with analog techniques. A recent graduate of the 天美影视传媒’s Visual Communication Design program, Vivian has previously worked as a motion design intern at Netflix and a visual designer at the Jacob Lawrence Gallery. Currently, they are a staff designer at ARCADE NW Publishing, while also continuing to develop their independent practice and personal design and animation projects. Related article by 天美影视传媒 Magazine: .

Engage with the 天美影视传媒 from Anywhere:

SUMMER READS:

?(Department of English)
Discover the latest books and creative achievements from the Department of English faculty.

(Department of English)
From captivating novels and memoirs to poetry, scholarship, and more, this collection showcases the breadth of alumni publications.

PODCASTS:

(Communication)
Lost Credits is a podcast that emerged from a single question: what happened to all of the Black girls that used to occupy our screens? Each episode invites listeners into the quest of two friends to find answers. Hosts Dr. Timeka Tounsel (UW Communication associate professor) and Dr. Ashleigh Greene Wade (Digital Studies, University of Virginia) draw on their expertise as Black feminist media scholars to offer fascinating insights about popular culture and the inner workings of Hollywood. Together, they examine Black girls’ representation in late-twentieth-century and new-millennium entertainment media. With equal doses of fan criticism and educational content, Lost Credits is designed for Black culture enthusiasts as well as students and teachers.

(School of Art + Art History + Design)
UW Professor Karen Cheng joins host and Design alum Jason Tselentis (MFA 2004), Head of Design at Winthrop University, to discuss Working Girl (1988). They discuss the cinematography, Harrison Ford’s character, and other movies that would pair well with Working Girl for a potential double feature.

Ways of Knowing, Season 2 (College of Arts & Sciences)
Faculty in the College of Arts & Sciences are facilitating critical conversations in the classroom and the sound booth! The second season of “Ways of Knowing,” a podcast collaboration with The World According to Sound, spotlights eight Arts & Sciences faculty members whose research shapes our knowledge of the world in real time—from digital humanities to mathematics to AI.

(Astronomy)
Researchers at the Large Hadron Collider in Switzerland have announced that they discovered a new subatomic particle. Roughly four times more massive than a standard proton, this short-lived piece of matter called Ξcc?(Xi-cc-plus) is like an extra-heavy proton, researchers say. Physicist Hassan Jawahery joins Host Flora Lichtman to unpack how the particle was found, and what its discovery means for theoretical physics. Then, astronomer Eric Bellm describes a new alert system that could flag potentially significant changes in the southern night sky in real time. On its first night of testing at the Rubin Observatory in Chile, the system fired off 800,000 alerts.

?(Jackson School of International Studies)
Launched in 2021 with UW Professor Daniel Bessner and writer Derek Davison, “American Prestige,” the winner of the 2025 Signal Awards “silver” medal, offers an in-depth analysis of U.S. foreign policy and international affairs, and has featured guests such as actor Morgan Spector and HuffPost senior diplomatic correspondent Akbar Shahid Ahmed.

(Biology)
This is a podcast centered around the humans who study the myriad biological processes that shape our world, specifically, the humans who are students and faculty in the Department of Biology at the 天美影视传媒. They are scientists who study everything from the ways cells move through complex tissues to ancient communities of long-extinct mammals, from the ways plants interact with their surroundings to the ways bats fly and hummingbirds feed. Plunge into the vast world of biology, where students share paths to becoming scientists and the lessons they have learned along the way.

Podcast:??(School of Drama)
A lively and opinionated cultural history of the Broadway Musical that tells the extraordinary story of how Immigrants, Jews, Queers, African-Americans, and other outcasts invented the Broadway Musical, and how they changed America in the process. In Season One, host David Armstrong traces the evolution of American Musical Theater from its birth at the dawn of the 20th Century, through its mid-century “Golden Age”, and right up to its current 21st Century renaissance; and also explores how musicals have reflected and shaped our world — especially in regard to race, gender, sexual orientation, and equality.

STREAMING 2025-26 LECTURES AND PERFORMANCES:

The World (Cup) Comes to Seattle Lecture Series (Jackson School of International Studies)
The Global Sports Lab hosts an online series of talks and discussions featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle.

• 
  Presented by Sean Jacobs, Professor and Director of the Graduate Program in International Affairs at The New School, and Martha Saavedra, former Associate Director of the Center for African Studies at UC Berkeley.
• 
  Presented by César Wazen, Director of the International Affairs Office at Qatar University.
• 
  Presented by Mary V. Harvey, Chief Executive at the Center for Sport and Human Rights; Maya Mendoza-Exstrom, Board Member of the SeattleFWC26 Local Organizing Committee, Chief Business Officer of Seattle Reign Football Club, and Chief Operating Officer of Seattle Sounders Football Club; Leo Flor, Chief Legacy Officer of the SeattleFWC26 Local Organizing Committee; and Anita Ramasastry, Henry M. Jackson Professor of Law and Director of the Sustainable International Development Graduate Program at the 天美影视传媒 School of Law.
• 
  Presented by Niki Akhavan, Associate Professor and Chair of the Department of Media and Communication Studies at The Catholic University of America.
• 
  Presented by Teresa Mosqueda, Councilmember of the Metropolitan King County Council, and Anita Ramasastry, Barer Chair and Professor of Law at the 天美影视传媒.
• 
  Presented by Stéphane Mourlane, Senior Lecturer, Aix-Marseille University; Yvan Gastaut, Lecturer, University of C?te d’Azur; and Paul Dietschy, Professor, Marie and Louis Pasteur University.
• 
  Presented by Abdullah Al-Arian, Associate Professor of History, Georgetown University in Qatar.
• 
  Presented by Jen Barnes, Co-Chair of the Pride+ Match Impact Committee with SEA2026 and founder and CEO of both Rough & Tumble Pub and Salmon Bay FC.

?(Physics)
Building on the Department’s longtime commitment to public scholarship, the lecture series brings renowned scientists to UW to offer free lectures on exciting advances in physics with the goal of fostering an appreciation of science and technology in our community:

• 
  Nobel laureate David?Baker discusses advanced protein design software and its use in developing molecules to address challenges in medicine, technology, and sustainability.
• 
  Dr. John Martinis, recipient of the 2025 Nobel Prize in Physics, presents “Prehistoric quantum bits: experiments testing the fundamental physics of superconducting quantum devices.”

?(History)
Incarceration is a hotly debated topic in the United States, a country that has one of the highest rates of incarceration in the world. Looking at the practice from a historical perspective, what can incarceration teach us about who we were and who we are now? What might histories of incarceration, and the histories of those who have been incarcerated, tell us about power dynamics, belonging, exclusion, struggle, and hope across societies in the past and present? The 2026 History Lecture Series explores the practice of incarceration, tracing its evolution from antiquity to our modern world.

(Communication)
Kathleen Hall Jamieson is the Elizabeth Ware Packard Professor of Communication at the Annenberg School for Communication at the University of Pennsylvania, the Walter and Leonore Annenberg Director of the Annenberg Public Policy Center at the University of Pennsylvania, and the cofounder of the fact-checking site FactCheck.org and its science subsite, SciCheck. In this lecture, Dr. Jamieson argues that scientists and science communicators would be well served by using a “mental models” approach to simultaneously increase consequential knowledge and reduce public susceptibility to misconceptions about controversial climate and health findings. By engaging audiences with visual, verbal, or animated models, this approach fosters an understanding of science that audiences can draw on to recognize and reject consequential misconceptions.

(Department of English)
Nationally-acclaimed poet and critic Ange Mlinko lecture, “When Poets Say Nothing,” addresses the use of a negative mode in poetry, called apophasis or the apophatic. Her title itself is a clever pun that operates on several levels. Poets have always been accused of saying nothing much, of course. William Butler Yeats describes this accusation as a professional hazard; to be a poet is to “[b]e thought an idler by the noisy set / Of bankers, schoolmasters, and clergymen / The martyrs call the world.” On a different level, though, it is equally true that poets themselves invoke the negative to create distinct artistic and intellectual effects from those of positive language. As Mlinko noted, the apophatic is historically connected to theology, with figures from the ancient world, such as Saint Augustine of Hippo, urging that a correct human understanding of God must always be tempered by humility. Humans cannot understand the divine, writes Augustine; if you think you understand something, you can be sure it is not God. Poets say nothing when nothing is precisely the thing that needs to be said.

(Department of Psychology)
Dr. Cynthia Berg presents a perspective on self- and social-regulation that guides her work across the lifespan. In addition to talking about transition points across the lifespan where coordination of self- and social-regulation are linked to diabetes outcomes — across adolescence, in young adulthood, and in late adulthood — she identifies interventions that help to optimize the coordination of self- and social-regulation.

(School of Art + Art History + Design)
Visual Communication Design faculty members Karen Cheng, Annabelle Gould, Chad P. Hall, and Kristine Matthews give a series of short presentations reflecting on the designers, projects, and ideas that have shaped their practices and design values—from their time as students through their early careers. Their selections ranged from foundational texts on typography to inventive works, such as annual reports that document a designer’s year through charts and graphs. Watch the presentation recording to learn from these creative influencers.

UW School of Music Performances
Performances and more from the 天美影视传媒 School of Music.

Browse the full list of the UW School of Music’s

By bringing top minds from around the world to the 天美影视传媒 to teach and speak to the public, the UW Graduate School’s Office of Public Lectures takes big ideas and discoveries into the community and brings the community into scholarly life.

• 
  This talk invites audiences to explore five distinct perspectives on the political and cultural impact of the tournament—offering a more nuanced, thought-provoking look at what the World Cup means for Seattle and the world.
• 
  From winning two Olympic gold medals and a World Cup championship to enduring a career-ending concussion that left her “temporarily totally disabled” and forced her to pawn her Olympic medals, Briana Scurry delivers a raw and inspiring account of resilience. With unflinching candor, she guides audiences through the soaring highs and devastating lows of her journey—sharing a story of triumph, adversity, and ultimate redemption. Along the way, Scurry reflects on soccer’s global influence and the enduring significance of the World Cup, offering a deeply personal perspective on the sport that shaped her life and legacy.
• 
  Based on Alexis Pauline Gumbs’ forthcoming book of poetic indexes, this interactive poetic lecture explores the life, teaching, and artwork of color theorist Alma Thomas. Engaging themes of audience, intimacy, abstract expressionist art, and the dynamic relationship between Black women’s creativity and the process of being Earth, the lecture invites participants into a rhythmic dialogue of form, meaning, and presence.
• 
  In the shadow of an empire, in a world on fire, what if we could imagine — and build — otherwise? Crip feminist technoscience teaches us how to wield disabled, mad, neuroexpansive, crip, sick people’s wisdom as a vital tool for surviving now and thriving then. Disabled people know intimately how to strategically leverage legal and policy tools and know precisely the limitations of these tools and frameworks.
• 
  While World War I is often framed as a European conflict, its most far-reaching consequences were profoundly felt far beyond Europe’s borders. In the Middle East, the war sparked a sweeping political crisis that ultimately led to the collapse of the Ottoman Empire. In its wake, the European victors imposed new borders and mandates, carving the region into fragmented zones of imperial control and influence. But this was not merely a story of unchecked colonial dominance. In the postwar moment, a spectrum of fluid, intersecting anti-colonial movements emerged. Palestine became a key site in these struggles, as a racialized order of settler-colonial capitalism took shape under British rule. This talk locates those movements within the broader transition from British to American imperial ascendancy, contending that the political history of the region must be understood as integral to the global history of fossil capitalism. Moving beyond frameworks centered solely on empire, the talk examines how anti-colonial actors envisioned their futures within a rapidly transforming global system—even as new hierarchies of race, empire, and capital were being redefined.
• 
  This talk explores the idea that the endurance of the rule of law in the United States relies not solely on the provisions of the Constitution—its structural framework, the institutions it established, or the rights it enshrines—but fundamentally on the character of its citizens. Qualities such as public-spiritedness, tolerance, moderation, empathy, mutual respect, a sense of fair play, and, ultimately, intelligence, honor, and decency form the foundation of constitutional democracy.
• 
  Join this lecture on reviving MLK’s vision of the beloved community—where inclusion, cultural goodwill, and nonviolence expand democracy beyond voting. Discover how these values can bridge today’s deep divides and strengthen the soul of American civic life.
• 
  Healthcare can be challenging for anyone—but for older LGBTQ individuals, the barriers are often deeper and more complex. This engaging talk explores how thoughtful, inclusive communication can transform healthcare experiences, making every person feel truly seen, heard, and respected. Join us to learn how the words we choose and the ways we listen can foster trust, reduce disparities, and build a system that cares for everyone with dignity.
• 
  Is artificial intelligence on the brink of world domination? Have tech giants created autonomous thinking machines? Will AI render authors, artists, and other creatives obsolete? Are we entering an era where computers surpass humans in every way?
• 
  In this powerful and deeply personal talk, Dr. Uché Blackstock explores the legacies that have shaped her journey—both personal and institutional. She reflects on following in her mother’s footsteps to medical school, a path that made Dr. Blackstock and her twin sister the first Black mother-daughter legacy at the institution.

(Simpson Center for the Humanities)
The Katz Distinguished Lectures Playlist offers a rich, ever-growing archive to explore from anywhere, inviting you to engage with a wide range of thought-provoking topics.

• 
  Why do we turn to the past in order to confront the crises of the present? Michael Rothberg approaches this question from the perspective of “comparison controversies,” which occur when impassioned public debates emerge from provocative historical comparisons. Since October 7, 2023, political speeches, protests, magazine articles, and social media posts have generated controversy by connecting recent events in Israel and Gaza to the Holocaust. In this talk, Rothberg will consider post-October 7 examples in relation to a larger context of comparison controversies and a longer trajectory of Holocaust memory to reflect more generally on the possibilities and pitfalls of historical analogy.
• 
  The production and promotion of so-called “AI” technology involves dehumanization on many fronts: the computational metaphor valorizes one kind of cognitive activity as “intelligence,” devaluing many other aspects of human experience while taking an isolating, individualistic view of agency, ignoring the importance of communities and webs of relationships. Meanwhile, the purpose of humans is framed as labeling data or as interchangeable machine components. Data collected about people is understood as “ground truth” even while it lies about those people, especially marginalized people. In this talk, Bender will explore these processes of dehumanization and the vital role that the humanities have in resisting these trends by painting a deeper and richer picture of what it is to be human.

(Astronomy)
What will Rubin Observatory discover that no one’s expecting? Neil deGrasse Tyson and comedian Chuck Nice learn and answer cosmic queries about the Vera Rubin Observatory, the Legacy Survey of Space and Time (LSST), and our next big tool to uncover more about the universe with Zeljko Ivezic, Director of Rubin Observatory Construction.

ArtSci Roundup goes monthly!

The ArtSci Roundup is your guide to connecting with the UW—whether in person, on campus, or on your couch.

Previously shared on a quarterly basis, those who sign up for the Roundup email will receive them monthly, delivering timely updates and engaging content wherever you are. Check the roundup regularly, as events are added throughout the month. Make sure to check out the ArtSci On Your Own Time section for everything from podcasts to videos to exhibitions that can be enjoyed when it works for you!

In addition, if you like the ArtSci Roundup, sign up to receive a monthly notice when it’s been published.

Do you have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).uw.edu).

Source

While soccer is the most popular sport globally, it wasn’t high on the list in Ron Krabill’s home state of Indiana. As a high schooler, Krabill’s soccer team often had to travel an hour and a half to find the nearest school with a team. Krabill still became a lifelong fan.

Now a professor in UW Bothell’s School of Interdisciplinary Arts & Sciences and director of the Global Sport Lab in the UW Jackson School of International Studies, Krabill never imagined soccer would become part of his academic work until he found himself conducting research in South Africa in 2010 when the country hosted the World Cup. He’s been intertwining sport and academics ever since.

With Seattle scheduled to host World Cup games from June 15 to July 6, Krabill is gearing up to co-lead this year’s UW Summer Institute in the Arts & Humanities with , UW teaching professor of communication, and , doctoral student in the UW Jackson School of International Studies. This year’s theme, Seattle’s World Cup: Storytelling Through Community Mapping, will combine community mapping with other methodologies, including photo and video essays and journalistic reporting, to tell stories about Seattle’s experience with the World Cup.?

The mapping technology was developed by , associate professor of Urban Studies at UW Tacoma. Kelley is the director of the Action Mapping Project, which works to engage issues of livability, equity, and voice in marginalized neighborhoods through the use of participatory data collection, spatial data analysis, mapping and data visualization.

UW News talked with Krabill about his plans for participating students, his background in sports scholarship, what he’ll be watching during Seattle’s tournament games and more.

When did your love of soccer and your academic work first intersect and how have you continued that work?

Ron Krabill: I lived and worked in South Africa on and off between 1996 and 2010 doing research on South African media, the late Apartheid Era and the media’s impact on anti-Apartheid politics. And then South Africa hosted the World Cup. I had been to two Women’s World Cups, but never before to a Men’s World Cup and I thought, “I can’t be in South Africa when this happens and not go.” It just felt too big and too important. It was a momentous thing for South Africa as a nation.?

A lot of debates were happening from the time South Africa was awarded the World Cup about whether it was going to be a good thing or a bad thing and what it meant. My academic work was concerned with a state putting a lot of money into feel-good projects when? it’s struggling to provide basic resources for its people. I around 2010 for Social Text, which is an academic journal that covers a wide range of social and cultural phenomena. The piece talked about the challenge for people who love soccer but also see all the problems with soccer, mega-events, the industry, and so on. In that piece, I also talked about loving South Africa, being deeply connected to South Africa and worrying about what the impact of the World Cup would be.

In 2010, I helped lead a UW study abroad program called My World Cup, which was funded in part by the Simpson Center for the Humanities at the UW, the Seattle Sounders and Cape Town Community Television. We paired our UW students with University of Cape Town film students and media activists from the Media Workers Alliance to put together short segments on the impact of the World Cup locally. We then aired those during the World Cup on Cape Town Community Television.?

After that, the UW León Center in Spain approached me and I proposed a class about the politics of soccer in Spain and beyond that addresses questions of gender, race, nationalism and migration. For this year’s World Cup, I wanted to create an immersive course much like the study abroad program — something that students can really sink their teeth into.

How will your students study the World Cup and Seattle as a host city?

RK: developed the Action Mapping Project, a community mapping tool that we’re excited to use in the World Cup context. This tool will allow us to do both large and geographical analysis alongside more qualitative and traditional arts and humanities methods. We’ll be asking people outside the stadium, at fan zones and at watch parties to reflect on what stories Seattle tells about itself. How do their experiences in Seattle during the Cup — whether they’re from the area, elsewhere in the United States or an international visitor — relate to what they imagine Seattle to be? In other words, does their experience of World Cup Seattle match their expectations?

The first two weeks are going to be very intense. The games are only in town for three weeks and unfortunately, the first of those weeks is the break in between academic terms. So those first weeks, we’ll be introducing students to critical sport studies as a field and what it means to think about sports as a site of power and politics, at the same time as training them in research methods and fieldwork.?

Hopefully we’ll gather a lot of material to work with, and then we’ll have the rest of the summer to figure out what to do with it. The students will be working in collaborative research teams, looking at different angles of what it means for Seattle to host. They’ll work off whatever material they find really compelling.?

It will be tricky, because they’ll have to collect the data before they’ve decided exactly what they’re going to do with it. They won’t have had the theoretical background to really think about the meaning. That means the teaching team is going to have to be a little more direct about what kinds of research gathering we do on our field days. The first two weeks, we’ll have four pretty long field work days with students. We’re expecting to send teams of students out into different parts of the city and the region to see what the World Cup experience is like.

What are you most interested to observe in Seattle during those three weeks??

RK: When South Africa hosted the World Cup in 2010, the vibe was incredible. It’s not really clear how much Seattle is going to embrace that vibe. Is the whole city going to be all about the World Cup? Because it was definitely like that in Cape Town. The Women’s World Cup in Paris wasn’t like that. You could have easily been in Paris and not had any idea what was going on. I don’t know where Seattle will land. There have also been a lot of stories about the hotel industry downgrading their expectations. The thing about the economic impact is that it’s often named as one big number, but it’s not always very clear where that money’s going and if it’s staying in the city.

People like to say that we should keep politics out of sports. But when we start talking about where the money is going to flow to, who’s going to be able to afford games,? or the pressures FIFA and the federal government is putting on local organizing committees, it’s not as hard for people to understand. We should be thinking about: What are the implications of this, and what are the actions that people can take to make it as beneficial as possible for the city and for the people who live in the city? How do you mitigate against the potential harms, and how do you take advantage of the potential benefits?

There is also a lot of evidence that the fan base is going to be more domestic and less international than expected from a World Cup, particularly because President Donald Trump’s stance on immigration will discourage a lot of people from traveling. I do think that’s going to impact Seattle more than most places because of our proximity to Canada. I think we would have had a lot of visitors, both from Canada and from other countries, because they could have gone to Vancouver and Seattle to see matches in both countries.

I’m also super interested in what the will look like. The local organizing committee is super committed to having it. The Seattle committee is also taking really seriously their responsibility to think about what it means to have the U.S. play on Juneteenth. That’s an opportunity to educate a worldwide audience about what Juneteenth is and why it’s necessary as a holiday.?

I’m following very closely, too. And not just because they’re coming to Seattle. I’m looking at what it means for modern society that two nations can be at war, and yet there is an expectation that one of them will travel to play in the other’s country in a tournament. The idea that that’s even a conversation says something about how detached we are in the United States from the idea of warfare.?

For more information, contact Krabill at rkrabill@uw.edu or globalsportlab@uw.edu.

Source

grew up in the United Kingdom surrounded by soccer. He’s always loved sport, but his academic focus — he’s a 天美影视传媒 master’s student in South Asian Studies researching the history of memory in diaspora communities — is far removed from the playing field.

But Josan brought his passion for sport, particularly soccer — known as football to most of the world — with him to the United States. When packing for the move, he even found room in his suitcase for a prized soccer jersey he received as a Christmas present when he was 13. When Josan arrived at the UW, he started searching for ways to engage in sport scholarship.

“My interest comes from how sport creates identity and how much of our cultural connection comes from sport,” Josan said. “That obviously has good parts, but it also means sport becomes very politically loaded. We see both in the wider scale kind of conversations about sports and politics today.”

Josan found a way to nurture his combined interests when he took a course with , professor in UW Bothell’s School of Interdisciplinary Arts & Sciences and director of the in the Jackson School of International Studies. The two developed a relationship, which led Krabill to ask Josan to serve as the managing editor for a new website: .

Whether people are counting the days until the — games will be played in Seattle from June 19 through July 6 — or wondering what all the hype is about, the Global Sport Lab’s syllabus was created as a way for anyone to learn more about the history and politics of the tournament.

“Pavandeep is an incredibly talented, thoughtful guy,” said Krabill, who also served as the editor for the syllabus. “There is no way the project would have happened without him.”

The idea for the syllabus emerged from the creation of similar resources for social movements and newsworthy events. There is a Black Lives Matter syllabus, for example. And during the protests that occurred in Ferguson, Missouri, after Michael Brown was fatally shot by a police officer in 2014, a Georgetown University professor launched the.

“What those syllabi did really well was put current events into larger historical, cultural and political contexts,” Krabill said. “The idea was to do the same thing with the World Cup — imagining someone who is really interested in the politics and controversies around this event and wants to dig deeper and find more analysis.”

World Cup: The Syllabus is divided into seven sections: FIFA; migrations; protest and resistance; arts and culture; human rights; stadiums; and technology. Each page offers analysis written by experts, discussion questions and a suggested reading list.?

The website was curated by an editorial team of six leading experts in global football, including Krabill. Krabill and Josan had multiple, hours-long meetings with the other five academics, many of whom have sat on FIFA panels and produced some of the most widely read resources on global soccer.

“I’ve read a lot of what these experts have produced in the past, and I never thought I’d be chairing meetings with them,” Josan said. “It’s sometimes a bit surreal when you work with people that you’ve read before. It was exciting learning about their insights, not just from what they’ve studied and their research, but also from their lived experiences. That was fascinating to me.”

Krabill wrote the syllabus’ introduction, and , a UW student in visual communication design, designed the site.“There is no right or wrong way to engage with the syllabus, and we want people to engage however they see fit,” Josan said. “If there’s a particular category that speaks most to you, start with that one.”

The website is also structured to help guide readers who don’t have a preference or don’t know where to begin. In these cases, Josan recommends starting with the first section, which focuses broadly on FIFA. From there, the topics narrow down. The syllabus isn’t specific to this summer’s World Cup, either. The hope is for the resource to remain relevant for future events, including for the 2027 Women’s World Cup in Brazil.

“The Women’s World Cup has been gaining a lot of prominence, a lot of popularity,” Josan said. “Attendance numbers are higher than they’ve ever been for women’s sport across the board, and specifically for women’s football. So, we’re hoping this project doesn’t stop when the 2026 final is played. It’s something that will continue to be updated.”

Even people with no interest in soccer can find something in the syllabus worth exploring, Josan said.

“The syllabus is designed to cross the boundary between football and other topics that are of interest to our society,” he said. “I’d encourage anyone to engage with this, especially if you live in an area that’s going to host a World Cup game. There is going to be so much that you’ll learn, and you might be able to connect the dots when you see things play out in our local area.”

For more information, contact Lauren Kirschman at lkirsc@uw.edu.

Source

Come curious. Leave inspired.

The UW offers an exciting lineup of in-person and online events. From thought-provoking art and music to conversations on culture, history, and science, the UW community invites you to explore, learn, and connect across disciplines throughout the University. And you don’t have to wait until June: Take a look at everything still happening in May.

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ArtSci On Your Own Time:

Through July 24 – Book Club | The Frozen River by Ariel Lawhon (UW Alumni Association)
Readers’ Choice! Bundle up for an historical mystery set in 18th-century Maine. The body of a local man is found in the frozen Kennebeck River. Martha Ballard, the local midwife, suspects that this death is not an accident — and her detailed diaries of local life are full of clues. Will she weather the scandals unleashed by her pursuit of the truth? Inspired by historic events!?Free.

Podcast | (Comparative History of Ideas)
Dr. Hōkūlani Aikau is joined by guest co-host and podcast research assistant Melialani Hamilton, a new PhD student in IGOV. Together, they interview Michael Wilson a Tohono O’odham human rights activist, U.S. military retiree, and documentary filmmaker and Dr. José Antonio “Tony” Lucero, Professor and Chair of the Comparative History of Ideas Department at the 天美影视传媒, Seattle. They are co-authors of, , a powerful memoir tracing Mike’s life journey and the experiences that led him to the controversial and courageous humanitarian work of placing water stations for migrants along the U.S.–Mexico border. The book captures the tension between Mike’s moral obligation to prevent death and the political stance of a nation committed to non-interference. Throughout the narrative, Tony “hyperlinks” Mike’s personal story to broader histories and global struggles, illuminating how one life resonates far beyond the borderlands.?Free.

EXHIBITIONS:

June 4 | (School of Art + Art History + Design)
A one-night exhibition of furniture, lighting, soft goods, electronics, and experimental work by UW junior industrial design students. Free.

Through June 5 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrence Gallery. Opening nights: Group 1 – April 28, Group 2 – May 12, Honors – May 26. Free.

June 10 | (School of Art + Art History + Design)
Free.

Through June 14 | (School of Art + Art History + Design)
The Henry is pleased to present the 天美影视传媒’s School of Art + Art History + Design Master of Fine Arts and Master of Design Thesis Exhibition. Throughout their programs, fine arts and design students work with advisers and other artists to develop advanced techniques, expand concepts, discuss critical issues, and emerge with a vision and direction for their own work. Henry staff conduct studio visits and work closely with the students to facilitate their projects and prepare them for exhibition at the museum. A digital publication will be produced in conjunction with the exhibition to highlight the students’ artistic endeavors and the Henry’s commitment to this exciting and important step in the students’ development as practicing artists and designers. is on June 5. Related article: . Free.

June 10 – 26 | (School of Art + Art History + Design)
will be on June 12. Free.

Exhibition | (Henry Art Gallery)
ojo|-|o?l?? (pronounced oh-ho hol-ohn) is an exhibition of recent and newly commissioned work by Diné artist Eric-Paul Riege (b. 1994, Na’nízhoozhí [Gallup, New Mexico]) that includes sculpture, textile, collage, and video, activated by moments of performance. Across this work, Riege combines customary Diné practices of weaving, silversmithing, and beading with contemporary cultural forms, exploring Diné cosmology, the history of Euro-American trading posts in and adjacent to the Navajo Nation, and the notion of “authenticity” as a value marker of Indigenous art and craft. Free.

Week of June 1

Online – June 1 | ?(Jackson School of International Studies)
Presented by Abdullah Al-Arian, Associate Professor of History, Georgetown University in Qatar.? The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

June 1 | (School of Music)
Phyllis Byrdwell leads the 100-voice Gospel Choir in songs from the Gospel tradition.

June 2 | (School of Music)
The Wind Ensemble and Symphonic Band (Erin Bodnar, director) present “Emblems,” featuring music by Aaron Copland, Wim Bex, Kevin Day, Dwayne Milburn, John Mackey and others. With Eden Garza, bass trombone.

June 2 | (Burke Museum of Natural History and Culture)
Nature writers Kathryn True and Maria Dolan discuss their new book Seattle Field Guide: Explore Nature in the City, a guide to 38 outdoor adventures across the greater Seattle area. They will deliver a presentation featuring natural phenomena you can visit yourself around the city. Seattle Field Guide is a fun, accessible, and inspiring guide to 38 nature-filled outings across the greater Seattle area — perfect for all ages and experience levels. Whether you have a free afternoon or a full day to explore, Dolan and True offer seasonal adventures that reveal the wild wonders hidden in the city’s parks, shorelines, greenways, and neighborhoods.

June 2 | (Simpson Center for the Humanities)
What happens to our understanding of relational memory when viewed through queer histories? In this talk, Stirner examines memory art dedicated to often neglected queer and trans histories after National Socialism, from translucent quilts to an installation that melts a concentration camp gate and rewelds it into new forms. Beyond arguing for the inclusion of queer histories in relational frameworks of remembrance, the talk proposes that attending to the distinct shapes and textures of queer relationality reshapes the concept itself, showing how queer memory practices expand and transform what it means to think memory relationally.

Simone Stirner (Assistant Professor, Germanic Languages & Literatures, Harvard University) works on poetry and poetics, memory studies, and the intersections of critical and creative practices. Stirner’s first book Poetic Grief: Form and Remembrance after National Socialism (Fordham University Press, forthcoming) develops a new framework for understanding the relationship between reading poetry and the affective experience of grief by studying how poems in the enduring aftermath of National Socialism and the Holocaust make space for an encounter with the uncontainable dimensions of loss—on and off the page.?Free.

June 3 | (School of Music)
A free lunchtime performance featuring UW School of Music students in the North Allen Library lobby. Presented in partnership with UW Libraries.?Free.

June 3 | (School of Music)
The Studio Jazz Ensemble and Modern Ensemble present a shared program of repertory selections, original music, and inspired arrangements.

June 4 | (School of Art + Art History + Design)
A one-night exhibition of furniture, lighting, soft goods, electronics, and experimental work by UW junior industrial design students. Free.

June 4 |?(Burke Museum of Natural History and Culture)
Admission to the Burke Museum is FREE and the museum is open until 8 p.m. on the first Thursday of every month. Get closer to the daily work happening in the Burke Museum’s visible collections storage, labs and workrooms during Free First Thursday.?Free.

June 4 | (Harry Bridges Center for Labor Studies)
This celebration honors all the Building A Movement interns and 2026 graduating Labor students!

June 5 | (School of Music)
The UW Symphony (David Alexander Rahbee, director) and combined UW Choirs (Giselle Wyers, director) team up for a year-end program featuring music by Ottorino Respighi, Nadia Boulanger, and Francis Poulenc. Mezzo-soprano Clara Osowski is featured soloist with the combined ensembles for works by Boulanger, orchestrated by David Alexander Rahbee. Soledad Mayorga-Maldonado is featured soloist for Francis Poulenc’s Gloria, with Giselle Wyers conducting.

June 5 | (Geography)
The Geography Undergraduate Research Symposium spotlights innovative and compelling undergraduate work. Student researchers will share fresh ideas, sharp insights, and standout projects with the community. Free.\

June 5 | ?(Gender, Women & Sexuality Studies)
Engage with emerging scholarship in gender, women, and sexuality studies and celebrate the work of our undergraduate researchers. Each student will give a short presentation, followed by responses from GWSS graduate students who will help facilitate discussion. Whether you’re a student, faculty member, or community member, support scholars and take part in the conversation. A reception with light refreshments will follow. Free.

June 5 | (School of Art + Art History + Design)
Join the Henry and 天美影视传媒’s School of Art + Art History + Design in celebration of the 2026 天美影视传媒 MFA + MDes Thesis Exhibition. See the diverse work of this year’s graduate students and enjoy a no-host bar. Artists: Stephanie Alacon, Dahae Cheon, Li-Yuan Chiou, Jeff Jiang, Victoria Mackender, Alex Moni-Sauri, Oscar Pearson, Chave Pichardo, Andrew Roibal, and Ryan Walters. Related article: . Free.

June 5 – 6 | ? (Dance)
Join the UW Department of Dance Kawasaki Guest Artist Amy O’Neal, 23 UW dance students, and Seattle guest artists for a Spring Hybrid Dance Lab (HDL). This performance plus dance party is a research and performance platform for experimental street dance practitioners to challenge traditional notions of street dance in theater, address creative hybridity, and nurture cultural literacy. Made possible by generous gifts from the Glenn H. Kawasaki Foundation and John C. Robinson. Free.

June 6 | (School of Music)
Emerging and established composers explore unconventional sonic landscapes in this concert of music by students, faculty, alumni, and guests of the UW Composition program. Free.

?June 8 – 30

Online – June 8 | (Jackson School of International Studies)
Presented by Jen Barnes, Co-Chair of Pride+ Match Impact Committee SEA2026; Founder, CEO, Rough & Tumble Pub; Salmon Bay FC. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

June 10 | (School of Art + Art History + Design)
Free.

June 11 | 2026 Awards of Excellence Ceremony
The UW is delighted to announce the recipients of the 56th annual 天美影视传媒 Awards of Excellence! The awards honor outstanding alumni, faculty, staff, students and retirees who contribute to the richness and diversity of our University community. The program includes a one-hour ceremony hosted by President Robert J. Jones and Provost Tricia Serio, followed by a reception with refreshments and community connection. Free.

June 12 | (School of Art + Art History + Design)
Free.

June 12 | ?(Speech & Hearing Sciences)
Presentation by Dr. Catherine Off? (Ph.D, Speech & Hearing Sciences, ’08). ?Free.

Online option – June 13 | 天美影视传媒’s 151st Commencement Ceremony
The 天美影视传媒 will honor the graduating class of 2026 at the University’s 151st Annual Commencement Exercises. Over 7,400 graduates will take the field at the magnificent Husky Stadium to the cheers and applause of 50,000 family members and friends.?Free.

June 25 | (Burke Museum of Natural History and Culture)
Learn more about the incredible range and diversity of sex, sex-development, gender, and sexuality in the natural world and the many purposes of sex and sexuality for building strong and vibrant communities in the natural world.

ArtSci Roundup goes monthly!

The ArtSci Roundup is your guide to connecting with the UW—whether in person, on campus, or on your couch.

Previously shared on a quarterly basis, those who sign up for the Roundup email will receive them monthly, delivering timely updates and engaging content wherever you are. Check the roundup regularly, as events are added throughout the month. Make sure to check out the ArtSci On Your Own Time section for everything from podcasts to videos to exhibitions that can be enjoyed when it works for you!

In addition, if you like the ArtSci Roundup, sign up to receive a monthly notice when it’s been published.

Do you have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).uw.edu).

Source

Come curious. Leave inspired.

The UW offers an exciting lineup of in-person and online events. From thought-provoking art and music to conversations on culture, history, and science, the UW community invites you to explore, learn, and connect across disciplines throughout the University.? And as May comes to a close, see what’s happening in June.

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ArtSci On Your Own Time:

Video | (Simpson Center for the Humanities)
Emily M. Bender’s talk on “AI” hype and resisting dehumanization, from a linguistic and humanities perspective, drew the largest crowd we have seen for a Katz Distinguished Lecture in years. For those who weren’t able to join us, and those who would like to revisit, you can now watch the full recording on our YouTube page. Free.

Podcast | (Biology)
This is a podcast centered around the humans who study the myriad biological processes that shape our world, specifically, the humans who are students and faculty in the Department of Biology at the 天美影视传媒. They are scientists who study everything from the ways cells move through complex tissues to ancient communities of long-extinct mammals, from the ways plants interact with their surroundings to the ways bats fly and hummingbirds feed. Plunge into the vast world of biology, students sharing paths to becoming scientists and the lessons they have learned along the way. Free.

Online Events | See all events offered online.

EXHIBITIONS:

April 28 – June 5 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrence Gallery. Opening nights: Group 1 – April 28, Group 2 – May 12, Honors – May 26. Free.

Through May 24 | (Henry Art Gallery)
Rodney McMillian (b. 1969, Columbia, South Carolina; based in Los Angeles, California) works with the social and political histories of the United States and how they shape our daily lives. Using existing texts and domestic materials—such as house paint on thrifted fabrics and bedsheets, or “post-consumer objects” as he calls them—he traces both the visible and invisible forces that shape civic life, particularly for the lives of African Americans. Inspired by the lush surroundings of the Henry, McMillian brings together sculpture, video, and painting that present an outdoor landscape overgrown with the lingering effects of physical, political, and social violence. Free.

Through May 30 |
UW School of Art + Art History + Design Instructional Technician Kim Van Someren’s solo exhibition Holding the Line is on view at J. Rinehart Gallery. As an artist and mother, Van Someren observes structural forms embedded in daily routines—objects and arrangements that may seem trivial but are imbued with deep meaning. The often-gendered domestic practice of sewing enters her practice, with the lines of thread echoing marks and forms she employs in her etching and printmaking practice. Through this new material, sewing and stitching, invisible threads are mended, connected, and reveal the line holding structures together, embracing imperfections and irregularities as generative forces. Free.

May 16 – June 14 | (School of Art + Art History + Design)
The Henry is pleased to present the 天美影视传媒’s School of Art + Art History + Design Master of Fine Arts and Master of Design Thesis Exhibition. Throughout their programs, fine arts and design students work with advisers and other artists to develop advanced techniques, expand concepts, discuss critical issues, and emerge with a vision and direction for their own work. Henry staff conduct studio visits and work closely with the students to facilitate their projects and prepare them for exhibition at the museum. A digital publication will be produced in conjunction with the exhibition to highlight the students’ artistic endeavors and the Henry’s commitment to this exciting and important step in the students’ development as practicing artists and designers. Free.

Exhibition | (Henry Art Gallery)
ojo|-|o?l?? (pronounced oh-ho hol-ohn) is an exhibition of recent and newly commissioned work by Diné artist Eric-Paul Riege (b. 1994, Na’nízhoozhí [Gallup, New Mexico]) that includes sculpture, textile, collage, and video, activated by moments of performance. Across this work, Riege combines customary Diné practices of weaving, silversmithing, and beading with contemporary cultural forms, exploring Diné cosmology, the history of Euro-American trading posts in and adjacent to the Navajo Nation, and the notion of “authenticity” as a value marker of Indigenous art and craft. Free.

April 27 – May 3

Online – April 27 | (Jackson School of International Studies)
Presented by Niki Akhavan, Associate Professor and Chair of the Department of Media and Communication Studies at The Catholic University of America. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

April 28 | ?(School of Music)
Students of Dr. Stephen Price present a UW Organ studio spring recital. Dr. Price teaches Organ performance, Church music, and Keyboard Harmony courses. In addition, he leads ongoing initiatives to develop and revitalize the UW program, continuing the legacy of his predecessor, Dr. Carole Terry. Free.

April 28 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrence Gallery. Ways of Becoming is split into three shows between April 28 – June 5, 2026. Free.

April 28 | (Simpson Center for the Humanities)
Stephanie LeMenager, Professor of English and Environmental Studies, considers the role of fiction as a form of resistant truth-telling in an era of lies, bullish*t, propaganda, GenAI fakes, and conspiracy theory, and in the shadow of the climate crisis. In our media atmosphere filled with falsehoods, fiction becomes a means of capturing messy realities unassimilable to propaganda. Moreover, the flexibility of fictional imagination allows for social responses to radical uncertainties, via new genres of storytelling that call climate-change publics into being. In this talk, we’ll consider stories of megafire. Free.

Online option – April 28 | (Jackson School of International Studies)
This panel features talks on conducting research in the Peruvian Amazon by Justin Perez (UCSC) and Amanda Smith (UCSC). Perez will present “Queer Emergent: Scandalous Stories from the Twilight of AIDS in Peru” and Smith will present, “Situating Mothering in a Geography of Digital Colonialism: The Digital Biblioteca Amazónica,” a project to create an open-access digital archive of materials housed at the Biblioteca Amazónica in Iquitos, Peru. Free.

April 29 | (Philosophy)
The idea of space as the stage on which physical events play out dates at least as far back as the 5th century BC. The twentieth century saw a shift from theorising about space and time separately to thinking about spacetime, but the metaphor of spacetime as a stage or arena has continued. Twenty-first century physics looks likely to render this untenable – theories of quantum gravity do not appear to postulate spacetime as a fundamental container for physical contents. This talk examines an alternative way of thinking about spacetime based on the role that it plays in our physical theories – spacetime philosophy should focus on what spacetime does, rather than what it is. Free.

April 29 | (Psychology)
Presented by Maureen Craig, Associate Professor of Psychology & Neuroscience, Duke University. Free.

April 30 | (School of Music)
The Wind Ensemble and Symphonic Band (Erin Bodnar, director) presents “Scenes and Portraits,” featuring music by Gustav Holst, Martin Ellerby, and others.

April 30 |(Burke Museum of Natural History and Culture)
What does it mean to live well as wildfire and smoke season becomes more a part of life in the Pacific Northwest and many other places around the world? As much as we focus on preparedness and reducing materials that fuel wildfires, we must also reckon with the human dimensions of fire, which shape how we interact with it. “Fire Humanities” is a book project and an emerging field of study that draws on the humanities and arts to center stories, representations, collaborations, and values that promote adaptation, resilience, and justice as we adapt to a world with more fire.

This program will feature a panel discussion with five contributors to the book, who will share their approaches to this emerging field of research. After the panel, you’ll be invited to share your stories of fire and smoke with each other, speak with the panelists, and participate in hands-on activities connected to the Fire Humanities project. Free.

April 30 | ?(Jackson School of International Studies)
Panel discussion featuring Wang Feng, University of California, Irvine, and Yong Cai, University of North Carolina at Chapel Hill, along with UW faculty James Lin and Sara Curran. Free.

May 1 | (Jackson School of International Studies)
Writing history entails good editing—and accepting when material can’t make the final cut. Lengthy research projects require a command of sources but also analytical flexibility. Such flexibility can ensure rigor, sometimes at the expense of findings that, alas, must be shelved for some other future use. “The B-Sides of Unmaking Botany” will examine a set of sources that did not make it into the recently published monograph Unmaking Botany: Science and Vernacular in the Colonial Philippines (Duke University Press, 2025). The objectives of the talk are thus twofold: to provide a behind-the-scenes take on the production of a scholarly monograph and to offer a conceptual argument gleaned from the sources that nonetheless resonates with some of Unmaking Botany’s principal interventions. Free.

May 1 | (Political Science)
Presented by Rachel Krause, Professor, School of Public Affairs and Administration, University of Kansas. Free.

May 1-2 | (American Indian Studies)
Indigenous scholars, artists, community leaders, and practitioners come together to reflect on food sovereignty, wellness, cultural resurgence, and collective healing through land-based knowledge and practice. Keynote by Vina Brown (Haí?zaqv and Nuu-chah-nulth), a scholar, artist, and wellness advocate, whose work centers on Indigenous law, cultural healing, and community well-being. Raised in her Haí?zaqv homelands, Vina’s work is deeply grounded in cultural resurgence, ceremony, and Tribal Canoe Journeys. She is the founder of Copper Canoe Woman and co-founder of Rooted Resiliency, an Indigenous women-led nonprofit dedicated to community wellness, cultural healing, and reclamation. Across her work, Vina advocates for land, culture, and collective well-being, with particular attention to healing intergenerational and historical trauma through community, movement, and Indigenous knowledge systems.

Week of May 4

Online – May 4 | (Jackson School of International Studies)
Presented by Teresa Mosqueda, Councilmember of the Metropolitan King County Council and Anita Ramasastry, Barer Chair and Professor of Law and the 天美影视传媒. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

May 4 | (Jackson School of International Studies)
The foundation of the Abe consensus — the LDP, together with Komeito, governing with large, stable majorities to promote growth as part of the global economy and develop Japan’s military power and international partnerships under the aegis of US leadership — has crumbled after little more than a decade. The LDP has lost public trust, its relationship with Komeito, and its large majorities. The US is in retreat and no longer defending the international order from which Japan had benefited. This talk will look at how this order crumbled and where Japan’s politics goes from here. Free.

May 4 | (Jackson School of International Studies)
Tina Turner’s (1939–2023) successful recording career and electrifying stage performances earned her the moniker of “Queen of Rock and Roll.” At the same time, Turner was perhaps one of the most famous Black Buddhist celebrities. In this talk, I will highlight the ways that Turner’s Buddhist practice combined her Afro-Protestant upbringing, the trans-Atlantic flow of metaphysical religious ideas, and SGI Nichiren Buddhism. The talk will show how Turner’s combinatory religious sensibilities are indicative of trends in Black Buddhism. Free.

May 4 | (Chemistry)
Presented by Professor Maksym Kovalenko, Department of Chemistry and Applied Biosciences, ETH Zurich. Hosted by UW Professor David Ginger. Free.

May 5 | (Meany Center for the Performing Arts)
It seems like two separate realms. One is occupied by acclaimed dancers from Brooklyn’s world-renowned Mark Morris Dance Group, the other by people with Parkinson’s disease. CAPTURING GRACE is about what happens when those two worlds intersect. Filmed over the course of a year, Dave Iverson’s remarkable documentary reveals the hopes, fears, and triumphs of this newly forged community as they work together to create a unique, life-changing performance. There will be a post-screening discussion with Shawn Roberts, a Dance for PD? teaching artist? and Dr. Pravin Khemani, MD, Medical Director of the Movement Disorders Clinic, Swedish Neuroscience Institute, Providence Health & Services. Free.

Online option – May 5 | (Physics)
Dr. John Martinis, recipient of the 2025 Nobel Prize in Physics, presents “Prehistoric quantum bits: experiments testing the fundamental physics of superconducting quantum devices.” Quantum mechanics was developed to describe the physics of the small, for fundamental particles, atoms and molecules. But does it still work for macroscopic systems? Martinis’ PhD thesis experiment in 1985 tested this idea, showing the macroscopic current and voltages in a 1 cm chip obey the quantum phenomena of tunneling and energy-level quantization, proving that a superconducting circuit can behave as a single `artificial atom.’ Over the last four decades, many physicists around the world have continued research on quantum devices. The field has evolved from fundamental tests into a high-stakes effort to build quantum bits and a quantum computer. At Google, the ‘quantum supremacy’ experiment was the culmination of this system-level optimization, proving that a processor could outpace classical supercomputers by maintaining high-fidelity control over a huge computational (Hilbert) space. Now, at his startup Qolab, they are leveraging 300mm semiconductor fabrication to achieve the extreme uniformity and yield necessary to build a useful general-purpose quantum computer. Free.

May 6 | (History)
Presented by Angela Zimmerman, George Washington University. Zimmerman’s recent research has focused on the global history of the U.S. Civil War, Reconstruction, and the New South. She is the author of Alabama in Africa: Booker T. Washington, the German Empire, and the Globalization of the New South (Princeton, 2010) and the editor of Karl Marx and Friedrich Engels, The Civil War in the United States (International Publishers, 2016). Her first book, Anthropology and Antihumanism in Imperial Germany (Chicago, 2001), studied imperialism, science, and popular culture. Her next book, To Seek a Newer World, will be published by Alfred A. Knopf in 2027. Free.

May 6 | (Burke Museum of Natural History and Culture)
How do science writers and illustrators collect the data, information, and stories that inform their art? Join three Pacific Northwest artists — two writers and one illustrator — to learn how they distill their research on our local seabirds into engaging stories and compelling illustrations. You’ll hear stories from Madison Mayfield, a science illustrator, taxidermist, and Assistant Collections Manager of the Burke Museum’s ornithology collection. You’ll find out how author and community scientist, Maria Mudd Ruth, turned data — and a lack of data— into her new book on the Pigeon Guillemot, The Bird with Flaming Red Feet. Eric Wagner, author and professional scientist, will share secrets for collecting and interpreting data on nocturnal Rhinoceros Auklets for his new book, Seabirds as Sentinels.

May 7 | (Simpson Center for the Humanities)
Move beyond the headlines and hot takes for a deeper conversation on labor and identity within women’s hoops with Dr. Courtney M. Cox, author of Double Crossover: Gender, Media, and Politics in Global Basketball (University of Illinois Press, 2025). In her book, she considers how athletes maneuver their lives and labor across leagues and borders, whether in the NCAA, WNBA, Athletes Unlimited, or overseas leagues. Cox is Associate Professor in the Department of Indigenous, Race, and Ethnic Studies (IRES) at the University of Oregon. She previously worked for ESPN, Longhorn Network, NPR-affiliate KPCC, and the WNBA’s Los Angeles Sparks. Free.

May 7 | (Henry Art Gallery)
Artist Nour Mobarak shares an unscripted journey charting the varied media, material, and methods central to her work. With a practice spanning performance, sound, and sculpture, Mobarak explores the intersensory potential of language and the human voice. Recent presentations at MoMA and as part of the Whitney Biennial highlight Mobarak’s ongoing investigation into the sound and language moving across time and bodies, both human and mycological. This talk is co-presented with the UW School of Art + Art History + Design with an audience Q&A to follow. Free.

May 7 | (Jackson School of International Studies)
Presented by Dredge Byung’chu Kang, Assistant Professor of Anthropology at the University of California, San Diego. The aesthetics of K-Pop flower boy masculinity, the narratives of K-Drama cross-gender characters, and imagined Korean lesbianism have refashioned contemporary tom (Thai butch lesbian) gender presentation, partnership patterns, and sexual roles. Many Thai youth are “ba kaoli” (crazed for all things Korean), including young lesbians. In this talk, Kang examines how Korean media, consumer goods, and cultural assets are mobilized to imagine, enact, and embody Asian cosmopolitan identities. Kang describes a case in which Thai tom become “tom-gay,” by coupling with another tom. This masculine homogender pairing was previously considered inconceivable when tom-dee relationships between a lesbian and a “normal” woman were the heterogender norm. Kang argues that tom participation in K-pop fandoms, adoption of soft masculine style, and identification with female leads playing male roles in K-drama have allowed for the emergence of new lesbian sexualities. Kang thus shows how Korean Wave media has shaped Thai gender and sexuality. Free.

May 7 | ?(Teaching@UW)
UW’s Five for Flourishing Initiative is a project designed to foster social connection and belonging among students in large enrollment courses. The project team will share the initiative’s 5 core strategies and preliminary data. UW faculty members who implemented the strategies will also report on their experiences. The UW Five for Flourishing Initiative is a collaboration between the UW Center for Teaching & Learning, the UW Resilience Lab, and UW Academic Strategy & Affairs. Free.

May 7 | (Jackson School of International Studies)
Presentations and discussions with:

• Raymond Jonas (UW History Dept), “France’s Five Republics and what they tell us about how republics are born and how they die”
• Terje Leiren (Emeritus, UW Scandinavian Studies), “From Royal Absolutism to Parliamentary Government: Political Transition in Scandinavia (Denmark, Norway, and Sweden).”
• James Felak (UW History Dept), “The Perils of a Problematic Constitution: the Cases of Interwar Poland, Czechoslovakia, and Yugoslavia.”

Free.

May 8 | (Jackson School of International Studies)
Hidden for decades in a locked cabinet at the Center for Asia Minor Studies in Athens, Eva Palmer Sikelianos’s love letters (1900-1910)—personal, creative, and revealing networks of desire and kinship—challenge expectations about what belongs in Greece’s archival record.?These scattered, stuttering papers sat uneasily within an institute dedicated to Orthodox Christian refugee history, raising new questions about whose lives and stories find a place in official memory. What happens when a collection resists straightforward histories—when archiving itself becomes an act of negotiation, improvisation, and listening for what’s unsaid? What can these fragments teach us about the possibilities of cultural memory, and how listening to stutters and silences might open new ways of understanding the past? In this talk, Artemis Leontis (University of Michigan) explores the process of archiving Palmer’s collection: the hurdles, improvisations, and acts of care involved in bringing these materials from secrecy to public view. Inspired by Patricia Keller’s idea of the “stutter in the archive,” she shows how gaps, interruptions, and incomplete stories invite us to rethink what archives can do, and how they respond to lives lived beyond conventional narratives. Free.

May 7 – 9 | (Meany Center for the Performing Arts)
Celebrate America’s 250th anniversary with Dances to American Music: Soul of America, a captivating performance by one of the country’s leading dance companies. Choreographed by the legendary Mark Morris, this program blends jazz, classical and folk music by iconic American composers, including George Gershwin, Louis Moreau Gottschalk, James P. Johnson and John Luther Adams. Morris brings his unique creativity and musical precision to life, fusing dance and live music to honor the vibrant spirit and diversity of America’s artistic heritage.

May 9 | (Burke Museum of Natural History and Culture)
Botanical illustrator Crystal Shin guides participants through the process of starting a sketch journal, showing what botanical features to observe and how to translate them into clear, expressive sketches. With hands-on guidance and time to explore the greenhouse collections, participants will practice drawing directly from living plants while developing stronger observational and sketching skills.

May 10 | ?(School of Music)
Performance by John-Carlos Perea, chair of UW Ethnomusicology and Grammy-winning multi-instrumentalist. He is joined by guests Marc Seales, piano, Gary Hobbs, drums, and Michael Brockman, saxophone. Free.

Week of May 11

Online – May 11 | (Jackson School of International Studies)
Presented by Stéphane Mourlane, Senior Lecturer, Aix-Marseille University; Yvan Gastaut, Lecturer, University of C?te d’Azur; and Paul Dietschy, Professor, Marie and Louis Pasteur University. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

May 11 | (Asian Languages & Literature)
What was the impact of colonialism on listening in nineteenth-century north India? How did conceptual vocabularies and explanations for emotional responses to music evolve? Did the way listeners processed their feelings about music dramatically change? In this lecture, Richard Williams, Reader (Associate Professor) in the Department of Music and South Asian Studies at SOAS University of London, explores the place of music in the history of the emotions. Williams begins in the early modern period, and consider theories of embodied response and systems for visualizing music through painting and poetry. He then explores how colonial-era authors writing in vernacular languages drew these older theories into conversation with modern ontologies of music and emotion, often inspired by developments in European understandings of the physics of sound and psychological models of emotion. Despite these developments, he argues that nineteenth and twentieth-century sources show that older concepts continued to shape the discourse in Indian music studies, and were not simply overwritten by new, European theories. Free.

May 12 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrence Gallery. Ways of Becoming is split into three shows between April 28 – June 5, 2026. Free.

May 12 – 14 | ?(Mathematics)
Richard W. Kenyon, Erastus L. DeForest Professor of Mathematics at Yale University, will give a series of three lectures on “Dimers and webs,”

• May 12 | Webs, multiwebs, traces. The main theorem statement
• May 13 | SL3 case: reduced webs, scaling limits. Connection to the 4-color theorem
• May 14 | Positive connections and generalizations

Kenyon received his PhD from Princeton University in 1990 under the direction of William Thurston. After a postdoc at IHES, he held positions at CNRS in Grenoble, Lyon, and Orsay and then became professor at UBC, Brown University and then Yale where he is currently Erastus L. Deforest Professor of Mathematics. He was awarded the CNRS bronze medal, the Rollo Davidson prize, the Loève prize, is a member of the American Academy of Arts and Sciences, and is a Simons Investigator. His central mathematical contributions are in statistical mechanics and geometric probability. He established the first rigorous results on the dimer model, opening the door to recent spectacular advances in the Schramm–Loewner evolution theory. In his most recent work, he introduced new homotopic invariants of random structures on graphs, establishing an unforeseen connection between probability and representation theory. Free.

May 12 – 14 | (Stroum Center for Jewish Studies)

• May 12 | Did ‘Men’ and ‘Women’ Always Exist? What the Talmud Can Tell Us
• May 14 | Monsters, Hybrids, and Holy Images – Rethinking Bodies in Ancient Jewish Art

Rafael Neis is a scholar and artist. Neis is the Jean and Samuel Frankel Professor of Rabbinic Literature and is appointed in the Department of History and Frankel Center for Judaic Studies at the University of Michigan. As Faculty Director of Arts Learning at Michigan’s Arts initiative, Neis supports campus-wide art-integrated pedagogy. Their second book, When a Human Gives Birth to a Raven: Rabbis & the Reproduction of Species, was published in 2023 by University of California Press. Their artwork has been featured in shows and in many publications. Free.

Online option – May 13 | My Greatest Save with Briana Scurry (Public Lectures)
From winning two Olympic gold medals and a World Cup championship to enduring a career-ending concussion that left her “temporarily totally disabled” and forced her to pawn her Olympic medals, Briana Scurry delivers a raw and inspiring account of resilience. With unflinching candor, she guides audiences through the soaring highs and devastating lows of her journey—sharing a story of triumph, adversity, and ultimate redemption. Along the way, Scurry reflects on the global influence of soccer and the enduring significance of the World Cup, offering a deeply personal perspective on the sport that shaped her life and legacy. Free.

May 14 | (Burke Museum of Natural History and Culture)
Seattle has one of the most diverse street tree programs in the country — double the diversity of the East Coast, and triple the diversity of the Midwest. Today, only 5% of the city’s trees in the public right-of-way are originally native to King County. Taha Ebrahimi, author and illustrator of Street Trees of Seattle: An Illustrated Walking Guide, discusses notable trees near the Burke Museum and their connections to our cultural history.

May 14 | ?(Political Science)
Adam Smith’s Wealth of Nations was published 250 years ago and illustrated how prosperity is created by an invisible hand (specialization, competition, and a well-governed society). Was it a coincidence that sustained economic progress began shortly thereafter? Smith’s framework and his spirit remain a wise guide to modern betterment and a powerful antidote against today’s reflex for control, protectionism, and political allocation. Join us for a discussion of Adam Smith’s Wealth of Nations and its continued relevance. Free.

May 14 | (Jackson School of International Studies)
Fu Pei-mei (1931-2004), Taiwan’s beloved and pioneering postwar cook book author and television celebrity, was often called the “Julia Child of Chinese cooking.” Fu appeared continuously on television for forty years, wrote dozens of best-selling Chinese cookbooks, owned a successful cooking school and traveled the world, teaching foreigners about Chinese food. Women in her generation, which included both housewives and career women, turned to Fu because she taught them how to cook an astounding range of unfamiliar Chinese regional dishes, in ways their own mothers and grandmothers never could. Her cookbook also represents the transpacific journeys of thousands of migrants, as they carried her recipes in their suitcases, traveling far from home. Fu’s story offers us a window onto not just food, but also family, gender roles, technology, media, foreign relations, and cultural identity. This is not a story of timeless culinary tradition, but one of modern transformation– of self and family, of cuisine and society. Free.

May 15 | (Undergraduate Academic Affairs)
More than 1,700 students from all three UW campuses and other local institutions will present their research in a wide range of disciplines, including oceanography, performing arts, physics, education, archeology, molecular biology and just about everything in between. The Symposium takes place on the UW campus in Seattle, with opening remarks from UW President Robert J. Jones and Vice Provost and Dean of Undergraduate Academic Affairs Ed Taylor. Free.

May 15 | (School of Music)
William Dougherty is an American composer, sound artist, educator, and writer who joined the 天美影视传媒 faculty in January 2025. Dougherty’s works have been performed internationally by ensembles including BBC Scottish Symphony Orchestra (Glasgow), The Sun Ra Arkestra (Philadelphia), Yarn/Wire (New York), Ensemble Phoenix (Basel), TILT Brass (New York), Ensemble for New Music Tallinn(Estonia), JACK Quartet (New York), and Talea Ensemble (New York). His music has been featured in festivals such as Tectonics Glasgow (2023), IRCAM’s ManiFeste (2019), musikprotokoll (2018), Donaueschingen Musiktage (2017), New Music Miami (2017), Tectonics Festival New York (2015), the New York City Electroacoustic Music Festival (2015), the 47th Internationale Ferienkurse für Neue Musik in Darmstadt (2014), the New York Philharmonic Biennale (2014), and broadcast on BBC Radio 3. THEME: A colloquium of UW faculty and students of Theory, History, Ethnomusicology, and Music Education held on select Friday afternoons during the academic year. Free.

May 15 | (School of Music)
Faculty pianist Craig Sheppard is joined by current and former UW students in this concert celebrating the 250th anniversary of the signing of the Declaration of Independence.

May 15 | (Political Science)
Presented by Daniel Krcmaric, Associate Professor of Political Science and Law, Northwestern University. Free.

May 16 | ?(Biology)
Welcoming all families and science enthusiasts of all ages. The UW Department of Biology’s experts in the field whose research and teaching span cellular and molecular biology, global climate change, paleontology, and plant biology. Through experimentation and conversation, explore questions such as: How have penguins adapted to survive climate change? How is neuron fate decided during development? Why are mosquitoes attracted to us? Do plants really “defend” themselves against insect predators? How does the brain really work? And does the Greenhouse really have a stinky corpse plant and when will it bloom next? You’ll also be able to touch invertebrates, brains, fossils…and more! Free.

Online – May 16 |

May 16 | (Henry Art Gallery)
As part of the U District Street Fair, Meet Me at the Henry is a twice-a-year celebration of contemporary art and ideas. Explore new exhibitions, catch captivating performances, get hands-on with an all-ages art-making workshop and museum bingo, and discover rarely seen works from the Henry’s collection. Free.

May 14 – 17 | (Dance)
The MFA Dance Concert features original dances created by the current MFA Cohort, with over fifty undergraduate dancers. The artists explore humanity and community drawing from a variety of movement languages including contemporary modern, wh/aacking and punking, groove, body percussion, and more.

Week of May 18

Online – May 18 – rescheduled to June 8 | (Jackson School of International Studies)
Presented by Jen Barnes, Co-Chair of the Pride+ Match Impact Committee with SEA2026 and founder and CEO of both Rough & Tumble Pub and Salmon Bay FC. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Free.

May 18 | (School of Music)
UW music students perform music from the Baroque era under the direction of Tekla Cunningham. Free.

Online option – May 19 | Five Ways to Watch the World Cup with Ron Krabill (Public Lectures)
As Seattle gears up to host the 2026 FIFA Men’s World Cup, the city finds itself at the center of a heated debate: Is the tournament an economic catalyst or a misuse of public funds? A celebration of Seattle’s cultural vibrancy or a distraction from pressing regional challenges? A thrilling chance to witness the world’s greatest athletes—or a calculated profit grab by global elites? This talk invites audiences to explore five distinct perspectives on the political and cultural impact of the tournament—offering a more nuanced, thought-provoking look at what the World Cup means for Seattle and the world.?Free.

May 19 | (Stroum Center for Jewish Studies)
Visiting author and scholar Jacob Daniels will discuss his new book, The Jews of Edirne: The End of the Ottoman Europe and the Arrival of Borders. At the turn of the twentieth century, the city of Edirne was a bustling center linking Istanbul to Ottoman Europe. It was also the capital of Edirne Province—among the most religiously diverse regions of the Ottoman Empire. But by 1923, the city had become a Turkish border town, and the province had lost much of its non-Muslim population. With this book, Jacob Daniels explores how one of the world’s largest Sephardi communities dealt with the encroachment of modern borders. Free.

May 19 | (School of Music)
UW voice students of Thomas Harper and Carrie Shaw perform art songs and arias from the vocal repertoire. Free.

May 19 | (Jackson School of International Studies)
Thea Riofrancos is an Associate Professor of Political Science at Providence College, a Strategic Co-Director of the Climate and Community Institute, and a fellow at the Transnational Institute. She is the author of Extraction: The Frontiers of Green Capitalism (W.W. Norton, 2025) and Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador (Duke University Press, 2020), and the coauthor of A Planet to Win: Why We Need a Green New Deal (Verso Books, 2019). Free.

May 19 | (Astronomy)
Enjoy evening talks, interactive exhibits, and on clear nights, sky viewing through our historic 1895 telescope. Viewings are held on the first and third Tuesday evenings from April through September, rain or shine. A public talk followed by telescope viewing once the sky darkens. Explore the universe with the UW! Free.

May 20 |
Presenting an evening of electronic music showcasing works by Richard Karpen, Joseph Anderson and Juan Pampin. The works will be played through the DXARTS 3D audio system, a state-of-the-art, high-fidelity multi-channel system designed for immersive, spatial audio experiences. Free.

May 21 | (School of Music)
The master Javanese gamelan musician Heri Purwanto from Indonesia performs with his students in this evening of music from central Java, Indonesia.

May 21 – 31 | (School of Drama)
At “God’s” command, “Death” summons “Everybody” to go on the long and difficult journey to give a presentation to “God” on Everybody’s life and why they have lived it the way that they have. Everybody wants to bring along a friend, and Death says it’s fine if Everybody can find someone to volunteer. Pulitzer Prize-winning playwright Branden Jacobs-Jenkins adapted the play from the 15th-century morality play Everyman. Professor Chi-wang Yang directs this production, in which each night the performers’ roles are determined by a lottery. Everybody reveals to us the value of our relationships and how to live with intention amid uncertainty. Two special on Sunday, May 24, and Saturday, May 30.

May 21 |
Hosted by the Seattle Art Museum, SAM Curator Aaron Rio and UW Assistant Professor Mimi Chusid discuss the key role of pictures in navigating the processes of death and dying in premodern Japan. Centering on paintings associated with the Pure Land sects of Buddhism from SAM’s renowned collection of Japanese art, we will examine visions of hells and paradise, as well as explore notions of the afterlife and salvation.

May 21 | (American Indian Studies)
Sacred Breath features Indigenous writers and storytellers sharing their craft at the beautiful w???b?altx? Intellectual House on the UW Seattle campus. Storytelling offers a spiritual connection, a sharing of sacred breath. Literature, similarly, preserves human experience and ideals. Both forms are durable and transmit power that teaches us how to live. Both storytelling and reading aloud can impact audiences through the power of presence, allowing for the experience of the transfer of sacred breath as audiences are immersed in the experience of being inside stories and works of literature. Free.

May 21 | ?(Middle Eastern Languages & Cultures)
Shawkat M. Toorawa is the Brand Blanshard Professor of Near Eastern Languages & Civilizations and Professor of Comparative Literature at Yale University. He is a scholar, translator, and editor. He has published studies on the history of Arabic literature, translated the poetry of Adonis and the Quran, and he has been involved in numerous translation projects in his role as an executive editor for the Library of Arabic Literature. In this talk, Professor Toorawa will share his unique insights to his research and translations over the course of his long career. Free.

May 22 | (Undergraduate Academic Affairs)
From a former Gonzaga basketball player and current 天美影视传媒 Dean and Vice Provost comes a memoir steeped in the universal truths and human pursuits of love, grace, forgiveness, and continued growth. Ed Taylor takes readers on a journey from Lompoc, California through a childhood marked with loss but grounded in the love and support of family and community, to a singular moment that changed everything for a boy set up by the system to be a cog in the machine.

But Taylor’s story is only beginning on the day Gonzaga University offers him a full ride: Faced with questions every young Black man on a basketball scholarship has heard—questions like “Do you even belong here?” and “Do you really think you can cut it?”—Taylor answers by examining himself, everything that brought him to this place, and all that he hopes to bring to the world, and by rising to the ever-increasing challenges he sets for himself.

In The Power of the River, Ed Taylor offers perspective on his journey as it relates to the larger, human one we’re all on together, inviting us to celebrate the many individuals—family members, teachers, coaches, colleagues, friends, and chance acquaintances—who lifted him up and taught him along the way and reminding us that even while we are responsible for our impacts on those in our lives, we all deserve some measure of grace.?Free.

May 22 | (School of Music)
Guitar students of Michael Partington present their quarterly studio recital. Michael Partington is one of the most engaging of the new generation of concert players. Praised by Classical Guitar Magazine for his “lyricism, intensity and clear technical command,” this award-winning British guitarist has performed internationally as a soloist and with ensemble to unanimous critical praise. Audiences are put at ease by his charming stage manner and captivated by his musical interpretations. His innate rhythmic understanding and sense for tonal colour combine to form some of the most memorable phrasing to be heard on the guitar. Free.

May 22 | (School of Music)
The UW’s graduate-student-led choral ensembles—the University Singers, UW Glee, and Treble Choir—present an eclectic year-end concert.

May 22 | ?(Political Science)
Presented by Valentina González-Rostani, Assistant Professor, University of Southern California. Free.

Through May 24 | (Henry Art Gallery)
Rodney McMillian (b. 1969, Columbia, South Carolina; based in Los Angeles, California) works with the social and political histories of the United States and how they shape our daily lives. Using existing texts and domestic materials—such as house paint on thrifted fabrics and bedsheets, or “post-consumer objects” as he calls them—he traces both the visible and invisible forces that shape civic life, particularly for the lives of African Americans. Inspired by the lush surroundings of the Henry, McMillian brings together sculpture, video, and painting that present an outdoor landscape overgrown with the lingering effects of physical, political, and social violence. Free.

Week of May 25

Through May 31 | (School of Drama)
At “God’s” command, “Death” summons “Everybody” to go on the long and difficult journey to give a presentation to “God” on Everybody’s life and why they have lived it the way that they have. Everybody wants to bring along a friend, and Death says it’s fine if Everybody can find someone to volunteer. Pulitzer Prize-winning playwright Branden Jacobs-Jenkins adapted the play from the 15th-century morality play Everyman. Professor Chi-wang Yang directs this production, in which each night the performers’ roles are determined by a lottery. Everybody reveals to us the value of our relationships and how to live with intention amid uncertainty. Two special on Sunday, May 24, and Saturday, May 30.

May 26 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrence Gallery. Ways of Becoming is split into three shows between April 28 – June 5, 2026. Free.

May 26 | (Gender, Women & Sexuality Studies)
In a time marked by mounting challenges to the field of Gender, Women & Sexuality Studies (GWSS), as well as higher education at large, we gather to share appreciation for the folks that make what we do possible, and welcome new faces interested in the important scholarship and community work GWSS has and continues to undertake. Despite the precarities of the time, GWSS has much to celebrate: 55+ years of groundbreaking interdisciplinary scholarship, 20 years since the graduation of the very first doctoral student, and, most importantly, a continued commitment to building a strong intellectual community on campus and beyond.? Free.

Online – May 26 | (Gender, Women & Sexuality Studies)
The last decade has seen a sharp rise in state-sponsored homophobia and transphobia in East Africa, including discriminatory legislation and religious condemnation, and many LGBTQI+ people have been forced to flee their homes. But East Africa is also a site of activism, community, and enterprise where the contexts of belonging are redefined. The 天美影视传媒 African Studies Program and Department of Gender, Women & Sexuality Studies are pleased to host a dialogue among the editors of the first book to explore these subjects—East African Queer and Trans Displacements—which features critiques and creative works by LGBTQI+ diasporic writers and artists from the region with first-hand experiences of displacement. Free.

May 26 | (School of Music)
The UW Percussion Ensemble (Bonnie Whiting, director) performs contemporary music of many genres composed for percussion ensembles ranging in size from trios to nonets and dectets. Free.

May 27 | (Chemistry)
Presented by Professor Benedetta Mennucci, Department of Chemistry, University of Pisa. Free.

Online Option – May 27 | Is A River Alive? Exploring the lives, deaths and rights of rivers with Robert Macfarlane (Public Lectures)
Across the globe, rivers are dying—choked by pollution, parched by drought, and shackled by dams. The prevailing narrative treats freshwater as a mere resource, water as a liquid asset, existing solely for human use. This lecture offers a different current: an ancient and urgent story in which rivers live, die, and even possess rights. It reimagines rivers as vital, sentient life-forces, intertwined with our own survival. Spanning Ecuador, India, Aotearoa New Zealand, northeastern Canada, and the speaker’s native southern England, the talk weaves together the voices of activists, artists, and lawmakers. Passionate and immersive, it promises to spark debate, shift perspectives, and invite listeners to recognize a profound truth: our fate has always flowed with the rivers. Free.

May 28 | (History)
Professor Matthew Sommer’s new book The Fox Spirit, the Stone Maiden, and Other Transgender Histories from Late Imperial China (Columbia UP, 2024) considers a range of transgender practices and paradigms in Late Imperial China, illuminating how certain forms of gender transgression were sanctioned in particular contexts and penalized in others. This talk will focus on the crime of “a male masquerading in female attire” (男扮女裝), which was prosecuted by applying the statute against “using deviant ways and heterodox principles to incite and deceive the common people” (左道異端煽惑人民). Anatomical males who presented as women sometimes took a conventionally female occupations such as midwife, faith healer, or even medium to a fox spirit — yet, suspected of sexual predation, they risked death for the crime of “masquerading in women’s attire,” even when they had lived peacefully in their communities for years. Free.

May 28 | (Center for American Indian and Indigenous Studies)
Graduate and undergraduate students and Indigenous Knowledge Families present their original research in the field of Indigenous Studies. Free.

May 29 | (School of Music)
Students of John Popham present a chamber music showcase. Free.

May 29 | (School of Music)
The Modern Music Ensemble (Cristina Valdés, director) performs music from the mid-20th century and beyond, including world premieres of works by living composers. Free.

May 30 | (School of Music)
The Campus Philharmonia Orchestras (Robert Stahly, Zach Banks, conductors) present an end-of-quarter concert. Free.

Online Events

Online option – April 28 | (Jackson School of International Studies)
This panel features talks on conducting research in the Peruvian Amazon by Justin Perez (UCSC) and Amanda Smith (UCSC). Perez will present “Queer Emergent: Scandalous Stories from the Twilight of AIDS in Peru” and Smith will present, “Situating Mothering in a Geography of Digital Colonialism: The Digital Biblioteca Amazónica,” a project to create an open-access digital archive of materials housed at the Biblioteca Amazónica in Iquitos, Peru. Free.

May 5 | (Physics)
Dr. John Martinis, recipient of the 2025 Nobel Prize in Physics, presents “Prehistoric quantum bits: experiments testing the fundamental physics of superconducting quantum devices.” Quantum mechanics was developed to describe the physics of the small, for fundamental particles, atoms and molecules. But does it still work for macroscopic systems? Martinis’ PhD thesis experiment in 1985 tested this idea, showing the macroscopic current and voltages in a 1 cm chip obey the quantum phenomena of tunneling and energy-level quantization, proving that a superconducting circuit can behave as a single `artificial atom.’ Over the last four decades, many physicists around the world have continued research on quantum devices. The field has evolved from fundamental tests into a high-stakes effort to build quantum bits and a quantum computer. At Google, the ‘quantum supremacy’ experiment was the culmination of this system-level optimization, proving that a processor could outpace classical supercomputers by maintaining high-fidelity control over a huge computational (Hilbert) space. Now, at his startup Qolab, they are leveraging 300mm semiconductor fabrication to achieve the extreme uniformity and yield necessary to build a useful general-purpose quantum computer. Free.

Live (not recorded) | (Jackson School of International Studies)
This lecture series is hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Topics include:

• April 27 | Iran and Seattle’s World Cup
• May 4 | Workers’ Rights in Seattle during the World Cup
• May 11 | Seattle’s World Cup: The View from Europe
• May 18 | The Pride Match and LGBTQ+ Rights
• June 1 | Egypt Comes to Seattle

Free.

May 13 | My Greatest Save with Briana Scurry (Public Lectures)
From winning two Olympic gold medals and a World Cup championship to enduring a career-ending concussion that left her “temporarily totally disabled” and forced her to pawn her Olympic medals, Briana Scurry delivers a raw and inspiring account of resilience. With unflinching candor, she guides audiences through the soaring highs and devastating lows of her journey—sharing a story of triumph, adversity, and ultimate redemption. Along the way, Scurry reflects on the global influence of soccer and the enduring significance of the World Cup, offering a deeply personal perspective on the sport that shaped her life and legacy. Free.\

May 19 | Five Ways to Watch the World Cup with Ron Krabill (Public Lectures)
As Seattle gears up to host the 2026 FIFA Men’s World Cup, the city finds itself at the center of a heated debate: Is the tournament an economic catalyst or a misuse of public funds? A celebration of Seattle’s cultural vibrancy or a distraction from pressing regional challenges? A thrilling chance to witness the world’s greatest athletes—or a calculated profit grab by global elites? This talk invites audiences to explore five distinct perspectives on the tournament’s political and cultural impact—offering a more nuanced, thought-provoking look at what the World Cup means for Seattle and the world. Free.

May 26 | (Gender, Women & Sexuality Studies)
The last decade has seen a sharp rise in state-sponsored homophobia and transphobia in East Africa, including discriminatory legislation and religious condemnation, and many LGBTQI+ people have been forced to flee their homes. But East Africa is also a site of activism, community, and enterprise where the contexts of belonging are redefined. The 天美影视传媒 African Studies Program and Department of Gender, Women & Sexuality Studies are pleased to host a dialogue among the editors of the first book to explore these subjects—East African Queer and Trans Displacements—which features critiques and creative works by LGBTQI+ diasporic writers and artists from the region with first-hand experiences of displacement. Free.

May 27 | Is A River Alive? Exploring the lives, deaths and rights of rivers with Robert Macfarlane (Public Lectures)
Across the globe, rivers are dying—choked by pollution, parched by drought, and shackled by dams. The prevailing narrative treats freshwater as a mere resource, water as a liquid asset, existing solely for human use. This lecture offers a different current: an ancient and urgent story in which rivers live, die, and even possess rights. It reimagines rivers as vital, sentient life-forces, intertwined with our own survival. Spanning Ecuador, India, Aotearoa New Zealand, northeastern Canada, and the speaker’s native southern England, the talk weaves together the voices of activists, artists, and lawmakers. Passionate and immersive, it promises to spark debate, shift perspectives, and invite listeners to recognize a profound truth: our fate has always flowed with the rivers. Free.

ArtSci Roundup goes monthly!

The ArtSci Roundup is your guide to connecting with the UW—whether in person, on campus, or on your couch.

Previously shared on a quarterly basis, those who sign up for the Roundup email will receive them monthly, delivering timely updates and engaging content wherever you are. Check the roundup regularly, as events are added throughout the month. Make sure to check out the ArtSci On Your Own Time section for everything from podcasts to videos to exhibitions that can be enjoyed when it works for you!

In addition, if you like the ArtSci Roundup, sign up to receive a monthly notice when it’s been published.

Do you have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).uw.edu).

Source

Come curious. Leave inspired.

The UW offers an exciting lineup of in-person and online events. From thought-provoking art and music to conversations on culture, history, and science, the UW community invites you to explore, learn, and connect across disciplines throughout the University.

And as April comes to a close, see what’s happening in May.?

.

ArtSci On Your Own Time or From Your Own Home

Video | (Simpson Center for the Humanities)
From “Mourning across Centuries and Languages: A Poem’s Six-Hundred-Year Journey” with Jahan Ramazani to “What Is Racial Capitalism and Why Does It Matter?” with Robin D. G. Kelley, the Katz Distinguished Lectures Playlist offers a rich, ever-growing archive to explore from wherever you are, inviting you to engage with a wide range of thought-provoking topics. Free.

Book Club | Chronicles from?the Land of the Happiest People on Earth by Wole Soyinka?(UW Alumni)
Readers’ Choice! A mix of mystery and political satire, this novel takes aim at corruption in modern Nigeria. Two old friends decide to investigate a local cartel that traffics in human body parts. But in a country where religious charlatans and dishonest officials abound, can they trust anyone in their search? Free.

EXHIBITIONS CLOSING:

Through April 4 | ?(School of Art + Art History + Design)Death is a fundamental first step toward rebirth—but this transition can feel daunting without a compassionate guide. In The Book of Zero, our 2026 Jacob Lawrence Legacy Resident indira allegra presents a multimedia, meditative experience shaped by their research into doula work, death care, and the cyclical nature of bodies and environments. Free.

Through April 26 | ?(Henry Art Gallery)
How might art respond when the conditions supporting artistic expression—its very ground—are under threat? Directly or more obliquely, at scales ranging from intimate to monumental, works by artists including Chakaia Booker, Denzil Hurley, Jennie C. Jones, and Stephanie Syjuco engage with the conditions that shape creative freedom. Free.

Through April 26 | (Henry Art Gallery)
we leak, we exceed activates the unique volume and multiple vantage points of the Henry’s double-height gallery, drawing together threads from physics, Black critical thought, and information theory to create an immersive environment that interrogates the spatial and social implications of compression. A common process used in data storage, spatial organization, and information systems, compression abbreviates and collapses complex ideas into more simplified forms. Kameelah Janan Rasheed questions the way compression comes at the cost of nuance and creates unrecoverable losses. She draws parallels between the compression of information and the containment of people, both physically and through the structuring and defining of identities. Through a network of video, sound, and architectural mark-making, Rasheed proposes alternatively what she calls “an embrace of Black excess and expansion” as a liberatory practice. Free.

Through May 3 | (Henry Art Gallery)
Deana Lawson’s photographs result from collaborations with strangers whom the artist encounters by chance or deliberately seeks out. The pictures often depict richly textured domestic scenes in which the details of decor, lighting, and pose are constructed. In this way, Lawson draws on the legacies of historical portraiture, documentary photography, and the family album, but transcends these traditions, constructing images that merge lived experience with imagined narratives. Free.

Week of March 30

March 31 | ?(College of Education)
EduTalks brings together educators, researchers and community leaders to share bold ideas shaping the future of education. In just five minutes — and with a single powerful image — each presenter explores innovative approaches to today’s most pressing challenges. In the College of Education, we’re “solving for x,” taking inspiration from high school algebra to step into the complicated, often uncertain challenges in education with imagination and heart. In math, x represents the unknown. In education, it symbolizes the complex questions we face as we strive for a more just, equitable and joyful future for all learners. Solving for these challenges takes imagination, persistence and, above all, community. Free.

April 1 | (Communication)
Dr. Kathleen Hall Jamieson argues that scientists and science communicators would be well served by use of a “mental models” approach to simultaneously increase consequential knowledge and reduce public susceptibility to misconceptions about controversial climate and health findings. By engaging audiences with visual, verbal, or animated models, this approach creates understandings of science on which the audience can draw to recognize and reject consequential misconceptions. Free.

April 1? | (School of Music)
A free lunchtime performance featuring UW School of Music students in the North Allen Library lobby. Presented in partnership with UW Libraries. Free.

April 2 | (Jackson School of International Studies)
Libraries in French colonial Vietnam functioned as symbols of Western modernity and infrastructures of colonial knowledge. Yet Vietnamese readers pursued alternative uses of the library that exceeded imperial intentions. Bibliotactics examines the Hanoi and Saigon state libraries in colonial and postcolonial Vietnam, uncovering the emergence of a colonial public who reimagined the political meaning and social space of the library through public critique and day-to-day practice. Free.

April 2 | ?(Burke Museum of Natural History and Culture)
Part of Burke’s Free First Thursday series, the museum opens its collections spaces from 4:30 to 7:30?PM. Visitors can explore behind?the-scenes labs and storage, and speak with researchers, staff, and volunteers about their work.?Free.

April 2 | (Henry Art Gallery)
To celebrate the opening weekend of Eric-Paul Riege: ojo|-|o?l??, visit the artist offsite at the Burke Artist Studio, located in the Northwest Native Art Gallery at the Burke Museum, just a few blocks from the Henry. As part of Free First Thursday at the Burke, visitors will have the chance to watch the artist at work and speak with Riege about his process. Free.

April 3 | (UW Planetarium Arts x Colectivo Arte GUENDA)
An evening of guided gallery tours, lightning talks, and moderated panel discussions, featuring artists and scientists from Oaxaca, Seattle, Portland, UW, and UNAM. Guided tours are offered in English and Spanish. Lightning talks and panel will be conducted in English. Free.

April 3 | (Henry Art Gallery)
Be among the first to experience Eric-Paul Riege: ojo|-|ól??, the artist’s largest solo exhibition to date. Featuring sculpture, textiles, collage, and video, the exhibition draws on Diné cultural memory and examines the (re)production of Indigeneity. A no-host bar and music by KEXP DJ Kevin Sur round out the night. Free.

April 4 | (Henry Art Gallery)
An immersive performance by Eric-Paul Riege. Working in close concert with exhibition objects, Riege utilizes performance as a means of care and relationality among materials and objects. At once haptic and visceral, Riege will perform his self-described “weaving dances” as an extension of his world building across and within exhibitions. After the performance, Riege will be joined by co-curators, Thea Quiray Tagle and Nina Bozicnik, for an in-depth conversation about the connections among his research, practice, and performance. Free.

April 2 – 4 | ?(Meany Center for the Performing Arts)
Feathers will fly in this exuberant take on Swan Lake by the Australian contemporary circus group Circa. The world’s most romantic ballet is re-imagined as a circus spectacular, full of Circa’s signature physicality and shot through with cheeky humor and a thoroughly contemporary energy. Be swept away by this tale of swans and hapless princes sparkling with quirky touches like the sequined flipper-wearing duck army and a burlesque black swan. There are sumptuous aerials, jaw-dropping acrobatics and of course…feathers! Touching, funny and utterly entertaining, Duck Pond is a tale of identity and finding your true self.?

Week of April 6

Online – April 6 | (Jackson School of International Studies)
Presented by Sean Jacobs, Professor and Director of the Graduate Program in International Affairs at The New School, and Martha Saavedra, former Associate Director of the Center for African Studies at UC Berkeley. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Each week, Global Sport Lab will bring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Lectures will focus on teams coming to Seattle, as well as topics such as workers’ rights, World Cup histories, immigration and travel bans, the Pride Match controversy, and more. Free.

April 7 | (Meany Center for the Performing Arts)
Grammy-nominated documentary The Music of Strangers, which follows members of the Ensemble as they gather in locations across the world, exploring the ways art can both preserve traditions and shape cultural evolution. There will be a post-screening discussion with visionary Peter Sellars and Grammy Award-winning, multi-instrumentalist John-Carlos Perea, Chair of Ethnomusicology at UW. Free.

April 7 | ?(Asian Languages & Literature)
Japanese-language literature has been both read and written in Brazil for more than a century, creating an ever-expanding corpus of works. The talk will introduce these literary activities, focusing on the first decades of their production. In addition to presenting the authors, newspapers, bookstores, and readers in Brazil, the talk will also raise some questions about what makes up “Japanese literature” — and all other identity-based groupings of literary texts. Free.

Online option – April 7 | Unlocking Secrets: Interrogating the Epigenome to Reveal Pregnancy Risks in Moms with High Blood Pressure with Bertha Hidalgo (Public Lectures)
Dr. Bertha Hidalgo as she explores how epigenetics is reshaping our understanding of hypertensive pregnancy disorders. This lecture highlights population-based insights, early biomarkers of risk, and transformative strategies for prevention—advancing maternal health equity and innovation in public health. Free.

April 8 | (English)
Featuring Ange Mlinko, poet, critic, editor, & professor. Book signing and reception to follow. Free.

April 8 | (Gender, Women & Sexuality Studies)
Grrrilda Beausoleil is turning 50. All she wants is a reunion with her 1990s riot grrrl band—the one she abandoned just as they were about to make it big. With a scrappy film crew documenting the journey, she navigates old wounds, new-age platitudes, and a San Francisco transformed by tech and displacement. The band must decide whether they can trust Grrrilda again—and whether their DIY roots of wheat paste, stickers, and zines can still build community in a digital age.

Dubbed “SPINAL TAP with BIPOC and queers” by the Chicago Reader, the film is a hilarious improvised mockumentary that treats comedy as activism. At its heart, the production centers LGBTQ community building across generations—reconciling past and present, passing the mic, and finding solidarity through creativity. Free.

April 8 | (School of Music)
Seattle’s contemporary music orchestra performs Gy?rgy Ligeti’s piano concerto, featuring faculty pianist and SMO member Cristina Valdés, alongside new works for sinfonietta by faculty composers William Dougherty, Jo?l-Fran?ois Durand, and Huck Hodge. SMO is joined onstage by select graduate-student members of the UW Modern Music Ensemble in this large-ensemble format.

April 10 | ?(Digital Arts & Experimental Media)
Anomalous Textualities re-imagines the Studio Theater as a traversable showroom. Inhabited by seven distinct works, the margins of language and meaning are re-mediated, embodied, and deconstructed through human-machine (mis)translations. In this performance-installation, spatial, temporal, and linguistic boundaries are blurred, giving way to slippages across models, bodies, and forms. Within this anomalous showroom, language models drive mechanical systems, glitching oracles, and choreographic prompts. Two further works explore non-verbal communication, seeking a physical vocabulary for a world shared with a “technological other.”

In this complex system, there is no fixed sequence. Light and sound are the conductors. As illumination fades in and out across the grid, models are sporadically activated. The audience is invited to navigate the showroom and explore multiple perspectives, moving through the partitions to witness interactions up close, or observing the entire system from the margins as it breathes and stutters as a single organism. Free.

April 10 | Sand Point Open Studios (School of Art + Art History + Design)
Visit the private studios of the Painting + Drawing MFA students and Division of Art faculty at the School’s Sand Point facilities. We will also be celebrating the opening of Rebecca Shippee’s show in the Sand Point Gallery. Students, alumni and the general public are invited for an evening of conversation, interaction, and art. Free.

April 10 | (Jackson School of International Studies)
What does democracy look like from below? This talk will look at how ordinary lives are reshaped by surveillance, majoritarianism, and corporate-political nexus in South Asia. Exploring media influence, gendered surveillance, majoritarian and casteist politics, the struggles of urban poor workers and the slow erosion of democratic rights in contemporary South Asia through Neha Dixit’s The Many Lives of Syeda X, this talk explores how journalism can recover erased histories, expose routine violence, and hold power to account. Free.

Week of April 13

Online – April 13 | (Jackson School of International Studies)
Presented by Mary V. Harvey, Chief Executive at the Center for Sport and Human Rights; Maya Mendoza-Exstrom, Board Member of the SeattleFWC26 Local Organizing Committee, Chief Business Officer of Seattle Reign Football Club, and Chief Operating Officer of Seattle Sounders Football Club; Leo Flor, Chief Legacy Officer of the SeattleFWC26 Local Organizing Committee; and Anita Ramasastry, Henry M. Jackson Professor of Law and Director of the Sustainable International Development Graduate Program at the 天美影视传媒 School of Law. Free.

April 13 | (School of Music)
Faculty soprano Carrie Shaw’s new Seattle-based group Wind Up Vocal Project performs musical puzzles of the past and present, including Ming Tsao’s “DAS WASSERGEWORDENE KANONBUCH.”

April 13 | (School of Music)
The School of Music keyboard program presents a solo piano recital by Spencer Myer, associate professor of music at the Jacobs School of Music at Indiana University, performing works by Haydn, Ravel, Liszt, and Carl Vine. Free.

April 14 | ?(School of Art + Art History + Design)
Our question to consider: We are all in this together, so, how do we actually do this work together? This year-long program series hopes to honor our commitment to social justice and to gather our community to think about the work of liberation through shared texts, art, film, music, conversation, and workshops. Unlike your traditional book club, all the reading and study happen together, so no need to prepare. Join us monthly as we approach the topic of liberation from a number of perspectives. Free.

April 14 | (Simpson Center for the Humanities)
Tiffany Tsao will discuss the challenges of translating Indonesian literature in the context of a publishing industry that has tended to value Indonesian works more for their “Indonesianness” than their literary value. Catering to a readership interested specifically in the history, culture, and living conditions of Indonesia has some near-term benefits, but does this approach do Indonesian writing a disservice over the long term? She will discuss, more specifically, how this state of affairs has shaped the decisions she has made as a translator – from the works she has chosen to translate, to her approach to the translation process itself. Free.

April 16 | (School of Music)
Faculty percussionist Bonnie Whiting celebrates the release of Through the Eye(s), her new CD out now on Neuma Records. Documenting a cycle of pieces for solo speaking and singing percussionist developed in collaboration with nine incarcerated people at the Indiana Women’s Prison, Through the Eye(s) is a collaboration with composer Eliza Brown, who facilitated the project. The program includes a short performance followed by a question-and-answer session. Free.

April 16 | (Henry Art Gallery)
Join The Black Embodiments Studio for The (Printed) Matter of Black Arts Writing: Archives for the Future, a panel discussion on the practice of collecting, preserving, and circulating Black arts writing ephemera. Featuring archivists and publishers of printed matter like flyers, zines, pamphlets, notebooks, and books, the program explores the significance of gathering around materials that are fragile and prone to disappearance—and reflects on what contemporary practices of preserving and circulating Black arts writing ephemera can tell us about the futures of the art world in general. This is the second of two programs for Public Scholarship + Practice: Black Futures + Archives, a new series highlighting 天美影视传媒-led research and practice at the intersections of visual art and culture. Free.

April 16 – 18 | (Drama)
The IGNITE New Works Festival is a three-day event celebrating UW student “ART” of all forms, including performance art, theatre, film, installation, multimedia, and sculpture. The festival’s goal is to ignite expression, community, accessibility, and belonging among UW students by showcasing art that is FRESH, RISKY, and ODD. Performances will be held in the Glenn Hughes Penthouse (GH Penthouse) or Hutchinson Hall (HUT). Free.

April 17 | (School of Music)
Ana Alonso Minutti, associate professor of musicology and ethnomusicology at the University of New Mexico, presents “Noising the Desert: Land and Memory in Raven Chacon’s Work.” Composer and installation artist Raven Chacon (Fort Defiance, 1977) has developed a body of work shaped by the sonic landscapes of the New Mexican desert. This presentation traces how his engagement with noise amplifies place and activates personal and cultural memory, positioning noising as a borderlands practice that unsettles colonial histories. Free.

April 17 | (School of Music)
Seattle orchestra Harmonia (William White, conductor) performs concerto excerpts with UW piano students. Kane Chang, Jiaxuan Wu, Eli Antony, and Yuchen Qi.

April 17 | (Political Science)
Presentation by Tongtian Xiao, Ph.D. Student, 天美影视传媒 as a part of the Severyns Ravenholt Seminar in Comparative Politics. Free.

Online option – April 17 | (Classics)
Linda Gosner (Texas Tech) examines mining and its effects on the communities and ecologies of southeast Iberia following the conquest of this region during the Second Punic War. This region also had botanical and marine resources, long exploited by local communities, who reacted to Roman mining in divergent ways. Weavers of local grasses shifted their production strategies, supplying equipment for Roman mining. By contrast, harvesters of a large mollusk species, who once collaborated closely with miners, broke ties with the industry. Ultimately, the talk shows the important role local decision-making played in organizing production and in the empire’s experience in Roman Iberia. Free.

April 18 | ?(Meany Center for the Performing Arts)
Hailed as the “global ambassador of Spanish guitar” by Billboard Magazine, Pablo Sáinz-Villegas is widely acclaimed as the successor to Andrés Segovia. His playing dazzles with vibrant colors and deep emotion, captivating audiences with its expressiveness. Sáinz-Villegas’ guitar evokes intimacy and passion, weaving haunting melodies that transport listeners to a place of reverie and reflection. An exceptional performer, he stands as a living testament to music’s profound power to touch the depths of the human soul.

Week of April 20

Online – April 20 | (Jackson School of International Studies)
Presented by César Wazen, Director of the International Affairs Office at Qatar University. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Each week, Global Sport Lab will bring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Lectures will focus on teams coming to Seattle, as well as topics such as workers’ rights, World Cup histories, immigration and travel bans, the Pride Match controversy, and more. Free.

April 21 | (Jackson School of International Studies)
Focusing on Recep Tayyip Erdo?an’s public displays of crying, this talk examines what these moments signify, and why his supporters interpret them as authentic, drawing on insights from focus group discussions. It situates these performances within Erdo?an’s increased reliance on populist discourse and style, arguing that these emotional and performative dynamics have been central to mobilizing support and maintaining the cohesion of his constituency. In doing so, the talk shows how such strategies have contributed to the consolidation of an authoritarian regime sustained by popular backing, particularly in moments when legitimacy is under strain. Free.

April 22 | ?(Meany Center for the Performing Arts)
Yo-Yo Ma’s performance is currently sold out. Tickets may become available as some tickets get returned closer to the performance. A waitlist will open at the Meany Box Office starting at 6:30 p.m. on April 22. This special performance from Yo-Yo Ma pairs repertoire from the center of his musical firmament with reflections on how it has shaped his thinking about art, human nature and our search for meaning.

April 22 | (Communication)
Drawing on his research in media, technology, and public life, USC Associate Professor Mike Ananny examines how this framing shapes public understanding, limits accountability, and influences how societies respond to emerging technologies. The talk invites audiences to think more critically about what generative AI is, how it operates, and why treating it as a public problem is essential for addressing its broader social and political impacts. Free.

April 23 | (Henry Art Gallery)
Deana Lawson draws on the legacies of historical portraiture, documentary photography, and the family album, but transcends these traditions, constructing images that merge lived experience with imagined narratives. The aesthetics of intergenerational connectivity guide Lawson’s choice of subject matter, with each of her works taking its place in an overarching project that coheres into what she terms “an ever-expanding mythological extended family.” Lawson’s works also demonstrate a special attention to the element of light, as both part of the mechanical process by which photographs are realized, and as a manifestation of the divinity that suffuses her sitters. A focused presentation of Lawson’s work on the Henry’s mezzanine features photographs that highlight her ongoing exploration of female subjectivity through the photographic image. Free.

April 24 | (German)
German Studies Chair, Ellwood Wiggins, and Professor Andre Schütze present and discuss the enduring legacy of Faust.?Discover what to look out for in Murnau’s revolutionary cinematic masterpiece and learn about the Faust story as a parable of modernity–and of German history–in its adaptations across the ages. What is the price of your soul? Following the discussion, please stick around as the community—students, alumni, faculty, and staff—gather over refreshments to celebrate German Studies’ own 21st Century learning. Free.

April 24 | (Burke Museum of Natural History and Culture)
The dinosaurs ruled the Earth for more than 150 million years — evolving into spectacular giants like Brontosaurus and T. rex, which captivate our imaginations. In this talk, University of Edinburgh professor and paleontologist Steve Brusatte will discuss the complete story of where dinosaurs came from, how they rose to dominance, how most of them went extinct when a giant asteroid hit, and how some of them live on as today’s birds. In doing so, he will recount stories of digging up dinosaurs and working with colleagues around the world. At a time when Homo sapiens has existed for less than 300,000 years and we are already talking about planetary extinction, dinosaurs are a timely reminder of what humans can learn from the magnificent creatures that ruled Earth before us. Free.

April 24-25 | Improvised Music Project Festival (IMPFEST): / (School of Music)
The School of Music and the student-run Improvised Music Project (IMP) present IMPFest, featuring UW Jazz Studies students and faculty performing with guest artists of international renown. Headliners for this year’s festival are Grammy-nominated drummer, producer, and emcee Kassa Overall and Icelandic composer and bass guitarist Skùli Sverisson.

April 24-25 | (Meany Center for the Performing Arts)
Seamlessly blending illusion, acrobatics, magic and whimsy, MOMIX sends audiences flying down the rabbit hole in Moses Pendleton’s ALICE, inspired by Lewis Carroll’s classic Alice in Wonderland. Join this dazzling company on a mind-bending adventure, as Alice encounters time-honored characters including the undulating Caterpillar, a lobster quadrille, frenzied White Rabbits, a mad Queen of Hearts and a variety of other surprises.

April 26 |?(UW Alumni)
Join the UWAA and BECU for a day of service to help fight food insecurity. Free.

April 26 | (Burke Museum of Natural History and Culture)
Dig into paleontology at the Burke’s annual festival of fossils!
Celebrate all things fossilized with hands-on activities for all ages! View hundreds of specimens from the Burke’s collection and hear about groundbreaking research from Burke and UW scientists.

• Fossil fun for everyone!
• Watch paleontologists uncover a duck-billed dinosaur in the Fossil Prep Lab.
• Learn about the fossils of Sucia Island, including the one and only dinosaur bone found in Washington state!
• Chat with Burke paleontologists and students about fossils from the Burke’s extensive vertebrate, invertebrate, and paleobotany collections.
• Check out the amazing T. rex skull unearthed by Burke scientists.
• And more!

Week of April 27

Online – April 27 | (Jackson School of International Studies)
Presented by Niki Akhavan, Associate Professor and Chair of the Department of Media and Communication Studies at The Catholic University of America. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Each week, Global Sport Lab will bring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Lectures will focus on teams coming to Seattle, as well as topics such as workers’ rights, World Cup histories, immigration and travel bans, the Pride Match controversy, and more. Free.

April 28 | ?(School of Music)
Students of Dr. Stephen Price present a UW Organ studio spring recital. Dr. Price teaches Organ performance, Church music, and Keyboard Harmony courses. In addition, he leads ongoing initiatives to develop and revitalize the UW program, continuing the legacy of his predecessor, Dr. Carole Terry. Free.

April 28 | (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrance Gallery. Ways of Becoming is split into three shows between April 28 – June 5, 2026. Free.

April 28 | (Simpson Center for the Humanities)
Stephanie LeMenager, Professor of English and Environmental Studies, considers the role of fiction as a form of resistant truth-telling in an era of lies, bullish*t, propaganda, GenAI fakes, and conspiracy theory, and in the shadow of the climate crisis. In our media atmosphere filled with falsehoods, fiction becomes a means of capturing messy realities unassimilable to propaganda. Moreover, the flexibility of fictional imagination allows for social responses to radical uncertainties, via new genres of storytelling that call climate-change publics into being. In this talk, we’ll consider stories of megafire. Free.

April 29 | (Philosophy)
The idea of space as the stage on which physical events play out dates at least as far back as the 5th century BC. The twentieth century saw a shift from theorising about space and time separately to thinking about spacetime, but the metaphor of spacetime as a stage or arena has continued. Twenty-first century physics looks likely to render this untenable – theories of quantum gravity do not appear to postulate spacetime as a fundamental container for physical contents. This talk examines an alternative way of thinking about spacetime based on the role that it plays in our physical theories – spacetime philosophy should focus on what spacetime does, rather than what it is. Free.

April 29 | (Psychology)
Presented by Maureen Craig, Associate Professor of Psychology & Neuroscience, Duke University. Free.

April 30 | (School of Music)
The Wind Ensemble and Symphonic Band (Erin Bodnar, director) presents “Scenes and Portraits,” featuring music by Gustav Holst, Martin Ellerby, and others.

April 30 |(Burke Museum of Natural History and Culture)
What does it mean to live well as wildfire and smoke season becomes more a part of life in the Pacific Northwest and many other places around the world? As much as we focus on preparedness and reducing materials that fuel wildfires, we must also reckon with the human dimensions of fire, which shape how we interact with it. “Fire Humanities” is a book project and an emerging field of study that draws on the humanities and arts to center stories, representations, collaborations, and values that promote adaptation, resilience, and justice as we adapt to a world with more fire.

This program will feature a panel discussion with five contributors to the book, who will share their approaches to this emerging field of research. After the panel, you’ll be invited to share your stories of fire and smoke with each other, speak with the panelists, and participate in hands-on activities connected to the Fire Humanities project. Free.

April 30 | ?(Jackson School of International Studies)
Panel discussion featuring Wang Feng, University of California, Irvine, and Yong Cai, University of North Carolina at Chapel Hill, along with UW faculty James Lin and Sara Curran. Free.

May 1 | (Jackson School of International Studies)
Writing history entails good editing—and accepting when material can’t make the final cut. Lengthy research projects require a command of sources but also analytical flexibility. Such flexibility can ensure rigor, sometimes at the expense of findings that, alas, must be shelved for some other future use. “The B-Sides of Unmaking Botany” will examine a set of sources that did not make it into the recently published monograph Unmaking Botany: Science and Vernacular in the Colonial Philippines (Duke University Press, 2025). The objectives of the talk are thus twofold: to provide a behind-the-scenes take on the production of a scholarly monograph and to offer a conceptual argument gleaned from the sources that nonetheless resonates with some of Unmaking Botany’s principal interventions. Free.

May 1-2 | (American Indian Studies)
Indigenous scholars, artists, community leaders, and practitioners come together to reflect on food sovereignty, wellness, cultural resurgence, and collective healing through land-based knowledge and practice. Keynote by Vina Brown (Haí?zaqv and Nuu-chah-nulth), a scholar, artist, and wellness advocate, whose work centers on Indigenous law, cultural healing, and community well-being. Raised in her Haí?zaqv homelands, Vina’s work is deeply grounded in cultural resurgence, ceremony, and Tribal Canoe Journeys. She is the founder of Copper Canoe Woman and co-founder of Rooted Resiliency, an Indigenous women-led nonprofit dedicated to community wellness, cultural healing, and reclamation. Across her work, Vina advocates for land, culture, and collective well-being, with particular attention to healing intergenerational and historical trauma through community, movement, and Indigenous knowledge systems. Free.

See all that’s to come in the May ArtSci Roundup.

ArtSci Roundup goes monthly!

The ArtSci Roundup is your guide to connecting with the UW—whether in person, on campus, or on your couch.

Previously shared on a quarterly basis, those who sign up for the Roundup email will receive them monthly, delivering timely updates and engaging content wherever you are. Check the roundup regularly, as events are added throughout the month. Make sure to check out the ArtSci On Your Own Time section for everything from podcasts to videos to exhibitions that can be enjoyed when it works for you!

In addition, if you like the ArtSci Roundup, sign up to receive a monthly notice when it’s been published.

Do you have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).uw.edu).

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Recent books from 天美影视传媒 faculty and staff include those from legal studies at UW Tacoma, international studies, political science, history, and Asian languages and literature.?

UW Tacoma assistant professor collaboration with Policing in Chicago Research Group

“” was collaboratively authored by , assistant professor of legal studies at UW Tacoma, and the Policing in Chicago Research Group. They developed the book in dialogue with those on the front lines of struggles against racist policing in Black, Latinx and Arab/Muslim communities.

“Imperial Policing” analyzes the connections between three police “wars” — on crime, terror and immigrants — with a focus on the weaponization of data and the coordination between local and national agencies to suppress communities of color and undermine social movements. Topics include: high-tech, data-based tools of policing; racialized archetypes; the manufacturing of criminals and terrorists; the subversion of sanctuary city protections; and abolitionist responses to policing, such as the Erase the Database campaign.

The book contains analysis and ideas for solutions at a critical political moment, and serves as a rare, vital example of scholars working directly with community organizations to map police networks and intervene in policing practices.

“‘Imperial Policing’ is an important offering that decenters normative modes of knowledge production and the academy itself and instead provides a model for collaborative knowledge production and change work that academics ought to take up and consider,” Ravichandran said. “This book deepens abolitionist analyses of U.S. Empire and broadens abolition as a necessary global coalitional framework.”

Modern Taiwan through an agrarian lens

“” is a recent book by , associate professor of international studies at the UW.

The book recounts the history of modern Taiwan through the lens of agrarian development. Starting in the 1950s, Taiwan sent international development missions to over two dozen nations across the Global South. From the 1950s to 1990s, Taiwan’s GDP per capita grew by 800%. While researching this growth, an article caught Lin’s attention: a report of how Taiwan’s efforts surrounding improved varieties of broccoli rabe would solve hunger, famine and malnutrition.

“How could broccoli rabe make the world a better place?” Lin wrote in a blog post about his book. “Over the next decade, I traced the arc of agricultural development in libraries and archives across the world, from Ithaca, New York to Shanhua, Taiwan. The more I delved into this question, the more I unearthed a time when Taiwan’s contributions to the world weren’t in advanced semiconductors, but rather rice and vegetables.”

In “In the Global Vanguard,” Lin examines how Taiwanese technicians and agricultural scientists introduced new crop varieties, extended new agricultural technologies and extolled the virtues of a Taiwanese approach to development across the Global South.?

Lin argues the missions eventually shaped how the Taiwanese conceived their place in the world. At the same time, the Nationalist party-state of Taiwan co-opted agrarian science to position Taiwan as a modern nation, legitimizing the government’s authoritarian rule by martial law.

Ordinary people and the global legal order

“” examines an important, and often underappreciated, actor in international law.?

Written by , professor of political science at the UW, the book is of interdisciplinary interest due to its combination of constitutional and international law theories and a wide range of quantitative and qualitative data.

When considering who counts in the international legal order, most answers focus on governments, leaders, generals, lawyers or other elites. Wallace integrates insights from law and political behavior to advance the idea of “popular international law,” where ordinary people are considered important legal actors.

“Drawing on a blend of experiments, conventional polling, media coverage and historical cases, this book shows the ways in which national publics can have an impact on core functions of international law,” Wallace said. “Insights from the book offer an account of international legal politics from below — taking seriously the place of ordinary people in international affairs.

Co-authored book began with love of 18th century poetry

“” is a new book co-authored by the UW’s , associate professor of history, and , professor of Asian languages and literature. True to its subtitle, the book emerged from friendly conversations they had about early 18th century poetry in Urdu — a language that was called Rekhtah at the time.

Their interdisciplinary conversations led to the growing conviction that the diverse roots of this important vernacular tradition had become obscured through selective attention to a handful of poets associated with rarified imperial courtly environments. Poetic networks had become erased as poems were taken out of their social contexts and isolated in separate tomes by author.??

“Vali Dakhani and the Early Rekhtah Networks” presents the evidence to reconstruct these lost literary networks of Urdu’s formative past. The book reframes the history of Urdu within the diverse context from which it emerged: lively social gatherings, bazaars, shrines and multiple courts of 18th-century South Asia, highlighting its engagement with diverse regional cultures and communities in South Asia.?

The cover illustration, an 18th-century canvas by Mughal painter Chitarman II, vividly depicts the many literary references to “Lovers and Beloveds” featured in the poetry of this period, inviting the reader to join the authors in sharing its pleasures.

For more information, contact Lauren Kirschman at lkirsc@uw.edu

Source

Come curious. Leave inspired.

The UW offers an exciting lineup of in-person and online events. From thought-provoking art and music to conversations on culture, history, and science, the UW community invites you to explore, learn, and connect across disciplines throughout the University.

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ArtSci On Your Own Time

Exhibition | ?(School of Art + Art History + Design)
Death is a fundamental first step toward rebirth—but this transition can feel daunting without a compassionate guide. In The Book of Zero, our 2026 Jacob Lawrence Legacy Resident indira allegra presents a multimedia, meditative experience shaped by their research into doula work, death care, and the cyclical nature of bodies and environments. Free.

Recorded Lectures | ?(History)
Incarceration is a hotly debated topic in the United States, a country that has one of the highest rates of incarceration in the world. Looking at the practice from a historical perspective, what can incarceration teach us about who we were and who we are now? What might histories of incarceration, and the histories of those who have been incarcerated, tell us about power dynamics, belonging, exclusion, struggle, and hope across societies in the past and present? The 2026 History Lecture Series explores the practice of incarceration, tracing its change over time from antiquity to our modern world. Recordings are available online. Free.

Recorded Lectures | ?(American Indian Studies)
People come together to share knowledge on topics such as traditional foods, plants and medicines; environmental and food justice; food sovereignty/security; health and wellness; and treaty rights. Indigenous peoples in the Northwest have maintained a sustainable way of life through a cultural, spiritual, and reciprocal relationship with their environment. This symposium serves to foster dialogue and build collaborative networks as we, Native peoples, strive to sustain our cultural food practices and preserve our healthy relationships to the land, water, and all living things. Save the date:

Book Club | Chronicles from the Land of the Happiest People on Earth by Wole Soyinka?(UW Alumni)
Readers’ Choice! A mix of mystery and political satire, this novel takes aim at corruption in modern Nigeria. Two old friends decide to investigate a local cartel that traffics in human body parts. But in a country where religious charlatans and dishonest officials abound, can they trust anyone in their search? Free.

Week of March 2

February 26 – March 1 | (Dance)
Presenting seven original student-choreographed works. This platform gives students the opportunity to express their creative voices through choreography and costume design, as well as collaborating with lighting designers and mentors.

March 2 | (School of Music)
The Campus Band (Solomon Encina, conductor) and Concert Band (Yuman Wu, conductor) present their Winter Quarter concert, performing music by Julie Giroux, John Philip Sousa, Percy Grainger, Johan de Meij, Frank Ticheli, Aaron Perrine, and others.

Online – March 2 | ?(Jackson School of International Studies)
Presented by Kelly McGannon, current World Affairs Council Fellow, and Jeff Hovenier, U.S. Ambassador (ret.). Trump in the World 2.0 is an online series of talks and discussions featuring guest speakers and faculty exploring global perspectives on a second Trump administration. Free.

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March 3 | (School of Music)
Winter Quarter Ethnomusicology Visiting Artist Ramón Gutierrez hails from Xalapa, Veracruz in Mexico and specializes in playing the requinto (a small melodic guitar). He is the leader of the group Son de Madera, and has performed and recorded with musicians in other traditions, including the Chicano rock band Quetzal from Los Angeles and Antonio Corona, a performer of early music in Mexico. In this concert concluding his UW residency, he performs music from the Son Jarocho tradition with his UW students and special guests. Free.

March 3 | (School of Music)
The UW Chamber Singers and University Chorale collaborate with Seattle University Choirs (Leann Conley-Holcom, director) in performing Craig Hella Johnson’s Considering Matthew Shepard, a profound tale of discrimination, cruelty, death, yet with themes of hope.

Online option – March 4 |?Primary: Alma Thomas, Sisterhood, and the Revolutionary Quality of Light (Public Lectures)
Based on Alexis Pauline Gumbs’ forthcoming book of poetic indexes, this interactive poetic lecture explores the life, teaching, and artwork of color theorist Alma Thomas. Engaging themes of audience, intimacy, abstract expressionist art, and the dynamic relationship between Black women’s creativity and the process of being Earth, the lecture invites participants into a rhythmic dialogue of form, meaning, and presence. Free.

March 5 | ?(Burke Museum of Natural History and Culture)
Part of Burke’s Free First Thursday series, the museum opens its collections spaces from 4:30 to 7:30?PM. Visitors can explore behind?the-scenes labs and storage, and speak with researchers, staff, and volunteers about their work.?Free.

Online – March 6 | (Jackson School of International Studies)
Raising The Black Star presents a historical restoration of Kwame Nkrumah’s contributions to the Pan-African movement, as well as the transnational nature of post-colonial Ghana’s nation-building process. Dr. McLeod’s richly-textured narrative highlights the startling and continued relevance of Pan-Africanism in both historical and contemporary discussions of transnational solidarities and visions of a completely liberated African continent. Free.

March 6 | (School of Music)
UW Opera Workshop presents Melissa Dunphy’s 2023 opera Alice Tierney. With stage direction by Kelly Kitchens; music direction by Andrew Romanick. Commissioned by the Oberlin Opera Commissioning Program through the generosity of Elizabeth and Justus ’71 Schlichting, Melissa Dunphy’s opera Alice Tierney was premiered at Oberlin Conservatory in 2023, and at Opera Columbus in April 2023. Dunphy was one of seven winners of a 2020 OPERA America Discovery Grant, presented to female composers with the intention of increasing gender parity across the opera industry. That grant supported the development of Alice Tierney at Oberlin.

Online – March 6 | Palestine to Iraq with Adam Hanieh (Public Lectures)
Explore how World War I reshaped the Middle East. This lecture traces anti-colonial movements, Palestine’s pivotal role, and the shift from British to American power—linking regional upheaval to the global rise of fossil capitalism and reimagined imperial hierarchies. Free.

March 6 | (Harry Bridges Center for Labor Studies)
Over the past five centuries, empires have used partition and division to justify and advance colonialism. We can see that the ongoing history of colonial rule and racial violence is exploding around the world today—from Palestine to Minnesota and beyond. Scholars and activists gather to discuss anticolonial struggles, past and present. Free.

March 7 | (School of Music)
Emerging and established composers explore unconventional sonic landscapes in this concert of music by students, faculty, alumni, and guests of the UW Composition program. Free.

Week of March 9

Online – March 9 | ?(Jackson School of International Studies)
Presented by David Bachman, UW Professor, International Studies; James Lin, UW Associate Professor, International Studies and Taiwan historian; Tabitha Grace Mallory, Founder and CEO, China Ocean Institute; and Susan H. Whiting, UW Professor, Political Science. Trump in the World 2.0 is an online series of talks and discussions featuring guest speakers and faculty exploring global perspectives on a second Trump administration. Free.

March 10 | (School of Art + Art History + Design)
This year-long program series hopes to honor our commitment to social justice and to gather our community to think about the work of liberation through shared texts, art, film, music, conversation, and workshops. Unlike your traditional book club all the reading and study happens together, so no need to prepare. Join us monthly as we approach the topic of liberation from a number of perspectives. Free.

March 10 | (School of Music)
Students of John Popham present a chamber music showcase. Free.

March 10 | (School of Music)
The Modern Music Ensemble (Cristina Valdés, director) performs music by John Cage, Hilda Paredes, Sofia Gubaidulina, and Salvatore Sciarrino.

March 10 | (Stroum Center for Jewish Studies)
The short fiction collected in In the Shadow of the Holocaust, translated by Senderovich and Harriet Murav, recovers a range of compelling voices that had been scarcely known or translated, with particular emphasis on the work of women writers. Jewish authors from Ukraine, Lithuania, Russia, and Belarus—some writing in Yiddish and others in Russian—tell stories of ordinary people living on after the massive devastation of the Holocaust on Soviet territory, depicting memory, conflict, love, and loss. Writers in this collection offer especially powerful perspectives on survival in the aftermath of genocide. These are not stories only about how people died, but about how they continued to live and make meaning. Free.

March 12 | (Communication)

Veteran reporter and editor Miranda Spivack discusses her new book, Backroom Deals in Our Backyards: How Government Secrecy Harms Our Communities—and the Local Heroes Fighting Back (The New Press, May 6, 2025). In her book, Spivack shines a light on corruption close to home—uncovering how local governors, mayors, town councils, school boards, police, and prosecutors sometimes fail the very communities they serve. Through five eye-opening U.S. case studies, she introduces “accidental activists”—ordinary citizens who demanded answers when government officials failed to protect them. From car crashes and unsafe drinking water to faulty safety equipment, Spivack’s investigative reporting reveals the hidden deals, lies, and cover-ups that often keep communities in the dark—and celebrates the local heroes who stand up for accountability and transparency.

March 12 | (Simpson Center for the Humanities)
Tonia Sutherland examines the consequences of digitally raising the dead. Attending to the violent deaths of Black Americans–and the records that document them–from slavery through the present, Sutherland explores media evidence, digital acts of remembering, and the rights and desires of humans to be forgotten. Free.

March 12 | (School of Music)
The Wind Ensemble and Symphonic Band (Erin Bodnar, director) presents?Mystic Threads,?featuring music by Victoriano Valencia, Jodie Blackshaw, Reena Esmail, Florent Schmitt, Luigi Zaninelli, and others. With guest composer Simon Alami.

March 12 – 21 | (School of Drama)
For most of Sorrel’s high school career, she was friendless and quietly weird. She didn’t even seem to fit in with the geeky kids. When she turned seventeen, and late puberty produced a supermodel physique, she became seen as a “hot dork”. Bunny spans twenty years of Sorrel’s life. Unencumbered by the burden of shame, she journeys through the complex social expectations surrounding female sexuality. MFA student Ren Langer directs this intimate and thought-provoking play.

March 13 | (School of Music)
David Alexander Rahbee leads the UW Symphony in a program of music by Mieczyslaw Karlowicz and Sergei Prokofiev. Faculty violinist Rachel Lee Priday is featured soloist with the orchestra for Karlowicz’s Violin Concerto in A major, op. 8.

March 14 | (Meany Center for the Performing Arts)
Grammy-nominated violinist, songwriter and multi-instrumentalist Andrew Bird joins acclaimed jazz drummer and UW Professor Ted Poor for a night of genre-defying music. Blending elements of folk, jazz, classical and indie rock, their sound is adventurous and soulful. Bird’s signature whistling, looping and lyrical finesse meet Poor’s expressive, boundary-pushing rhythms.

Week of March 16

March 12 – March 21 | (School of Drama)
For most of Sorrel’s high school career, she was friendless and quietly weird. She didn’t even seem to fit in with the geeky kids. When she turned seventeen, and late puberty produced a supermodel physique, she became seen as a “hot dork”. Bunny spans twenty years of Sorrel’s life. Unencumbered by the burden of shame, she journeys through the complex social expectations surrounding female sexuality. MFA student, Ren, directs this intimate and thought-provoking play.

March 16 | (Chemistry)
Hemamala (Hema) Karunadasa is the J. G. Jackson and C. J. Wood Professor of Chemistry, and Professor of Materials Science and Engineering, by courtesy, at Stanford University. She is a Faculty Scientist at the SLAC National Lab and a Senior Fellow of the Precourt Institute for Energy. She received her A.B. from Princeton University and her Ph.D. in inorganic chemistry from UC Berkeley, with postdoctoral training at the Lawrence Berkeley National Lab and at the California Institute of Technology. Her group uses solution-state methods for the self-assembly of solid-state materials, with an emphasis on halide perovskites and their derivatives. Her recent awards include the Brown Science Foundation Investigator award (2022) and the American Chemical Society Harry Gray award (2020) and the Inorganic Lectureship (2022). She is an Associate Editor for?Chemical Science (Royal Chemical Society).?Free.

March 16 | (Jackson School of International Studies)
What can one neighborhood reveal about the making of a modern nation? This talk deciphers the unexpected significance of Xita, a half-square-mile quarter in Shenyang, in Northeast China. It shows that over nearly four centuries, Xita has been shaped and reshaped by empire, war, migration, and urban transformation. The history of this small area mirrors large-scale changes, including and especially China’s metamorphosis from a multi-ethnic Eurasian empire to a postindustrial society. By studying how global and local forces play out in everyday spaces, the talk reveals a perspective for understanding China’s past—not from the top down, but through the streets and people who lived it. Free.

March 18 | (Psychology)
This lecture is made possible in part by a generous endowment from Professor Allen L. Edwards. The event will conclude with a Q&A session followed by a reception. Hosted by Sheri Mizumori. Free.

March 19 | (Meany Center for the Performing Arts)
Known for his phenomenal technique and ravishing tone, German virtuoso Augustin Hadelich is one of the most celebrated violinists of our time. His musical partner, the Swiss pianist Francesco Piemontesi, performs with sensitivity and poetry combined with power and brilliance. Together, they embark on an evening of mostly French music, from Rameau and Poulenc to Franck, Debussy and Kurtág.

March 31 | ?(College of Education)
EduTalks brings together educators, researchers and community leaders to share bold ideas shaping the future of education. In just five minutes — and with a single powerful image — each presenter explores innovative approaches to today’s most pressing challenges. In the College of Education, we’re “solving for x,” taking inspiration from high school algebra to step into the complicated, often uncertain challenges in education with imagination and heart. In math, x represents the unknown. In education, it symbolizes the complex questions we face as we strive for a more just, equitable and joyful future for all learners. Solving for these challenges takes imagination, persistence and, above all, community. Free.

ArtSci Roundup goes monthly!

The ArtSci Roundup is your guide to connecting with the UW—whether in person, on campus, or on your couch.

Previously shared on a quarterly basis, those who sign up for the Roundup email will receive them monthly, delivering timely updates and engaging content wherever you are. Check the roundup regularly, as events are added throughout the month. Make sure to check out the ArtSci On Your Own Time section for everything from podcasts to videos to exhibitions that can be enjoyed when it works for you!

In addition, if you like the ArtSci Roundup, sign up to receive a monthly notice when it’s been published.

Do you have an event that you would like to see featured in the ArtSci Roundup? Connect with Lauren Zondag (zondagld@uw.edu).uw.edu).

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